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Beautiful Alexandria, Minnesota, in the heart of lake country, offers something for everyone. Home to internationally recognized businesses, a bustling downtown, a thriving tourism industry, and a lively arts community, Alexandria is a city with a rich history and a bright future. On these pages, one will discover how the unique spirit of Alexandria grew out of its early days as a pioneer outpost. That spirit grew as men and women built the downtown still seen today, as tourists came to experience the pristine lakes and rolling hills, and as families set down roots. It is the same spirit of exploration, entrepreneurship, and enthusiasm that still stirs visitors and locals alike. Take a journey though the history of this special town and find out why there is a giant Viking statue on Broadway, why the Kensington Runestone continues to stir up controversy, and why the ghosts of Alexandria's past continue to whisper into her future.
On the occasion of Minnesota's 150th anniversary of statehood, more than a hundred historians and other writers assembled to discuss the subjects they had been studying, thinking, and writing about. This book presents the best of that work, including nineteen essays on topics as varied as baseball at Native American boarding schools, nineteenth-century predictions for Minnesota's future, Native American tourist goods, the Kensington rune stone, and a memoir of growing up in Marshall. Bringing together some of the most recent and best thinking about Minnesota's past and its people, The State We're In demonstrates the history of this place, in all its rich complexity, before and after statehood. Contributors include Melodie Andrews, Annette Atkins, Marge Barrett, Matt Callahan, Emily Ganzel, Linda LeGarde Grover, Louis Jenkins, David J. Laliberte, James Madison, J. Thomas Murphy, Nora Murphy, Traci M. Nathans-Kelly, Paula Nelson, Patrick Nunnally, Linda Schloff, Gregory Schroeder, Hamp Smith, Barbara W. Sommer, Tangi Villerbu, Howard J. Vogel, Steven Werle, Bill Wittenbreer, and Michael Zalar. Annette Atkins, author of Creating Minnesota, Harvest of Grief, and We Grew Up Together, teaches at Saint John's University/College of Saint Benedict. Deborah L. Miller, reference specialist at the Minnesota Historical Society and coauthor of Potluck Paradise, is an expert on Minnesota ethnicity and community cookbooks.
In The Centennial Cure, the second volume in the Studies in Atlantic Canada History series, Meaghan Elizabeth Beaton critically examines the intersection of state policy, cultural development, and commemoration in Nova Scotia during Canada’s centennial celebrations. Beaton’s engaging and insightful analysis of four case studies­– the establishment of the Cape Breton Miners’ Museum, the construction of Halifax’s Centennial Swimming Pool, the Community Improvement Program, and the 1967 Nova Scotia Highland Games and Folk Festival­–reveals the province’s attempts to reimagine and renew public spaces. Through these case studies Beaton illuminates the myriad ways in which Nova Scotians saw themselves, in the context of modernity and ethnic identity, during the post-war years. The successes and failures of these infrastructure and cultural projects, intended to foster and develop cultural capital, reflected the socio-economic realities and dreams of local communities. The Centennial Cure shifts our focus away from the dominant studies on Expo’67 to provide a nuanced and tension filled account of how Canada’s 1967 centennial celebrations were experienced in other parts of Canada.
Detroit Lakes, Minnesota, was incorporated in 1871 as the village of Detroit. The lush landscape of lakes and rivers created a natural vacation destination and tourism pioneers like John K. West began to market to the newly moneyed industrialists of the Gilded Age.
Popular and government-funded anniversaries and commemorations, combined with national symbols, play significant roles in shaping how we view Canada, and also provide opportunities for people to challenge the pre-existing or dominant conceptions of the country. Volume 2 of Celebrating Canada continues the scholarly debate about commemoration and national identity. Raymond B. Blake and Matthew Hayday bring together emerging and established scholars to consider key moments in Canadian history when major anniversaries of Canada’s political, social, or cultural development were celebrated. The contributors to this volume capture the multiple and multi-layered meanings of belonging in the Canadian experience, investigate various attempts at shaping and re-shaping identities, and explore episodes of groups resisting or participating in the identity-formation process. By considering the small voices and those on the margins of Canada’s many commemorative anniversaries, the contributors to Celebrating Canada reveal how important it is to think not only about anniversary moments but also about what they can tell us about our history and the shifting function of nationalism.
This book argues that Southern Cameroons up to the late 1960s had extensively developed an evolved mature, political culture. It was amazingly led by a range of: simple, visionary, austere, honest, peace-loving and realistic leaders, almost without exception; vintage products of their epoch. Distinguished by good governance; throughout it organized frequent free, fair and transparent elections, peaceful handover of power and enjoyed free primary and adult education. It was further crowned with an ideal, efficient civil service, literally, corruption free. In fact, the period, 1955-1968 in the history of Southern Cameroons qualifies as a "Golden Age" for that nostalgic state, whose citizens were repeatedly referred to as "nice, peace loving, loyal, good and hospitable people" by administrators, missionaries, visitors and those who got to know them closely. The most remarkable observation however, was that finally made by Malcolm Milne, the greatest critic, who noted that during his last couple of years in the Southern Cameroons administration, he dealt with: "People of high intelligence who knew exactly what they wanted." Of the civil servants, he maintains that they had greatly enriched his time in the colonial service; "There was something very special about that corps; their service was their watch word." This superlative description by Malcolm Milne was being made of a combination of the people of the present North and South West Regions, whom he saw as a socio-cultural, economic and political unit. It is therefore obvious that from 1955 - 1968, Southern West Cameroon came close towards becoming an ideal state.
?In the early 1960s, a group of students at UBC started a magazine called Tish. The name was purposefully an anagram of shit, in order to demonstrate their youthful and iconoclastic attitude. In many ways, Tish, and its editors, became the clear break from older Canadian poets and styles. At the heart of the magazine, and the movement, was Frank Davey. And it is Davey who has written this definitive history. Davey has organized the material as a memoir, starting from his own early days in Abbotsford, B.C., and gradually introducing the other poets, including George Bowering, Daphne Marlatt, and Fred Wah, despite the fact that Davey doesn't meet them until they all arrive at UBC. Much of the theory of the Tish poets derives from the Black Mountain poets, an American movement that incorporated the writings of Charles Olson, Robert Creeley, and Robert Duncan who suggested the name itself. The Black Mountain poets believed that writing should be locally based and should grow out of t