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Classic of scholarly research explores origins of Celtic art in Britain, Ireland, and Europe. Illustrated with 44 plates of photographs and line drawings of artifacts from a variety of sites, this study traces Celtic art in the Bronze and early Iron Ages, as well as Celtic art of the Christian period.
In dealing with the subject of ‘Celtic Religion’ the first duty of the writer is to explain the sense in which the term ‘Celtic’ will be used in this work. It will be used in reference to those countries and districts which, in historic times, have been at one time or other mainly of Celtic speech. It does not follow that all the races which spoke a form of the Celtic tongue, a tongue of the Indo-European family, were all of the same stock. Indeed, ethnological and archæological evidence tends to establish clearly that, in Gaul and Britain, for example, man had lived for ages before the introduction of any variety of Aryan or Indo-European speech, and this was probably the case throughout the whole of Western and Southern Europe. Further, in the light of comparative philology, it has now become abundantly clear that the forms of Indo-European speech which we call Celtic are most closely related to those of the Italic family, of which family Latin is the best known representative. From this it follows that we are to look for the centre of dissemination of Aryan Celtic speech in some district of Europe that could have been the natural centre of dissemination also for the Italic languages. From this common centre, through conquest and the commercial intercourse which followed it, the tribes which spoke the various forms of Celtic and Italic speech spread into the districts occupied by them in historic times. The common centre of radiation for Celtic and Italic speech was probably in the districts of Noricum and Pannonia, the modern Carniola, Carinthia, etc., and the neighbouring parts of the Danube valley. The conquering Aryan-speaking Celts and Italians formed a military aristocracy, and their success in extending the range of their languages was largely due to their skill in arms, combined, in all probability, with a talent for administration. This military aristocracy was of kindred type to that which carried Aryan speech into India and Persia, Armenia and Greece, not to speak of the original speakers of the Teutonic and Slavonic tongues. In view of the necessity of discovering a centre, whence the Indo-European or Aryan languages in general could have radiated Eastwards, as well as Westwards, the tendency to-day is to regard these tongues as having been spoken originally in some district between the Carpathians and the Steppes, in the form of kindred dialects of a common speech. Some branches of the tribes which spoke these dialects penetrated into Central Europe, doubtless along the Danube, and, from the Danube valley, extended their conquests together with their various forms of Aryan speech into Southern and Western Europe.
Most people have heard of the Celts--the elusive, ancient tribal people who resided in present-day England, Ireland, Scotland and France. Paradoxically characterized as both barbaric and innocent, the Celts appeal to the modern world as a symbol of a bygone era, a world destroyed by the ambition of empire and the spread of Christianity throughout Western Europe. Despite the pervasive cultural and literary influence of the Celts, shockingly little is known of their way of life and beliefs, because very few records of their stories exist. In this book, for the first time, Philip Freeman brings together the best stories of Celtic mythology. Everyone today knows about the gods and heroes of the ancient Greeks, such as Zeus, Hera, and Hercules, but how many people have heard of the Gaulish god Lugus or the magical Welsh queen Rhiannon or the great Irish warrior Cú Chulainn? We still thrill to the story of the Trojan War, but the epic battles of the Irish Táin Bó Cuailgne are known only to a few. And yet those who have read the stories of Celtic myth and legend-among them writers like J. R. R. Tolkien and C. S. Lewis-have been deeply moved and influenced by these amazing tales, for there is nothing in the world quite like them. In these stories a mysterious and invisible realm of gods and spirits exists alongside and sometimes crosses over into our own human world; fierce women warriors battle with kings and heroes, and even the rules of time and space can be suspended. Captured in vivid prose these shadowy figures-gods, goddesses, and heroes-come to life for the modern reader.
Love of nature is often said to be one of the characteristic features of Celtic Christianity. This work describes how native beliefs about nature were rejected, transformed or restated as the peoples of early medieval Ireland and the Hebrides made Christianity their own. With close reference to the literature of the period it examines the importance of land, hills and mountains, water, trees, fire, the sun and the elements in early Christian and biblical imagery. At a time when Celtic Christianity is increasingly romanticized, this work sets out to put the subject back onto a solid scholarly footing.
A most fascinating and authoritative account of the Celtic Church, its beliefs and practices, and its remarkable theocracy based on Old Testament canon and the laws of the Pentateuch, including the keeping of the Seventh-day Sabbath. This book is illustrated with line drawings taken from the crosses which were a notable feature of Celtic church architecture, and with examples of documents of the period.
The product of an international interdisciplinary team, the 'History and Structures' strand of the 'Pre-Christian Religion of the North' series aims to approach the subject by giving equal weight to archaeological and textual sources, taking into consideration recent theories on religion within all the disciplines that are needed in order to gain a comprehensive view of the religious history and world view of pre-Christian Scandinavia from the perspective the beginning of the twenty-first century.00Volume I presents the basic premises of the study and a consideration of the sources: memory and oral tradition, written sources, religious vocabulary, place names and personal names, archaeology, and images.00Volume II treats the social, geographical, and historical contexts in which the religion was practiced and through which it can be understood. This volume also includes communication between worlds, primarily through various ritual structures.00Volume III explores conceptual frameworks: the cosmos and collective supernatural beings (notions regarding the cosmos and regarding such collective supernatural beings as the norns, valkyries, giants, and dwarfs) and also gods and goddesses.00Volume IV describes the process of Christianization in the Nordic region and also includes a bibliography and indices for the entire four-volume work.
This dictionary, with more than 1000 articles, provides a comprehensive survey of all important aspects of Celtic religion and culture, covering both the prehistoric continental Celts and the later, medieval culture that found written form long after the Celts had settled in the British Isles. Articles in the dictionary also cover the interaction between Celtic and Roman civilisations, and the seminal input of medieval Celtic legend into the Arthurian tradition. The continental and insular Celtic languages, both ancient and modern, are described, and there is a full account of the Celtic deities known to us from the inscriptions and iconography of the classical world. Celtic art and agriculture, the Ossian myth, the Irish Renaissance, and the history of Celtic studies are among other areas treated in depth.
Covering themes close to Scottish and Irish folklore, this work explores the universal concept of the spiritual dimension of music from the Celtic sources.