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`No Arthurian critic will be able to ignore this book which gathers together so much diverse material and skilfully brings out unexpected links between versions widely separated in time and country of origin. MODERN LANGUAGE REVIEW `No Arthurian critic will be able to ignore this book which gathers together so much diverse material and skilfully brings out unexpected links between versions widely separated in time and country of origin.' MODERN LANGUAGE REVIEW Cei is one of the most puzzling figures in the development of the Arthurian legend: a hero beyond compare in the early Welsh sources, his appearances in later Arthurian literature are frequently associated with comic defeatin combat, objectionable outspokenness, and sometimes with more serious misdeeds. This study assesses Cei from his native Welsh context to his role in the romances of Chrétien de Troyes and later developments, in which the authorlooks at the portrayal of Cei in a selection of medievalContinental, Welsh and English works, before moving closer to the present day and the rich heritage of English ballad and Gaelic folktale; the ending offers something of a surprise. This account of the long and varied career of one of Arthur's closest associates shows how a sympathetic approach to Cei can shed new light on some particularly controversial aspects of Arthurian studies.
Wace's Roman de Rou is both a valuable historical document and an important work of French literature. Composed during the 1160s and 1170s, it relates the origins of Normandy from the time of Hasting and Rollo (Rou) and continues as far as the battle of Tinchebray in 1106.
To probe the literary representation of the alienated mind, Lillian Feder examines mad protagonists of literature and the work of writers for whom madness is a vehicle of self-revelation. Ranging from ancient Greek myth and tragedy to contemporary poetry, fiction, and drama, Professor Feder shows how literary interpretations of madness, as well as madness itself, reflect the very cultural assumptions, values, and prohibitions they challenge.
Madness is a frequent theme in medieval French literature. This title presents a variety of texts which illustrate the wide range of attitudes towards madness and its uses as a literary device, tying in with contemporary interest in the politics of identity, and its literary constructions
Who is the Fool and what does he mean to us? Pre-1900 scholars thought him a Renaissance fashion, a continental import of note in the British Isles only between 1486 and the 1630s, per his appearances in Shakespeare's plays. However, as Sandra Billington shows in this pioneering study, the Fool has been with us from medieval times and has worn many guises: village idiot and sophisticated comedian, embodiment of Satan and God's own jester. He has managed, as Billington notes, 'to inspire or infect our thinking for at least eight hundred years'.
This fascinating story of madness reveals the radically different perceptions of madness and approaches to its treatment, from antiquity to the present day. Roy Porter explores what we really mean by 'madness', covering an enormous range of topics from witches to creative geniuses, electric shock therapy to sexual deviancy, psychoanalysis to prozac. The origins of current debates about how we define and deal with insanity are examined through eyewitness accounts of those treating patients, writers, artists, and the mad themselves.
The Fool in the Middle Ages and Early Modern period was either a person who capitalized on his natural deficiencies, which were then considered amusing, or a professional entertainer the artificial Fool who specialized in clowning. His distinctive clothing and bauble are known to us through numerous Psalter illustrations where he is shown in connection with Psalm 52, which asserts that The fool has said in his heart there is no God. Attitudes toward the Fool varied, but his place was to become assured on stage, where his role is best known to us through the plays of Shakespeare. The articles in the present volume provide indispensable analyses of the Fool from a number of different perspectives.