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This book analyzes the origins and consequences of civil war in Central America. Fabrice Lehoucq argues that the inability of autocracies to reform themselves led to protest and rebellion throughout the twentieth century and that civil war triggered unexpected transitions to non-military rule by the 1990s. He explains how armed conflict led to economic stagnation and why weak states limit democratization - outcomes that unaccountable party systems have done little to change. This book also uses comparisons among Central American cases - both between them and other parts of the developing world - to shed light on core debates in comparative politics and comparative political economy. This book suggests that the most progress has been made in understanding the persistence of inequality and the nature of political market failures, while drawing lessons from the Central American cases to improve explanations of regime change and the outbreak of civil war.
Explores the formation of public and private collections of Spanish Colonial and modern Latin American art throughout the United States, and the impact of the ever-changing political landscape of Latin American countries.
Projects that bring the ‘hard’ sciences into art are increasingly being exhibited in galleries and museums across the world. In a surge of publications on the subject, few focus on regions beyond Europe and the Anglophone world. Decolonizing Science in Latin American Art assembles a new corpus of art-science projects by Latin American artists, ranging from big-budget collaborations with NASA and MIT to homegrown experiments in artists’ kitchens. While they draw on recent scientific research, these art projects also ‘decolonize’ science. If increasing knowledge of the natural world has often gone hand-in-hand with our objectification and exploitation of it, the artists studied here emphasize the subjectivity and intelligence of other species, staging new forms of collaboration and co-creativity beyond the human. They design technologies that work with organic processes to promote the health of ecosystems, and seek alternatives to the logics of extractivism and monoculture farming that have caused extensive ecological damage in Latin America. They develop do-it-yourself, open-source, commons-based practices for sharing creative and intellectual property. They establish critical dialogues between Western science and indigenous thought, reconnecting a disembedded, abstracted form of knowledge with the cultural, social, spiritual, and ethical spheres of experience from which it has often been excluded. Decolonizing Science in Latin American Art interrogates how artistic practices may communicate, extend, supplement, and challenge scientific ideas. At the same time, it explores broader questions in the field of art, including the relationship between knowledge, care, and curation; nonhuman agency; art and utility; and changing approaches to participation. It also highlights important contributions by Latin American thinkers to themes of global significance, including the Anthropocene, climate change and environmental justice.
Global South Modernities: Modernist Literature and the Avant-Garde in Latin America examines the seminal influence that Latin American writers had on the style, subject matter, and ideology of literature in the Global South from 1900 to the late 1930s. Gorica Majstorovic challenges the historical and racial logic of interwar Latin American literary studies by introducing the solidarity relations between the global decolonial movements and placing anti-imperialism, Blackness, and indigeneity at the center of decolonial analysis. Following Mignolo, de Sousa Santos, and Cheah, the texts under analysis subvert the processes of European colonial worlding and show modernity itself as pluralized. Drawing on these works, Majstorovic bridges the gap between aesthetics and politics while shifting the focus onto the Latin American transnational modernist networks and situating the analysis within the theoretical frameworks of the Global South. While examining the idea of globality through its different conceptualizations (cosmopolitanism, immigration, and travel), Majstorovic analyzes avant-garde magazines of the 1920s, Mexican petrofiction, urban proletarian, and decolonial travel narratives of the 1930s, calling into question modernism’s usual framing as an Anglo-American interwar phenomenon. Majstorovic constructs a new genealogy of Latin American literature by examining the asymmetrical relations within its multiple modernities and offers a new understanding of Latin American interwar literature through the lens of the Global South.
A collective history of the 1980s anti-imperialist campaign In the early 1980s, a group of artists, writers and activists came together in New York City to form Artists Call Against US Intervention in Central America, a creative campaign that mobilized nationwide in an effort to bring attention to the US government's violent involvement in Latin American nations such as Nicaragua and El Salvador. Together the group staged over 200 exhibitions, concerts and other public events in a single year, raising awareness and funds for those disenfranchised by such political crises. Art for the Future illuminates the history of Artists Call with archival pieces and newly commissioned work in the spirit of the group's message. In Spanish and English, a wide selection of artists and organizers examine the group's history as well as the issues that were as urgent to Artists Call in 1984 as they are now: decolonization, Indigeneity, collectivity, human rights and self-determination. Artists include: Antena Aire, Benvenuto Chavajay, Leon Golub, Hans Haacke, Fredman Barahona & Christian Dietkus Lord, Sandra Monterroso, Carlos Motta, Claes Oldenburg, Gregory Sholette and Coosje van Bruggen, Maria Thereza Alves, Sabra Moore, Jerri Allyn, Dona Ann McAdams, Rudolf Baranik, Susan Meiselas, Alfredo Jaar, Martha Rosler, Jesús Romeo Galdámez and Jimmie Durham.
Now in its fourth edition, this leading reader has been updated to tighten the focus of each chapter on a major interpretive problem. This edition includes an entirely new chapter, “Historical Memory,” which allows readers to revisit the era of the Cold War from a contemporary perspective, and the chapters on nationalism and globalization have been thoroughly revised. The book continues to offer a rich variety of materials that can be tailored to the needs of individual instructors. The reader’s unique and successful chapter organization provides a thematic complement to narrative accounts of modern Latin American history. By focusing each chapter on a single concept or interpretive problem—such as nationalism, women’s rights, or social revolution—the text engages students in the analysis of historical sources and, at the same time, introduces them to the twists and turns of historiography. Each chapter in this new edition includes at least two primary sources. With its innovative combination of primary and secondary sources and editorial analysis, this text is designed specifically to stimulate critical thinking in a wide range of courses on Latin American history since independence.
In-depth scholarship on the central artists, movements, and themes of Latin American art, from the Mexican revolution to the present A Companion to Modern and Contemporary Latin American and Latinx Art consists of over 30 never-before-published essays on the crucial historical and theoretical issues that have framed our understanding of art in Latin America. This book has a uniquely inclusive focus that includes both Spanish-speaking Caribbean and contemporary Latinx art in the United States. Influential critics of the 20th century are also covered, with an emphasis on their effect on the development of artistic movements. By providing in-depth explorations of central artists and issues, alongside cross-references to illustrations in major textbooks, this volume provides an excellent complement to wider surveys of Latin American and Latinx art. Readers will engage with the latest scholarship on each of five distinct historical periods, plus broader theoretical and historical trends that continue to influence how we understand Latinx, Indigenous, and Latin American art today. The book’s areas of focus include: The development of avant-garde art in the urban centers of Latin America from 1910-1945 The rise of abstraction during the Cold War and the internationalization of Latin American art from 1945-1959 The influence of the political upheavals of the 1960s on art and art theory in Latin America The rise of conceptual art as a response to dictatorship and social violence in the 1970s and 1980s The contemporary era of neoliberalism and globalization in Latin American and Latino Art, 1990-2010 With its comprehensive approach and informative structure, A Companion to Modern and Contemporary Latin American and Latinx Art is an excellent resource for advanced students in Latin American culture and art. It is also a valuable reference for aspiring scholars in the field.
In contrast to previous studies that have centered on the institutionalization of revolution in Latin America and the Caribbean, Modern Latin American Revolutions, Second Edition, introduces the concept of consolidation of the revolutionary process?the efforts of revolutionary leaders to transform society and the acceptance by a significant majority of the population of the core of the social revolutionary project. As a result, the spotlight is on people, not structures, and transformation, not simply revolutionary transition.The second edition of this acclaimed book has been revised to include new information on the cases of Bolivia, Cuba, Nicaragua, and Grenada, assessing the extent to which each revolution was both institutionalized and consolidated. This edition also boasts expanded coverage on Ch uevara's visionary leadership and an all-new section that addresses the future of revolution in Latin America and the Caribbean. Dr. Selbin argues that there is a strong link between organizational leadership and the institutionalization process on the one hand, and visionary leadership and the consolidation process on the other. Particular attention is given to the ongoing revolutionary process in Nicaragua, with an emphasis on the implications and ramifications of the 1990 electoral process. A final chapter includes brief analyses of the still unfolding revolutionary processes in El Salvador and Peru.
General chapters on Central America 1821-1870, 1870-1930 & 1930 to the present, are followed by chapters on each of the five Central American republics -- Guatemala, El Salvador, Nicaragua, Honduras & Costa Rica -- since 1930. Excerpted from the Cambridge History of Latin America.