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Revised and updated edition! This anthology of Catherine's letters, prayers, and The Dialogue is perfect for students of medieval spirituality, mysticism and theology, as well as anyone interested in prayer and the spiritual life. “This is the best introduction to the prayer and ministry of St. Catherine that I have read! The texts are beautifully translated.” Benedict Ashley, O.P. Aquinas Institute of Theology “This anthology makes accessible to a large reading public the extraordinary sensitivity and affection of Catherine of Siena, gifts grounded in love.” New Oxford Review
Based on nearly four years of research among semi-cloistered Christian monastics and a dispersed network of non-monastic Christian contemplatives around the United States, The Monk's Cell shows how religious practitioners in both settings combined social action and intentional living with intellectual study and intensive contemplative practices in an effort to modify their ways of knowing, sensing, and experiencing the world.
The Oxford Handbook of the Self explores a fascinating diversity of questions about our understanding of self from a variety of interdisciplinary perspectives, including philosophy, ethics, psychology, neuroscience, psychopathology, narrative, and postmodern theories.
Although Catherine of Siena was proclaimed a Doctor of the Church in 1970, relatively little attention has been given to her mystical thought, particularly in the English-speaking world. The Dialogue, the famous compendium of her mature thought, is difficult to understand owing to its interruptions, repetitions, overlapping arguments, imagery and undefined terms. Thomas McDermott breaks new ground in his systematic presentation of Catherine¿s teachings. Drawing on the Dialogue and also on Catherine¿s 381 letters and prayers, he explains clearly her principal teachings in relation to spiritual development, and identifies Catherine¿s possible sources as well as her areas of originality. By examining Catherine¿s life and mystical experiences, McDermott shows how she herself grew spiritually and how her growth corresponds to her later teaching on the ¿three stairs¿ on the ¿bridge of Christ crucified.¿ Finally, the author puts forward what he regards as the fundamental message of Catherine¿s life and teaching. Students of mysticism and spirituality will find this book a trustworthy guide through the incredibly rich mysticism of one of the 14th century¿s most amazing women.
Contemporary introductions to the theme of self-knowledge too often trace its emergence in the history of philosophy to thinkers such as René Descartes and David Hume. Whereas Descartes conceives of self-knowledge as intimate and first-personal, Hume contends that it is limited to our awareness of our impressions and ideas. In point of fact, self-knowledge is a perennial theme. We may, for instance, trace the lineage of Hume and Descartes on these matters to Aristotle and Plato, respectively. This volume studies philosophical treatments of self-knowledge in the Medieval Latin West. It comprises two sets of papers; the first is taken from an author-meets-critics session on Therese Scarpelli-Cory’s Aquinas on Human Self Knowledge, which advances the thesis that Aquinas’s theory of self-knowledge wherein the intellect grasps itself in its activity bridges the divide between mediated and first-personal self-knowledge. The second set of papers discuss self-knowledge in terms of self-fulfilment. Authors look to Aquinas’s account of how we can know when we have acquired the virtues necessary for human happiness, as well as the medieval traditions of mysticism and theology, which offer accounts of transformative self-knowledge, the fulfilment that this brings to our emotional and physical selves, and the authority to teach and counsel about what this awareness confers.
"This book attempts to make a comprehensive, interdisciplinary case for a new view of the origin of life"--Prologue.
A collection of essays by twelve historians and literary critics who explore Margery Kempe, her Book, and her world.
Winner of the 2023 PROSE Award for Excellence in Biological and Life Sciences and the 2023 Chautauqua Prize! Named a New York Times Notable Book and a Best Book of the Year by The Economist, Oprah Daily, BookPage, Book Riot, the New York Public Library, and more! In The Song of the Cell, the extraordinary author of the Pulitzer Prize–winning The Emperor of All Maladies and the #1 New York Times bestseller The Gene “blends cutting-edge research, impeccable scholarship, intrepid reporting, and gorgeous prose into an encyclopedic study that reads like a literary page-turner” (Oprah Daily). Mukherjee begins this magnificent story in the late 1600s, when a distinguished English polymath, Robert Hooke, and an eccentric Dutch cloth-merchant, Antonie van Leeuwenhoek looked down their handmade microscopes. What they saw introduced a radical concept that swept through biology and medicine, touching virtually every aspect of the two sciences, and altering both forever. It was the fact that complex living organisms are assemblages of tiny, self-contained, self-regulating units. Our organs, our physiology, our selves—hearts, blood, brains—are built from these compartments. Hooke christened them “cells.” The discovery of cells—and the reframing of the human body as a cellular ecosystem—announced the birth of a new kind of medicine based on the therapeutic manipulations of cells. A hip fracture, a cardiac arrest, Alzheimer’s dementia, AIDS, pneumonia, lung cancer, kidney failure, arthritis, COVID pneumonia—all could be reconceived as the results of cells, or systems of cells, functioning abnormally. And all could be perceived as loci of cellular therapies. Filled with writing so vivid, lucid, and suspenseful that complex science becomes thrilling, The Song of the Cell tells the story of how scientists discovered cells, began to understand them, and are now using that knowledge to create new humans. Told in six parts, and laced with Mukherjee’s own experience as a researcher, a doctor, and a prolific reader, The Song of the Cell is both panoramic and intimate—a masterpiece on what it means to be human. “In an account both lyrical and capacious, Mukherjee takes us through an evolution of human understanding: from the seventeenth-century discovery that humans are made up of cells to our cutting-edge technologies for manipulating and deploying cells for therapeutic purposes” (The New Yorker).