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This is an up-to-date account of the different kinds of information that can be obtained through the archaeological study of pottery.
This manual on pottery-making in antiquity is a compendium of almost everything bearing on the interpretation of ancient ceramics in antiquity. Because of this, it is likely to remain a standard work for many years to come. Both the student and the more experienced researcher will benefit from this book and will find it easy to follow because of the lively presentation. The whole subject of ceramics is here, from clay acquisition to kilns and firing, backed with an extensive bibliography. It is a work of reference which should have a place on every archaeologist's bookshelf from their first day at University until retirement. In Volume II, Part Two is titled Modern Laboratory Techniques and provides a summary of the most widely used scientific techniques which can aid the archaeologist in the understanding and interpretation of ancient ceramics.
More than any other category of evidence, ceramics ofters archaeologists their most abundant and potentially enlightening source of information on the past. Being made primarily of day, a relatively inexpensive material that is available in every region, ceramics became essential in virtually every society in the world during the past ten thousand years. The straightfor ward technology of preparing, forming, and firing day into hard, durable shapes has meant that societies at various levels of complexity have come to rely on it for a wide variety of tasks. Ceramic vessels quickly became essential for many household and productive tasks. Food preparation, cooking, and storage-the very basis of settled village life-could not exist as we know them without the use of ceramic vessels. Often these vessels broke into pieces, but the virtually indestructible quality of the ceramic material itself meant that these pieces would be preserved for centuries, waiting to be recovered by modem archaeologists. The ability to create ceramic material with diverse physical properties, to form vessels into so many different shapes, and to decorate them in limitless manners, led to their use in far more than utilitarian contexts. Some vessels were especially made to be used in trade, manufacturing activities, or rituals, while ceramic material was also used to make other items such as figurines, models, and architectural ornaments.
This volume draws together topics and methodologies essential for the socio-cultural, mineralogical, and geochemical analysis of archaeological ceramic, one of the most complex and ubiquitous archaeomaterials in the archaeological record. It provides an invaluable resource for archaeologists, anthropologists, and archaeological materials scientists.
Pottery is the most ubiquitous find in most historical archaeological excavations and serves as the basis for much research in the discipline. But it is not only its frequency that makes it a prime dataset for such research, it is also that pottery embeds many dimensions of the human experience, ranging from the purely technical to the eminently symbolic. The aim of this book is to provide a cutting-edge theoretical and methodological framework, as well as a practical guide, for archaeologists, students and researchers to study ceramic assemblages. As opposed to the conventional typological approach, which focuses on vessel shape and assumed function with the main goal of establishing a chronological sequence, the proposed framework is based on the technological approach. Such an approach utilizes the concept of chaîne opératoire, which is geared to an anthropological interpretation of archaeological objects. The author offers a sound theoretical background accompanied by an original research strategy whose presentation is at the heart of this book. This research strategy is presented in successive chapters that are geared to explain not only how to study archaeological assemblages, but also why the proposed methods are essential for achieving ambitious interpretive goals. In the heated debate on the equation stating that “pots equal people”, which is a rather fuzzy reference to assumed relationships between (mostly) ethnic groups and pottery, technology enables us to propose with conviction the equation “pots equal potters”. In this way, a well-founded history of potters is able to achieve a much better cultural and anthropological understanding of ancient societies.​
Just as a single pot starts with a lump of clay, the study of a piece’s history must start with an understanding of its raw materials. This principle is the foundation of Pottery Analysis, the acclaimed sourcebook that has become the indispensable guide for archaeologists and anthropologists worldwide. By grounding current research in the larger history of pottery and drawing together diverse approaches to the study of pottery, it offers a rich, comprehensive view of ceramic inquiry. This new edition fully incorporates more than two decades of growth and diversification in the fields of archaeological and ethnographic study of pottery. It begins with a summary of the origins and history of pottery in different parts of the world, then examines the raw materials of pottery and their physical and chemical properties. It addresses ethnographic and ethnoarchaeological perspectives on pottery production; reviews the methods of studying pottery’s physical, mechanical, thermal, mineralogical, and chemical properties; and discusses how proper analysis of artifacts can reveal insights into their culture of origin. Intended for use in the classroom, the lab, and out in the field, this essential text offers an unparalleled basis for pottery research.
The 23 papers presented here are the product of the interdisciplinary exchange of ideas and approaches to the study of kitchen pottery between archaeologists, material scientists, historians and ethnoarchaeologists. They aim to set a vital but long-neglected category of evidence in its wider social, political and economic contexts. Structured around main themes concerning technical aspects of pottery production; cooking as socioeconomic practice; and changing tastes, culinary identities and cross-cultural encounters, a range of social economic and technological models are discussed on the basis of insights gained from the study of kitchen pottery production, use and evolution. Much discussion and work in the last decade has focussed on technical and social aspects of coarse ware and in particular kitchen ware. The chapters in this volume contribute to this debate, moving kitchen pottery beyond the Binfordian ‘technomic’ category and embracing a wider view, linking processualism, ceramic-ecology, behavioral schools, and ethnoarchaeology to research on historical developments and cultural transformations covering a broad geographical area of the Mediterranean region and spanning a long chronological sequence.
The Cambridge Companion to Historical Archaeology provides an overview of the international field of historical archaeology (c.AD 1500 to the present) through seventeen specially-commissioned essays from leading researchers in the field. The volume explores key themes in historical archaeology including documentary archaeology, the writing of historical archaeology, colonialism, capitalism, industrial archaeology, maritime archaeology, cultural resource management and urban archaeology. Three special sections explore the distinctive contributions of material culture studies, landscape archaeology and the archaeology of buildings and the household. Drawing on case studies from North America, Europe, Australasia, Africa and around the world, the volume captures the breadth and diversity of contemporary historical archaeology, considers archaeology's relationship with history, cultural anthropology and other periods of archaeological study, and provides clear introductions to alternative conceptions of the field. This book is essential reading for anyone studying or researching the material remains of the recent past.
This publication originated during a session organized for the 15th European Archaeologist Conference, held in Riva del Garda (Trento - Italy) in September 2009, on the 'The chaîne opératoire approach to ceramics studies'. It was focused on the concept of the chaîne opératoire as applied in contemporary ceramics studies. Particular attention was given to experimental and archaeometrical approaches that allow for a better understanding of the technological aspects of a culture.
A 'state of the art' guide to pottery analysis providing information on recent scientific developments and the latest statistical techniques.