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"Celtic Mythology" is a study on ancient folk tales and legends of old Ireland, Wales and other Celtic regions, which remained a precious legacy to their illustrative history. The book deals with different aspects of folklore and mythology: myths of the creation, tales of gods and their position and behavior, the mythical creatures and animals, folk tales of the divine land and many more. Well grounded in history and sociology, the author relates these folk tales, legends and myths of Gaelic, Brythonic and Gaulish people to each other and explores the influence of Christianity on their development through the ages. "The Religion of the Ancient Celts" is an exhaustive and comprehensive study of the Celtic religion. It provides insights into Celtic religious practices, and comparisons geographically as well as with more familiar Roman and Christian pantheons. The author offers numerous interpretations and overlaps regarding the mythological roles of gods and goddesses. The Celts interacted with many cultures over the years and adopted their gods and combined with theirs. Roman and Greek gods were adopted as were Vikings' and Christianity later.
Scant records remain of the ancient Celtic religion beyond some eleventh- and twelfth-century written material from the Irish Celts and the great Welsh document Mabinogion. This classic study by a distinguished scholar, builds not only upon the surviving texts but also upon folk customs derived from the rituals of the old cults. A masterly and extremely readable survey, it offers a reconstruction of the essentials of Celtic paganism: fascinating glimpses into primitive forms of worship involving rites centered on rivers and wells, trees and plants, and animals; and examinations of evidence from Celtic burial mounds to explore beliefs and customs related to the culture of the dead, including rites of rebirth and transmigration.
First published in 2005. This work, a broad history of the Celtic religion, explores all aspects of Celtic life and worship. Topics include the Celtic people, the Gods of the Gaul, the Irish mythological cycle, gods and mem, nature plant and animal worship, cosmogony, sacrifice, festivals, the Druids, magic and rebirth.
Orientalism and Literature discusses a key critical concept in literary studies and how it assists our reading of literature. It reviews the concept's evolution: how it has been explored, imagined and narrated in literature. Part I considers Orientalism's origins and its geographical and multidisciplinary scope, then considers the major genres and trends Orientalism inspired in the literary-critical field such as the eighteenth-century Oriental tale, reading the Bible, and Victorian Oriental fiction. Part II recaptures specific aspects of Edward Said's Orientalism: the multidisciplinary contexts and scholarly discussions it has inspired (such as colonial discourse, race, resistance, feminism and travel writing). Part III deliberates upon recent and possible future applications of Orientalism, probing its currency and effectiveness in the twenty-first century, the role it has played and continues to play in the operation of power, and how in new forms, neo-Orientalism and Islamophobia, it feeds into various genres, from migrant writing to journalism.