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This true crime novel examines the 1932 Lindbergh kidnapping, arguing it was orchestrated by a Bronx deli clerk who got away with the crime scot-free. In this meticulous and authoritative account of the trial and the times of the Lindbergh kidnapping, Robert Zorn clears away decades of ungrounded speculation surrounding the case. Inspired by his father’s relationship with the actual accomplices—including the mastermind—he presents the clearest ever picture of a criminal partnership that would shake every class and culture of American society. Using personal possessions and documents, never-before-seen photographs, new forensic evidence, and extensive research, Robert Zorn has written a shocking and captivating account of the crime and the original “Trial of the Century.” From the ecstatic riots that followed the Spirit of St. Louis on either side of the Atlantic, to the tragic night that would shake America’s sense of security, to the horror of the New Jersey morgue where Lindbergh insisted on verifying the identity of his son, Zorn’s skillful treatment meets this larger-than-life story and gives it definitive shape by revealing the true events behind the crime, for the first time. Praise for Cemetery John “Eighty years after the kidnapping of Charles and Anne Morrow Lindbergh’s baby from their Englewood, N.J., home, the case still raises questions, ones Zorn ably examines through an unusual lens. . . . Retelling the by now familiar story of Charlie Lindbergh’s kidnapping, Zorn imbues it with novelistic suspense. Even if Zorn doesn’t definitively prove that Knoll, who died in 1980, was the crime’s mastermind and Hauptmann’s accomplice, he makes a strong case.” —Publishers Weekly “Debut author Zorn makes a compelling case that the 1932 Lindbergh kidnapping was orchestrated by a Bronx deli clerk who got away with the crime scot-free. . . . Zorn’s research includes new forensic evidence, personal and historical documents, and interviews, laying the foundation for a thrilling true-crime tale that offers a resounding answer to the question of who was really responsible for the kidnapping.” —Kirkus Reviews
Moving back and forth in time from the 1930s to the 1960s to the present, this luminous first novel uncovers the heartbreaking legacy of the Eagen family of New Orleans, Irish Catholics of "mixed blood" in a city where race defines fate. A haunting novel of family loyalty and relations between the races.
"The House by the Cemetery involves everything that a horror aficionado could ever want—an undead witch, comic relief, a haunted house dedicated to obscure and not-so obscure horror films, and lots and lots of gore…Indeed, The House by the Cemetery could easily be transcribed into an action-packed screenplay" - The New York Journal of Books Rumor has it that the abandoned house by the cemetery is haunted by the ghost of a witch. But rumors won’t stop carpenter Mike Kostner from rehabbing the place as a haunted house attraction. Soon he’ll learn that fresh wood and nails can’t keep decades of rumors down. There are noises in the walls, and fresh blood on the floor: secrets that would be better not to discover. And behind the rumors is a real ghost who will do whatever it takes to ensure the house reopens. She needs people to fill her house on Halloween. There’s a dark, horrible ritual to fulfill. Because while the witch may have been dead... she doesn’t intend to stay that way. FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launching in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.
Glenwood Cemetery has long offered a serene and pastoral final resting place for many of Houston's civic leaders and historic figures. In Houston's Silent Garden, Suzanne Turner and Joanne Seale Wilson reveal the story of this beautifully wooded and landscaped preserve's development—a story that is also very much entwined with the history of Houston. In 1871, recovering from Reconstruction, a group of progressive citizens noticed that Houston needed a new cemetery at the edge of the central city. Embracing the picturesque aesthetic that had swept through the Eastern Seaboard, the founders of Glenwood selected land along Buffalo Bayou and developed Glenwood. Since then, the cemetery's monuments have memorialized the lives of many of the city's most interesting residents (Allen, Baker, Brown, Clayton, Cooley, Cullinan, Farish, Hermann, Hobby, House, Hughes, Jones, Law, Rice, Staub, Sterling, Weiss, and Wortham, among many others). The monuments also showcase the artistry and craftsmanship of some of the region's finest sculptors and artisans. Accompanied by the breathtaking photography of Paul Hester, this book chronicles the cemetery's origins from its inception in 1871 to the present day. Through the story of Glenwood, readers will appreciate some of the natural features that shaped Houston's evolution and will also begin to understand the forces of urbanization that positioned Houston to become the vital community it is today. Houston's Silent Garden is a must-read for those interested in Houston civic and regional history, architecture, and urban planning.
Was Bruno Hauptmann an innocent carpenter, or a cold-blooded killer?
Lawrence, Kansas, professional photographer John Gary Brown illuminates cultural, historic, and aesthetic roles of gravestones throughout Wisconsin, Indiana, Illinois, Iowa, Missouri, Kansas, Nebraska, Oklahoma, Colorado, and New Mexico. 223 photographs.
NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.
This is a guidebook to South-View Cemetery in Atlanta, Georgia. The cemetery was chartered 21 April 1886 by African-American businessmen, all former slaves, faced with exhaustion of Oakland Cemetery (1850) and desirous of a respectful burial ground. The Watts family has managed the cemetery from its earliest days; the current president is the great-granddaughter of the patriarch, Albert Watts. Notable burials include the parents and grandparents of Martin Luther King, Jr.; John Wesley Dobbs, the ""Mayor of Sweet Auburn""; and Alonzo Franklin Herndon, who was born a slave, worked as a sharecropper, established a chain of opulent and successful barbershops, then became Atlanta's first black millionaire through the Atlanta Life Insurance Company. Through the lives and accomplishments in death-year order of over 100 people buried at South-View, this book tells the history of African-American Atlanta. Introductory essays are by Traci Rylands and Herman ""Skip"" Mason, Jr.
John Langan, author of the Bram Stoker Award-winning novel The Fisherman, returns with a new book of stories. An aspiring actress goes to an audition with a mysterious director. An editor receives the last manuscript of his murdered friend. A young lawyer learns the terrible connection between her grandfather and an ancient race of creatures. A bodyguard drives her employer across a frozen road toward an immense hole in the earth. In these stories and others, John Langan maps the branches of his literary family tree, tracing his connections to the writers whose dark fictions have inspired his own. Introduction by Stephen Graham Jones.
Innocence dies so easily. Evil lives again . . . and again . . . and again. One hundred years ago in Port Arbello a pretty little girl began to scream. And struggle. And die. No one heard. No one saw. Just one man whose guilty heart burst in pain as he dashed himself to death in the sea. Now something peculiar is happening in Port Arbello. The children are disappearing, one by one. An evil history is repeating itself. And one strange, terrified child has ended her silence with a scream that began a hundred years ago.