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Although Tom Scanlon would just as soon spend it alone, his ninetieth birthday becomes the occasion for a family gathering in the Midwestern town of Lone Tree. The unlikely celebrants take this opportunity to reconceive their visions of past, future, and family in their own grotesque and ultimately liberating ways. Ceremony in Lone Tree is a spare and beautiful work by one of America's great postwar authors.
On March 28, 1966, Peace Corps personnel in Tanzania received word that volunteer Peppy Kinsey had fallen to her death while rock climbing during a picnic. Local authorities arrested Kinsey's husband, Bill, and charged him with murder as witnesses came forward claiming to have seen the pair engaged in a struggle. The incident had the potential to be disastrous for both the Peace Corps and the newly independent nation of Tanzania. Because of the high stakes surrounding the trial, questions remain as to whether there was more behind the final "not guilty" verdict than was apparent on the surface. Peter H. Reid, who served as a Peace Corps volunteer in Tanzania at the time of the Kinsey murder trial, draws on his considerable legal experience to expose inconsistencies and biases in the case. He carefully scrutinizes the evidence and the investigation records, providing insight into the motives and actions of both the Peace Corps representatives and the Tanzanian government officials involved. Reid does not attempt to prove the verdict wrong but examines the events of Kinsey's death, her husband's trial, and the aftermath through a variety of cultural and political perspectives. Meticulously researched and replete with intricate detail, this compelling account sheds new light on a notable yet overlooked international incident involving non-state actors in the Cold War era.
This book is an attempt to approach the work of a leading American novelist from both sides of the looking-glass?from the opposite, but not necessarily opposing, points of view of the writer/creator and the reader/critic. In 1975, while the author was visiting professor of English at the University of Nebraska-Lincoln, several scholar-critics (among them John W. Aldridge, Wayne C. Booth, and David Madden) were invited to speak about his craft and artistic aims and principles and to record conversations with him about issues growing from their addresses. Since Morris is also an important photographer, facets of his achievement in this field were considered by Peter C. Bunnell. In addition to four conversations, three lectures, and a portfolio of twelve photographs, this volume includes an essay by Wright Morris and a bibliography compiled by Robert L. Boyce.
"Wright Morris seems to me the most important novelist of the American middle generation. Through a large body of work -which, unaccountably, has yet to receive the wide attention it deserves--Mr. Morris has adhered to standards which we have come to identify as those of the most serious literary art. His novel The Field of Vision brilliantly climaxes his most richly creative period. It is a work of permanent significance and relevance to those who cannot be content with less than a full effort to cope with the symbolic possibilities of the human condition at the present time."--John W. Aldridge
**AS SEEN ON BBC BETWEEN THE COVERS** 25TH ANNIVERSARY EDITION - WITH A NEW INTRODUCTION BY THE AUTHOR 'A true diamond of a novel, glinting with comedy and tragedy' Daily Mail It is 1941 and Captain Antonio Corelli, a young Italian officer, is posted to the Greek island of Cephallonia as part of the occupying forces. At first he is ostracised by the locals but over time he proves himself to be civilised, humorous – and a consummate musician. When Pelagia, the local doctor's daughter, finds her letters to her fiancé go unanswered, Antonio and Pelagia draw close and the working of the eternal triangle seems inevitable. But can this fragile love survive as a war of bestial savagery gets closer and the lines are drawn between invader and defender? 'Louis de Bernières is in the direct line that runs through Dickens and Evelyn Waugh...he has only to look into his world, one senses, for it to rush into reality, colours and touch and taste' Evening Standard
The Great Plains has long been fertile ground for literature. The Nature of the Place is a comprehensive study of novels and stories by such Plains writers as Willa Cather, Wright Morris, Mari Sandoz, Laura Ingalls Wilder, Frederick Manfred, Wallace Stegner, and Bess Streeter Aldrich. Throughout, Diane Dufva Quantic is aware of the region’s collective social and cultural history—aware of the immensely fruitful clash between that complex history and Plains myth (such as “Garden of the World” and “Great American Desert”). In the vast and changeable Great Plains, as Wright Morris once remarked, “Many things would come to pass, but the nature of the place would remain a matter of opinion.”
He skipped his senior year at college to go to Europe, where he was befriended by a Countess, was kept a prisoner in a castle by a mad Count, and almost met Mussoliniclose enough to land him in an Italian jail. Wright Morris returned to the States and went on to become probably the most experimental American novelist of the last century. He ended up with almost every award and prize that a novelist can earn, and his work was praised over and over again by many of our most prestigious critics. In addition to publishing thirty-four books, he was also an eminent photographer. He not only had his work shown in numerous museums and galleries around the country, but his photographs were also displayed throughout five photo-text booksa form that he pioneered.
In this remarkable book, Tony Hilfer provides a major survey of the wealth of post-war American fiction. He analyses the major modes and genres of writing, from realist to postmodernist metafiction and black humour, the fiction of social protest, women's writing, and the traditions of African-American, Southern and Jewish-American fiction. Key writers discussed include William Faulkner, Norman Mailer, Ralph Ellison, Saul Bellow, Joseph Heller, Vladimir Nabokov and Joyce Carol Oates. The book concludes by exploring contemporary trends through detailed case-studies of Donald Barthelme and Toni Morrison.