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The Ozarks of the mid-1800s was a land of divisions. The uplands and its people inhabited a geographic and cultural borderland straddling Midwest and west, North and South, frontier and civilization, and secessionist and Unionist. As civil war raged across the region, neighbor turned against neighbor, unleashing a generation of animus and violence that lasted long after 1865. The second volume of Brooks Blevins's history begins with the region's distinctive relationship to slavery. Largely unsuitable for plantation farming, the Ozarks used enslaved persons on a smaller scale or, in some places, not at all. Blevins moves on to the devastating Civil War years where the dehumanizing, personal nature of Ozark conflict was made uglier by the predations of marching armies and criminal gangs. Blending personal stories with a wide narrative scope, he examines how civilians and soldiers alike experienced the war, from brutal partisan warfare to ill-advised refugee policies to women's struggles to safeguard farms and stay alive in an atmosphere of constant danger. The war stunted the region's growth, delaying the development of Ozarks society and the processes of physical, economic, and social reconstruction. More and more, striving uplanders dedicated to modernization fought an image of the Ozarks as a land of mountaineers and hillbillies hostile to the idea of progress. Yet the dawn of the twentieth century saw the uplands emerge as an increasingly uniform culture forged, for better and worse, in the tumult of a conflicted era.
This comprehensive guide to the rock art of Missouri presents major design motifs and links those images to Native American beliefs.
During the 1930s in the United States, the Works Progress Administration developed the Federal Writers’ Project to support writers and artists while making a national effort to document the country’s shared history and culture. The American Guide series consists of individual guides to each of the states. Little-known authors—many of whom would later become celebrated literary figures—were commissioned to write these important books. John Steinbeck, Saul Bellow, Zora Neale Hurston, and Ralph Ellison are among the more than 6,000 writers, editors, historians, and researchers who documented this celebration of local histories. Photographs, drawings, driving tours, detailed descriptions of towns, and rich cultural details exhibit each state’s unique flavor. The WPA Guide to the Show-Me State of Missouri literally shows the reader the virtues of this lovely region, by including vivid pictures of Art Deco skyscrapers in downtown Kansas City, farm scenes, the Ozark Mountains, and the Missouri and Mississippi Rivers. It includes historical essays about the influence of these rivers on the state as well as Missouri’s important role in the American Civil War.
St. Louis has been a shining beacon on the shores of the Mississippi River for more than 250 years, and many iconic landmarks have come and gone. The city hosted the World's Fair in 1904, with beautiful acres of buildings, gardens and fountains, nearly all of which are lost to time. Famous Busch Stadium now sits on an area that was once a vibrant community for Chinese immigrants. St. Louis Jockey Club was an expansive and popular gathering spot in the late nineteenth century until the state outlawed gambling. The Lion Gas Building was home to a unique mural featuring more than seventy shades of gray in tribute to famed aviator Charles Lindbergh. Author Valerie Battle Kienzle details the fantastic forgotten landmarks of St. Louis.
The Battle of Carthage, Missouri, was the first full-scale land battle of the Civil War. Governor Claiborne Jackson's rebel Missouri State Guard made its way toward southwest Missouri near where Confederate volunteers collected in Arkansas, while Colonel Franz Sigel's Union force occupied Springfield with orders to intercept and block the rebels from reaching the Confederates. The two armies collided near Carthage on July 5, 1861. The battle lasted for ten hours, spread over several miles, and included six separate engagements before the Union army withdrew under the cover of darkness. The New York Times called it "the first serious conflict between the United States troops and the rebels." This book describes the events leading up to the battle, the battle itself, and the aftermath.