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THE STORY: A quartet of black women spanning four generations makes up this heartwarming dramatic comedy. The four, plus the white woman friend of the youngest, come together to celebrate the matriarch's ninetieth birthday. It's a wild party, one t
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Benvenuto Cellini was a celebrated Renaissance sculptor and goldsmith - a passionate craftsman who was admired and resented by the most powerful political and artistic personalities in sixteenth-century Florence, Rome and Paris. He was also a murderer and a braggart, a shameless adventurer who at different times experienced both papal persecution and imprisonment, and the adulation of the royal court. Inn-keepers and prostitutes, kings and cardinals, artists and soldiers rub shoulders in the pages of his notorious autobiography: a vivid portrait of the manners and morals of both the rulers of the day and of their subjects. Written with supreme powers of invective and an irrepressible sense of humour, this is an unrivalled glimpse into the palaces and prisons of the Italy of Michelangelo and the Medici.
Born in New York, raised in Italy, Vito "Tutuc" Cellini went from street gangster to soldier to resistance fighter to secret agent - all before he was twenty-one. His inventions, including the Cellini muzzle brake, have earned him 19 patents. Now in his 90s, he finally feels comfortable talking about his life. 75 photos included.
Benvenuto Cellini’s Perseus and Medusa, one of Renaissance Italy’s most complex sculptures, is the subject of this study, which proposes that the statue’s androgynous appearance is paradoxical. Symbolizing the male ruler overcoming a female adversary, the Perseus legitimizes patriarchal power; but the physical similarity between Cellini’s characters suggests the hero rose through female agency. Dr. Corretti argues that although not a surrogate for powerful Medici women, Cellini’s Medusa may have reminded viewers that Cosimo I de’ Medici’s power stemmed in part from maternal influence. Drawing upon a vast body of art and literature, Dr. Corretti concludes that Cellini and his contemporaries knew the Gorgon as a version of the Earth Mother, whose image is found in art for Medici women.
Celebrated goldsmith and sculptor of the Italian Renaissance, Benvenuto Cellini (1500-71) fits the conventional image of a Renaissance man: a skillful virtuoso and courtier; an artist who worked in marble, bronze, and gold; and a writer and poet. Using the methodologies of New Historicism, social history, and gender and sexuality studies, this book places Cellini and his cultural production in the context of contemporary discourses about sexuality, law, magic, masculinity, and honor. In his life and literary oeuvre, the notorious artist, rogue, and sodomite aligned himself with the transgressive and oppositional voices of his day.
For years, Italian-American Vito Cellini kept his mouth shut to protect himself and his family. Now in his 90s, he wants tell his story. Born in New York, raised in Italy, Vito “Tutuc” Cellini was forced to join the fascist Italian army in WW2, then deserted to fight with communist Partisans in Yugoslavia. Later he became an undercover agent for Allied Intelligence. Trusted friend to a Mafia consiglieri and respected by the New York mob... he was hired to negotiate with deadly organized crime bosses in Naples... was embroiled in an assassination that led to the Sandanista uprising in Nicaragua... acted as bodyguard to a merciless Mexican drug lord. A self-taught mechanic and gunsmith with 19 patents, one of his inventions was financed by a high-profile Texas billionaire and adopted by US Special Forces. “Cellini Freedom Fighter” earned a Starred Review and was named a “Best Indie Book of 2018” by Kirkus Reviews.