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The human figure has been represented in clay throughout history and continues to evolve today. Artists are working with the figure in new ways, playing with materials and forms, and making use of new technologies to produce challenging and unconventional work, from the intact whole figure to the fragmented, hybrid and abstract.Ceramics and the Human Figure profiles an international range of ceramic artists, all practicing within the fields of installation and sculpture. Divided by broad themes, each chapter explores a variety of different expressive works. The book explores the role of figurative ceramics through history and in contemporary contexts. It also reveals the methods of six key artists, using how-to images to illustrate their techniques.For artists, collectors, and anyone interested in these themes, Ceramics and the Human Figure is an exciting survey of the state of the figure in clay today.
This key text includes individual artists within the field of installation and sculpture as well as those incorporating new technologies. The artists are divided by theme, with each chapter giving a short introduction, and then going on to display the work and ideas of each, showing the very innovative and diverse range of work being made today. A chapter is also included on making methods, giving a glimpse behind the scenes at some of the amalgamation of techniques used to create each piece.
A stunning survey of nine master ceramists and a fascinating study of their sculptural techniques.
This volume offers a celebration of 50 contemporary artists from around the world who have chosen to create the human form in clay. The text includes a detailed account of each artist's work, along with biographical details and descriptions of working methods.
Covers modelling from casts, live models; measurements; frameworks; scale of proportions; compositions; reliefs, drapery, medals, etc. 107 full-page photographic plates. 27 other photographs. 175 drawings and diagrams.
The animals in Beth Cavener's work are better described as avatars, embodiments of persons or emotions that disguise her subjects. In this way she gives her subjects an expanded identity, pairing each with an animal that, to one extent or another, explains or parallels their behavior. The animal reveals the subject's primal roots and serves as the lens through which we see the evolution of the subject into a modern being. We ultimately come to understand that the human and the animal are inexorably linked together. The dynamism of Beth Cavener's figures comes from the constant shifting in our minds from human to animal. It is kinetic, releasing emotional energy caused by the disparity between what we see--the animal form--and what we know--that this is a human portrait. Thus the fascination in Cavener's art is perpetual.
A comprehensive guide for sculptors looking to recreate the human body using clay, from the author of The Portrait in Clay In Sculpting the Figure in Clay, acclaimed portrait bust sculptor Peter Rubio teaches a master class in the essentials of figurative sculpture. In this intensive, all-inclusive guide, he introduces students to a natural, straightforward geometry that will help them become masters at forming figures of clay. Rubino’s unique approach utilizes a geometric system consisting of blocks, simple shapes, and guidelines that instruct students in a new and instinctive sculptural style, With these easy-to-follow instructions and informative concepts, students will see figures as the basic shapes beneath the form as well as learn vital approaches such as BLT: Bend, Lean, and Turn, to create evocative expression, and the Three Ps: Position, Proportion, and Plans, for accurate representation. Other topics include: • The Fundamentals of the Clay Torso • Observing the Model • Essential Materials and Tools • Sculpting the Female Torso from the Live Model • Sculpting the Reclining Figure from the Live Model • Sculpting the Hand, Foot, and Lower Arm • Plus Many Photographic Reference Poses for Continued Study This unparalleled resource is the definitive guide to figurative sculpture.
An easy-to-follow beginner's workshop in creating the human form and self-supporting, standing animals in clay simple. This revised and updated edition includes 4 new projects.
This book takes the reader through the process of learning how to make hand built ceramic sculpture with simple yet evocative, flexible techniques. Intended primarily for beginners, the text also addresses issues of ceramic form, process and ideation that will be valuable to intermediate ceramic artists as well. An extensive, full color gallery section showcases some of the best contemporary ceramic sculpture from 104 artists worldwide.