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For film and history buffs alike, this is the engrossing story of Hollywood's involvement in World War II, as it's never before been told. Part of the Turner Classic Movies Library. Remember a time when all of Hollywood--with the expressed encouragement and investment of the government--joined forces to defend the American way of life? It was World War II and the gravest threat faced the nation, and the world at large. Hollywood answered the call to action. This is the riveting tale of how the film industry enlisted in the Allied effort during the second World War--a story that started with staunch isolationism as studios sought to maintain the European market and eventually erupted into impassioned support in countless ways. Industry output included war films depicting battles and reminding moviegoers what they were fighting for, "home-front" stories designed to boost the morale of troops overseas, and even musicals and comedies that did their bit by promoting the Good Neighbor Policy with American allies to the south. Stars like Carole Lombard--who lost her life returning from a war bond-selling tour--Bob Hope, and Marlene Dietrich enthusiastically joined USO performances and risked their own health and safety by entertaining troops near battlefronts; others like James Stewart and Clark Gable joined the fight themselves in uniform; Bette Davis and John Garfield created a starry haven for soldiers in their founding of the Hollywood Canteen. Filmmakers Orson Welles, Walt Disney, Alfred Hitchcock, and others took breaks from thriving careers to make films aiming to shore up alliances, boost recruitment, and let the folks back home know what beloved family members were facing overseas. Through it all, a story of once-in-a-century unity--of a collective need to stand up for humanity, even if it means risking everything--comes to life in this engrossing, photo-filled tale of Hollywood Victory.
Uncovers the surprising history of Muslim life in the early American Midwest The American Midwest is often thought of as uniformly white, and shaped exclusively by Christian values. However, this view of the region as an unvarying landscape fails to consider a significant community at its very heart. Muslims of the Heartland uncovers the long history of Muslims in a part of the country where many readers would not expect to find them. Edward E. Curtis IV, a descendant of Syrian Midwesterners, vividly portrays the intrepid men and women who busted sod on the short-grass prairies of the Dakotas, peddled needles and lace on the streets of Cedar Rapids, and worked in the railroad car factories of Michigan City. This intimate portrait follows the stories of individuals such as farmer Mary Juma, pacifist Kassem Rameden, poet Aliya Hassen, and bookmaker Kamel Osman from the early 1900s through World War I, the Roaring 20s, the Great Depression, and World War II. Its story-driven approach places Syrian Americans at the center of key American institutions like the assembly line, the family farm, the dance hall, and the public school, showing how the first two generations of Midwestern Syrians created a life that was Arab, Muslim, and American, all at the same time. Muslims of the Heartland recreates what the Syrian Muslim Midwest looked, sounded, felt, and smelled like—from the allspice-seasoned lamb and rice shared in mosque basements to the sound of the trains on the Rock Island Line rolling past the dry goods store. It recovers a multicultural history of the American Midwest that cannot be ignored.
"Inspired by the Autograph collection of the Los Angeles Public Library."
Rhyming narrative and colorful illustrations trace loving memories of a dog named Buster who dies but is warmly remembered.
‘Almost like poetry, a rich ode to all things books and everything we love about them. The enjoyment and engagement is so palpable you can almost taste it and Kells proves to be the perfect guide through the subject matter and history.’ AU Review Libraries are filled with magic. From the Bodleian, the Folger and the Smithsonian to the fabled libraries of Middle-earth, Umberto Eco’s mediaeval library labyrinth and libraries dreamed up by John Donne, Jorge Luis Borges and Carlos Ruiz Zafón, Stuart Kells explores the bookish places, real and fictitious, that continue to capture our imaginations. The Library: A Catalogue of Wonders is a fascinating and engaging exploration of libraries as places of beauty and wonder. It’s a celebration of books as objects and an account of the deeply personal nature of these hallowed spaces by one of Australia’s leading bibliophiles. Stuart Kells is an author and book-trade historian. His 2015 book, Penguin and the Lane Brothers, won the Ashurst Business Literature Prize. An authority on rare books, he has written and published on many aspects of print culture and the book world. Stuart lives in Melbourne with his family. He is writing a book about Shakespeare’s library. ‘Libraries are filled with magic. From the Bodleian, the Folger and the Smithsonian to the fabled libraries of middle earth, Umberto Eco's mediaeval library labyrinth and libraries dreamed up by John Donne, Jorge Luis Borges and Carlos Ruiz Zafón. Stuart Kells explores the bookish places, real and fictitious, that continue to capture our imaginations. The Library: A Catalogue of Wonders is a fascinating and engaging exploration of libraries as places of beauty and wonder. It's a celebration of books as objects and an account of the deeply personal nature of these hallowed spaces by one of Australia's leading bibliophiles.’ Prime Minister’s Literary Awards 2018, Judges' comments ‘If you think you know what a library is, this marvellously idiosyncratic book will make you think again. After visiting hundreds of libraries around the world and in the realm of imagination, bibliophile and rare-book collector Stuart Kells has compiled an enchanting compendium of well-told tales and musings both on the physical and metaphysical dimensions of these multi-storied places.’ Age ‘On a vivid tour of the world’s great libraries, both real and imagined, Kells is a magnificent guide to the abundant treasures he sets out.’ Mathilda Imlah, Australian Book Review, 2017 Publisher Picks ‘The Library charts the transition between formats such as papyrus scrolls, parchment codices, moveable type and ebooks. There are many whimsical detours along the way, and Kells even devotes a chapter to fantasy libraries...Kells translates his stunning depth of research into breezy digestibility.’ Big Issue ‘The Library is a treasure trove and reaching the last page simply prompts an impassioned cry for more of the same.’ Otago Daily Times ‘Rich with gossipy tales of the inspired, crazy, brilliant and terrible people who have founded or encountered libraries through history...Kells’s reflections are wonderfully romantic, wryly funny...There’s no doubt we can all learn a lot from the magnificently obsessive and eloquent Kells.’ Australian ‘With The Library, Stuart Kells has written a deft and involving book that manages to balance the erudite with the accessible...There is, in any given chapter, a dozen odd details or compelling stories a reader can only hope to memorise, with an eye towards future use (perfectly timed and skilfully deployed, naturally).’ Monthly ‘There is so much to learn and enjoy in this book, with the impressive amount of research never weighing down the accessible writing...Kells makes an elegant plea for the future library—one that will resonate with most book lovers.’ Good Reading ‘A sprightly cabinet of bookish curiosities.’ Jane Sullivan, Sydney Morning Herald ‘Kells proves a generous guide, taking us on a whirlwind tour through several thousand years of book history.’ Australian Book Review ‘The Library abounds in fascinating tales of lost codices and found manuscripts, and the sometimes unscrupulous schemes by which people have conspired to obtain or amass valuable volumes.’ New York Times
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Declared one of the most beautiful libraries in the world, Los Angeles Central Library is a monument to fine architecture and artwork'and, of course, its renowned collection of the written word and its world-class special collections. Los Angeles Central Library and its history are as fascinating as any of the storied volumes found on its shelves. City leaders fought for decades to build a landmark structure and later battled to demolish it, yet generations of Angelenos have watched the building stand tall, survive fires, and endure into the twenty-first century, ready to face a high-tech society that thought it could live without books.Year after year Central Library proves its essential place in the heart of Los Angeles. And each year it becomes more important.In Los Angeles Central Library: A History of its Art and Architecture, the Library's beautiful building, paintings, murals, sculptures, decor, and storied tile work are captured by the lens of renowned Hollywood photographer and graphic designer Arnold Schwartzman. And its remarkable story of dramatic visuals and civic involvement is chronicled by architectural historian Stephen Gee. Gee tells the story of the creative minds that shaped the structure: architects Bertram Goodhue, Carleton M. Winslow, Hardy Holzman and Pfeiffer Associates; sculptor Lee Lawrie; muralists Dean Cornwell and Albert Herter; painter Julian Garnsey, philosopher Hartley Burr Alexander, and many more. Schwartzman shows it all in page after page of dramatic color, all juxtaposed with historic images and blueprints, many never before published.