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In a series of essays and superb images, this gloriously illustrated book discusses and illustrates the whole spectrum of Finnish ceramic art - its pioneers, personalities, techniques and distinctive works.
Widely considered to be the most comprehensive introduction to ceramics available, this book contains numerous step-by-step illustrations of various ceramic techniques to guide the beginner as well as inspirational ceramic pieces from contemporary potters from around the world. For the more experienced ceramist, there is a wealth of technical detail on things like glaze formulas and temperature conversions which make the book an ideal reference. To quote one review: ...I am a studio potter and would not be without it. The fourth edition has been updated to include profiles of key ceramists who have influenced the field, new material on marketing ceramics including using the internet, more on the use of computers, added coverage of paperclays, using gold and alternative glazes.
Presents the artistic accomplishments of the American potter Karen Karnes, discussing her early works produced during communial living in North Carolina and New York, her mature work produced in Vermont, and her status as an international artist.
No longer considered merely decorative, ceramic art has broken free from the dusty display cases to which it was once relegated and is now taking centre stage in contemporary galleries. Although often integrating traditional modelling, firing and glazing techniques into their output, the 90 artists featured here invite us to look at ceramics in a different way. Whether creating monumental installations or intricate miniatures, imaginary beasts or life-size human figures, they subtly blur the borders between art and craft, sometimes conceiving witty or unnerving twists on traditional ceramic forms, sometimes using cutting-edge technology, conceptual thinking and new platforms to push the boundaries of clay and broaden its appeal. Packed with works that are questioning and provocative, disturbing and seductive, this is an exciting overview of a booming field.
This catalogue published by the Design Museum in Helsinki gives the history of the Finnish company famed for the quality and design of many everyday and art ceramics. Arabia was founded as Finland was industrializing in the 1870s. Its ability to maintain its standards over 135 years, when Finland was part of the Russian Empire, when it was independent, and after the turmoil of war has enabled it to play an important part in the international fame of Finnish design. Chapter one gives an overview of the Arabia factory{u2019}s achievements over the years; chapter two taps unpublished archival materials to give a sense of the working methods, techniques, and models of the company{u2019}s designers; chapter three sketches the evolution of design in table services from the Asian stylization of the 1870s to the innovative works of the mid twentieth century; chapter four follows the design history through the second half of the twentieth century when modernism prevailed. Subsequent chapters cover specific themes: renowned designers such as Kaj Franck and the origins and parallels of their best designs; reforms and new methods; the art department and the artists. Factory marks, bibliography, and index enhance the book{u2019}s usefulness as a source on Finnish design, and new photography of Arabia pieces in the Design Museum ensure the accuracy and beauty of the illustrations. -- Summary written by John W. Emerich, Bronze Horseman Literary Agency.
This book describes the development of the main types of wood-fired kilns used by today's potters.
In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.