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This multidisciplinary study analyzes the visual, linguistic, and cultural significance of the imagery used by the Moche in their ceramics and murals.
"This is the largest collection of Moche portraits that has ever been published. As one of the most remarkable groups of portraits produced by any ancient people, it will be of interest to all connoisseurs and scholars of the world's great art traditions, as well as to students of the Moche and prehistoric Andean peoples."--BOOK JACKET.
Adding an important new chapter to pre-Columbian art history, this volume is the first to assemble and analyze a comprehensive body of ancient Andean architectural representations, as well as the first that explores their connections to full-scale pre-Hispanic ritual architecture.
For almost eight hundred years (100 BC–AD 650) Nasca artists modeled and painted the plants, animals, birds, and fish of their homeland on Peru’s south coast as well as numerous abstract anthropomorphic creatures whose form and meaning are sometimes incomprehensible today. In this first book-length treatment of Nasca ceramic iconography to appear in English, drawing upon an archive of more than eight thousand Nasca vessels from over 150 public and private collections, Donald Proulx systematically describes the major artistic motifs of this stunning polychrome pottery, interprets the major themes displayed on this pottery, and then uses these descriptions and his stimulating interpretations to analyze Nasca society. After beginning with an overview of Nasca culture and an explanation of the style and chronology of Nasca pottery, Proulx moves to the heart of his book: a detailed classification and description of the entire range of supernatural and secular themes in Nasca iconography along with a fresh and distinctive interpretation of these themes. Linking the pots and their iconography to the archaeologically known Nasca society, he ends with a thorough and accessible examination of this ancient culture viewed through the lens of ceramic iconography. Although these static images can never be fully understood, by animating their themes and meanings Proulx reconstructs the lifeways of this complex society.
This cohesive edited volume showcases data collected from more than seven thousand ceramic artifacts including pottery, figurines, clay pipes, and other objects from sites across South America. Covering a time span from 900 BC to AD 1500, the essays by leading archaeologists working in South America illustrate the diversity of ceramic provenance investigations taking place in seven different countries. An introductory chapter provides a background for interpreting compositional data, and a final chapter offers a review of the individual projects. Students, scholars, and researchers in archaeological study on the interactions between the indigenous peoples of South America and studies of their ceramics will find this volume an invaluable reference.
This is the first volume to bring together archaeology, anthropology, and art history in the analysis of pre-Columbian pottery. While previous research on ceramic artifacts has been divided by these three disciplines, this volume shows how integrating these approaches provides new understandings of many different aspects of Ancient American societies. Contributors from a variety of backgrounds in these fields explore what ceramics can reveal about ancient social dynamics, trade, ritual, politics, innovation, iconography, and regional styles. Essays identify supernatural and humanistic beliefs through formal analysis of Lower Mississippi Valley "Great Serpent" effigy vessels and Ecuadorian depictions of the human figure. They discuss the cultural identity conveyed by imagery such as Andean head motifs, and they analyze symmetry in designs from locations including the American Southwest. Chapters also take diachronic approaches—methods that track change over time—to ceramics from Mexico’s Tarascan State and the Valley of Oaxaca, as well as from Maya and Toltec societies. This volume provides a much-needed multidisciplinary synthesis of current scholarship on Ancient American ceramics. It is a model of how different research perspectives can together illuminate the relationship between these material artifacts and their broader human culture. Contributors: | Dean Arnold | George J. Bey III | Michael Carrasco | David Dye | James Farmer | Gary Feinman | Amy Hirshman | Yumi Park Huntington | Johanna Minich | Shelia Pozorski and Thomas Pozorski | Jeff Price | Sarahh Scher | Dorothy Washburn | Robert F. Wald