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This 400-page songbook contains all of the best and most beloved traditional songs from Ireland, Scotland and beyond, ready to be played sung and strummed at your favorite session! Love Songs, Rebel Songs, Drinking Songs, Session Tunes, Folk Ballads, Sea Shanties and more. The author created this book specifically for people who like to play and sing Celtic songs. Full large-print lyrics are given for each song, along with the guitar chords for strumming along. A short informational snippet for each song, explaining some of its origin and history, is also included. A special "First Lines and Alternate Titles" index is also included, to help you find the song you are looking for. Each song is given in two different keys (C and G), with capo information to help you find your best key for singing. This is not a tablature songbook: only the lyrics and chords are given.This is a wonderful treasury of Celtic music perfect for session musicians or anyone wanting to learn more of this beautiful music.
17 solo arrangements from the British Isles and beyond, in Orkney and other tunings, with standard notation, tablature, and performance notes
In folk tradition, stories of love lost, betrayal, jealousy, conflict, emigration, and the supernatural are often immortalized in songs of many traditions, demonstrating that singing has been a universal vehicle for the human condition. the criteria for this wonderful collection of prose and melodies is from Celtic traditions that have been with us for hundreds of years. These compositions have been arranged so that each will work both as an air and as a song. All of the selections in the book appear on the companion CD.
Original songs by "Hugin the Bard" accompanied by story, tale, or lore; each song with lyrics, chord charts, and lead sheets. Also includes a version of the Mabinogion, in English, translated from the Welsh.
Harp
(Guitar Solo). A beautiful collection of 15 Celtic arrangements: The Ash Grove * Birniebouzle * Carrickfergus * Danny Boy * Loch Lomond * Mist Covered Mountains of Home * O My Love Is like a Red, Red Rose * Ned of the Hill * O'Carolan's Journey to Cashel * Scarborough Fair * Sheebeg and Sheemore (Si Bheag, Si Mhor) * The Skye Boat Song * Tarboulton Reel * Wild Mountain Thyme * Ye Banks and Braes O' Bonnie Doon.
Focusing on several distinct genres of eighteenth-century Irish song, Henigan demonstrates in each case that the interaction between the elite and vernacular, the written and oral, is pervasive and characteristic of the Irish song tradition to the present day.