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Reprint of the original, first published in 1876.
Julius Petersen's paper, Die Theorie der regulären graphs in Acta Mathematica, volume 15 (1891), stands at the beginning of graph theory as we know it today. The Danish group of graph theorists decided in 1985 to mark the 150th birthday of Petersen in 1989, as well as the centennial of his paper. It was felt that the occasion called for a presentation of Petersen's famous paper in its historical context and, in a wider sense, of Petersen's life and work as a whole. However, the readily available information about Julius Petersen amounted to very little (not even a full bibliography existed) and virtually nothing was known about the circumstances that led him to write his famous paper. The study of Petersen's life and work has resulted in several papers, in particular a biography, a bibliography, an annotated edition of the letters surrounding Petersen's paper of 1891, an analysis of Petersen's paper and an annotated edition of parts of Petersen's correspondence with Sylow on Galois theory. The first four of these papers, together with a survey of matching theory, form the first part of this book. In addition to these five special papers, there are papers submitted in the celebration of the Petersen centennial.
After years of neglect, composer Charles Ives (1874-1954) has been proclaimed as "the father of nearly everything American in American music." The lack of recognition that Ives suffered in his own lifetime - for example, he never heard most of his major pieces played - has been obliterated by all-Ives concerts, radio broadcast series, documentary films, books, and the establishment of Ives societies here and abroad. All these things attest to Ives's increasing stature since the fifties and give certain evidence that he has finally "arrived." Public acclaim for Ives's talents reached its zenith in the Charles Ives Centennial Festival-Conference, the first international congress ever dedicated to an American composer. This book is the record of the non-performance part of the festival-conference. It contains essays on Ives and American culture, chapters on conducting, performing, and editing Ives, comments from foreign scholars and composers, and a long section on Ives and present day musical thought. The papers and panels examine minute details of Ives's music and life in an attempt to explain the current "Ives phenomenon." The contributors are among the most important names in their respective fields.
"I do not speak carelessly or recklessly but with a definite object of helping the people, especially those of my race, to know, to understand, and to realize themselves."—Marcus Garvey, Halifax, Nova Scotia, 1937 A popular companion to the scholarly edition of The Marcus Garvey and Universal Negro Improvement Association Papers, this volume is a collection of autobiographical and philosophical works produced by Garvey in the period from his imprisonment in Atlanta to his death in London in 1940.