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This book broadens the discussion of pottery and china in the Victorian era by situating them in the national, imperial, design reform, and domestic debates between 1840 and 1890. Largely ignored in recent scholarship, Ceramics in the Victorian Era: Meanings and Metaphors in Painting and Literature argues that the signification of a pot, a jug, or a tableware pattern can be more fully discerned in written and painted representations. Across five case studies, the book explores a rhetoric and set of conventions that developed within the representation of ceramics, emerging in the late-18th century, and continuing in the Victorian period. Each case study begins with a textual passage exemplifying the outlined theme and closes with an object analysis to demonstrate how the fusing of text, image, and object are critical to attaining the period eye in order to better understand the metaphorical meanings of ceramics. Essential reading not only for ceramics scholars, but also those of material culture, the book mines the rich and diverse archive of Victorian painting and literature, from the avant-garde to the sentimental, from the well-known to the more obscure, to shed light on the at once complex and simple implications of ceramics' agencies at this time.
This book addresses the contributions made by analytical chemistry to the characterisation of 18th and early 19th Century English and Welsh porcelains commencing with the earliest reports of Sir Arthur Church and of Herbert Eccles and Bernard Rackham using chemical digestion techniques and concluding with the most recent instrumental experiments, which together span more than a hundred years of study. From the earliest experiments which required necessarily the sacrifice of significant portions of each specimen, which may already have been damaged , to the latest experiments which needed only microsampling or the non-destructive interrogation of valuable perfect specimens a comprehensive survey is undertaken of more than twenty manufactories of quality porcelains. The correlation is made between the quantitative elemental oxide determinations of the scanning electron microscopic diffraction and Xray fluorescence data and the qualitative molecular spectroscopic Raman data to demonstrate their complementarity and use in the holistic forensic assessment of the origin of the fired procelains ; this will form the groundwork for the adoption of analytical techniques for the attribution of unknown or questionable procelains to their potential source factories . The book will also examine the perception of what constitutes a porcelain and its definitions and examines the assignment of porcelains to types which currently employs the definitions of hard paste , soft paste , hybrid , magnesian and bone china from the conclusions derived from the analytical data and a consideration of the raw materials employed in their manufacturing processes. During the discussion of this analytical evidence several themes and protocols have been established for its utilisation in the potential identification of porcelains and several case studies undertaken for this purpose are cited. The book will be of interest to analytical scientists , to museum ceramics curators and to ceramics historians.
The first comprehensive study of the most important ceramic innovation of the 19th century Colorful, wildly imaginative, and technically innovative, majolica was functional and aesthetic ceramic ware. Its subject matter reflects a range of 19th-century preoccupations, from botany and zoology to popular humor and the macabre. Majolica Mania examines the medium’s considerable impact, from wares used in domestic settings to monumental pieces at the World’s Fairs. Essays by international experts address the extensive output of the originators and manufacturers in England—including Minton, Wedgwood, and George Jones—and the migration of English craftsmen to the U.S. New research including information on important American makers in New York, Baltimore, and Philadelphia is also featured. Fully illustrated, the book is enlivened by new photography of pieces from major museums and private collections in the U.S. and Great Britain.
An innovative exploration of Victorian art and politics that examines how paintings and newspaper illustrations visualized franchise reform.
Ceramic dinner services, housewares and tea sets decorated with finely detailed transfer prints in "Romantic Staffordshire" designs of the Victorian era. Over 500 color photos shown with a discussion of prints produced by English potteries, the manufacturers' marks, values guide, bibliography and index.
Hazel Conway introduces the student new to the subject to different areas of design history and shows some of the ways in which it can be studied and some of its delights and difficulties. No background knowledge of design history, art or architecture is assumed.
The Ramsey House was built in 1797 for Col. Francis Alexander Ramsey, a prominent early settler of East Tennessee who, along with his two sons J. G. M. Ramsey and William B. A. Ramsey, shaped the physical and cultural landscape of what would become Knox county and Knoxville, Tennessee. The one-hundred-acre homestead, referred to by Colonel Ramsey as Swan Pond, contained the Ramsey home as well as other outbuildings and slave quarters. In 1952, the Association for the Preservation of Tennessee purchased the tract of land, and the Ramsey House is now listed on the National Register of Historic Places. Charles H. Faulkner began archaeological investigations at the Ramsey House in 1985 and concluded his work with his retirement from the University of Tennessee's anthropology department in 2005. During his tenure with the Ramsey House Archaeological Project, Faulkner and his team of scholars and students unearthed the prehistory of Native American occupation at Swan Pond, several outbuilding and early home foundation features yielding evidence of extensive early renovations to the Ramsey House and surrounding Swan Pond, and a multitude of ceramics and other artifacts left behind by the Ramsey family and other tenants ranging in dates from the late 1700s to the 1950s. Faulkner's research presented in The Ramseys at Swan Pond reveals not only the material culture and family lifeways of early wealth in East Tennessee, but chronicles the occupation of a homestead that would become pivotal to the development of early Knoxville and Knox County and offers insights into the responsibilities Ramsey and his family undertook in order to tame an early American frontier. Faulkner provides the reader a complete overview of the excavations, and emphasizes the importance of historic research within the discipline of archaeology in his introduction. The Ramseys at Swan Pond will be of interest to anyone studying historic archeology, the early American frontier, and Tennessee history. Charles H. Faulkner is Professor Emeritus in the Department of Anthropology and Distinguished Professor of Humanities at the University of Tennessee. He is the author/editor of The Prehistoric Native American Art of Mud Glyph Cave, The Old Stone Fort: Exploring an Archaeological Mystery, Rock Art of the Eastern Woodlands, and numerous other essays.
Contains 627 alphabetically arranged essays that examine significant people, places, and events in the social, political, and intellectual history of Great Britain during the sixty-four-year reign of Queen Victoria, from 1837 to 1901.
Widely considered to be the most comprehensive introduction to ceramics available, this book contains numerous step-by-step illustrations of various ceramic techniques to guide the beginner as well as inspirational ceramic pieces from contemporary potters from around the world. For the more experienced ceramist, there is a wealth of technical detail on things like glaze formulas and temperature conversions which make the book an ideal reference. To quote one review: ...I am a studio potter and would not be without it. The fourth edition has been updated to include profiles of key ceramists who have influenced the field, new material on marketing ceramics including using the internet, more on the use of computers, added coverage of paperclays, using gold and alternative glazes.
Drawn from Birmingham Museums Trust's incomparable collection of Victorian art and design, this exhibition will explore how three generations of young, rebellious artists and designers, such as Edward Burne-Jones, John Everett Millais, and Dante Gabriel Rossetti, revolutionized the visual arts in Britain, engaging with and challenging the new industrial world around them.