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What first appears as a tiny moving shadow, no bigger than a fly, on the dazzling horizon slowly reveals itself as the grim shape of violence and death; in the destruction left behind?the mother?s broken body, the hidden child, the crying infant?begins the story of wandering and loss, of exile and desolation that sounds all the sad echoes of disappearing Bedouin life. Set in the first half of the twentieth century, Malika Mokeddem?s Century of Locusts combines the magic of exquisitely wrought desert landscapes, the intrigue of Bedouin tales of madmen and poets, and the personal pain of exile and isolation to evoke a way of life destroyed by the scourge of settler colonialism. The book tells the braided tales of those left to resist: a wandering poet and his mute, stricken daughter, Yasmine; the lunatic Majnoun; and Majnoun's murderous sidekick, Hassan, who twitches and squints with malevolence, lurking along the story?s shadowy borders. Rippling ever outward with allusions and echoes, the tale eventually encompasses Algeria?s legendary past, its colonial injustices, and its uncertain future, even as Mokeddem?s poetry and deft touch confer life and hope on the ravaged body of this desert land.
Throughout the nineteenth century, swarms of locusts regularly swept across the continent, turning noon into dusk, demolishing farm communities, and bringing trains to a halt as the crushed bodies of insects greased the rails. In 1876, the U.S. Congress declared the locust "the single greatest impediment to the settlement of the country." From the Dakotas to Texas, from California to Iowa, the swarms pushed thousands of settlers to the brink of starvation, prompting the federal government to enlist some of the greatest scientific minds of the day and thereby jumpstarting the fledgling science of entomology. Over the next few decades, the Rocky Mountain locust suddenly -- and mysteriously -- vanished. A century later, Jeffrey Lockwood set out to discover why. Unconvinced by the reigning theories, he searched for new evidence in musty books, crumbling maps, and crevassed glaciers, eventually piecing together the elusive answer: A group of early settlers unwittingly destroyed the locust's sanctuaries just as the insect was experiencing a natural population crash. Drawing on historical accounts and modern science, Locust brings to life the cultural, economic, and political forces at work in America in the late-nineteenth century, even as it solves one of the greatest ecological mysteries of our time.
What first appears as a tiny moving shadow, no bigger than a fly, on the dazzling horizon slowly reveals itself as the grim shape of violence and death; in the destruction left behind?the mother?s broken body, the hidden child, the crying infant?begins the story of wandering and loss, of exile and desolation that sounds all the sad echoes of disappearing Bedouin life. Set in the first half of the twentieth century, Malika Mokeddem?s Century of Locusts combines the magic of exquisitely wrought desert landscapes, the intrigue of Bedouin tales of madmen and poets, and the personal pain of exile and isolation to evoke a way of life destroyed by the scourge of settler colonialism. The book tells the braided tales of those left to resist: a wandering poet and his mute, stricken daughter, Yasmine; the lunatic Majnoun; and Majnoun's murderous sidekick, Hassan, who twitches and squints with malevolence, lurking along the story?s shadowy borders. Rippling ever outward with allusions and echoes, the tale eventually encompasses Algeria?s legendary past, its colonial injustices, and its uncertain future, even as Mokeddem?s poetry and deft touch confer life and hope on the ravaged body of this desert land.
The Locusts is the first monograph by photographer and publisher Jesse Lenz. His images transport the reader to rural Ohio where his children run wild in the fields, build forts in the attic, and fall asleep surrounded by lightsabers and superheroes. The microcosmic worlds of plants, insects, animals, and children create a brooding landscape where dichotomies of nature play out in front of his growing family. The backyard becomes a labyrinth of passages as the children experience the cycles of birth and death in the changing seasons. The Locusts depicts a world in which beautiful and terrible things will happen, but offers grace and healing within the brokenness and imperfection of life.
DigiCat Publishing presents to you this special edition of "The Day of the Locust" by Nathanael West. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
NO ONE HAS SATIRIZED New York society quite like Dawn Powell, and in this classic novel she turns her sharp eye and stinging wit on the literary world, and "identifies every sort of publishing type with the patience of a pathologist removing organs for inspection." Frederick Olliver, an obscure historian and writer, is having an affair with the restively married, beautiful, and hugely successful playwright, Lyle Gaynor. Powell sets a see-saw in motion when Olliver is swept up by the tasteless publishing tycoon, Tyson Bricker, and his new book makes its way onto to the bestseller lists just as Lyle's Broadway career is coming apart.
A Washington Post bestseller While the world has made encouraging strides in the fight against global poverty, the hidden plague of everyday violence silently undermines our best efforts to help the poor. Common violence like rape, forced labor, illegal detention, land theft, and police abuse has become routine and relentless. And like a horde of locusts devouring everything in its path, the unchecked plague of violence ruins lives, blocks the road out of poverty, and undercuts development. How has this plague of violence grown so ferocious? In one of the most remarkable social disasters of the last half century, basic public justice systems in the developing world have descended into a state of utter collapse, and there's nothing shielding the poor from violent people. Gary A. Haugen and Victor Boutros offer a searing account of how we got here and what it will take to end the plague. The Locust Effect is a gripping journey into the streets and slums where fear is a daily reality for billions of the world's poorest, where safety is secured only for those with money, and where much of our well-intended aid is lost in the daily chaos of violence. While their call to action is urgent, Haugen and Boutros provide hope, a real solution and an ambitious way forward. The Locust Effect will forever change the way we understand global poverty, and will help secure a safe path to prosperity for the global poor in the 21st century.
From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts. Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . . Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . . Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . . John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .
Kai and Caleb Goodacre have been kidnapped just as rumors of a cult sweeping across the reservation leads Maggie and Hastiin to investigate an outpost, and what they find there will challenge everything they’ve come to know in this “badass” (The New York Times) action-packed sequel to Trail of Lightning. It’s been four weeks since the bloody showdown at Black Mesa, and Maggie Hoskie, Diné monster hunter, is trying to make the best of things. Only her latest bounty hunt has gone sideways, she’s lost her only friend, Kai Arviso, and she’s somehow found herself responsible for a girl with a strange clan power. Then the Goodacre twins show up at Maggie’s door with the news that Kai and the youngest Goodacre, Caleb, have fallen in with a mysterious cult, led by a figure out of Navajo legend called the White Locust. The Goodacres are convinced that Kai’s a true believer, but Maggie suspects there’s more to Kai’s new faith than meets the eye. She vows to track down the White Locust, then rescue Kai and make things right between them. Her search leads her beyond the Walls of Dinétah and straight into the horrors of the Big Water world outside. With the aid of a motley collection of allies, Maggie must battle body harvesters, newborn casino gods and, ultimately, the White Locust himself. But the cult leader is nothing like she suspected, and Kai might not need rescuing after all. When the full scope of the White Locust’s plans are revealed, Maggie’s burgeoning trust in her friends, and herself, will be pushed to the breaking point, and not everyone will survive.
From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts. Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . . Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . . Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . . John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .