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This is the first full survey of the work of fashion designer Ossie Clark - a key figure in 1960s and 1970s London. His golden era lasted from the mid 60s to the mid 70s, when fashion, photography, art and music all flourished as never before in the glamorous world of 'Swinging London'. Endlessly innovative, Ossie Clark brought street style to London's most fashionable people. A 'master cutter', he was also a celebrity in his own right, numbering among his friends David Hockney, Patrick Proctor, Mick and Bianca Jagger, Patti Boyd and George Harrison. His collaboration with his wife, the textile designer Celia Birtwell, saw the blossoming of a new young and exciting era for British fashion. Drawing on interviews with Celia Birtwell, models and friends, and on exclusive audio archives featuring Ossie himself, Judith Watt brings to life the vibrant and artistic milieu in which his talent flourished. Vogue fashion shoots and photos of some of the famous names of the day - Jean Shrimpton, Twiggy, Veruschka, Amanda Lear - combine with stunning new photography of iconic outfits and the wonderfully vibrant sketches produced by Ossie and Celia. This long-overdue celebration of Clark's work re-established him as a major force in recent fashion history and this paperback edition will be welcomed by fashion-lovers and students alike.
From the Chanel suit to the Wonderbra, via Jackie Kennedy, Ziggy Stardust and Alexander McQueen, respected fashion journalist and editor Paula Reed explores each of the styles and visionaries that have defined the way we dress. Spanning fifty years - from the 1950s to the 1990s - and accompanied by striking photographs throughout, Fashion Evolution is the definitive story of the style moments that changed the world.
David Hockney (b. 1937) is one of the most significant artists exploring and pushing the boundaries of figurative art today. Hockney has been engaged with portraiture since his teenage years, when he painted Portrait of My Father (1955), and his self-portraits and depictions of family, lovers, and friends represent an intimate visual diary of the artist’s life. This beautifully illustrated book examines Hockney’s portraits in all media—painting, drawing, photography, and prints—and has been produced in close collaboration with the artist. Featured subjects include members of Hockney’s family and private circle, as well as portraits of such artists and cultural figures as Lucian Freud, Francesco Clemente, R. B. Kitaj, Helmet Newton, Lawrence Weschler, and W. H. Auden. The authors reveal how Hockney’s creative development and concerns about representation can be traced through his portrait work: from his battle with naturalism to his experimentation with and later rejection of photography, and from his recent camera lucida drawings to his return to painting from life. Featuring more than 250 works from the past fifty years, David Hockney Portraits illustrates not only the fascinating range of Hockney’s creative practice but also the unique and cyclical nature of his artistic concerns.
The diaries of Ossie Clark, one of the most influential names in post-war British fashion. He created exquisite and outrageous costumes for the famous of London, New York, Paris and Rome, many of whom became his friends: Mick Jagger, Marianne Faithfull, Anita Pallenberg, Twiggy, Eric Clapton, George Harrison and Andy Warhol. At the peak of his career he enjoyed superstar status (Hockney painted him in 1971). He was the archetypal flawed genius, living a jet-set life for ten years, but finally falling due to his lack of business acumen and his undisciplined talent. He was bankrupt by the early 1980s and his marraige to Celia Birtwell, Hockney's muse, had foundered because of his affairs with men. In his last few years he became interested in Buddhism and lived in a small council flat in Holland Park where he was murdered by his lover in 1996.
The Design Museum and fashion guru Paula Reed present Fifty Fashion Looks that Changed the 1950s. The most exciting, influential and definitive looks of one of the most significant decades in fashion! The Design Museum's mission is to celebrate, enterain and inform. It is the world's leading museum devoted to contemporary design in every form from furniture to fashion, and carchitecture to graphics. It is working to place design at the centre of contemporary culture and demonstrates both the richness of the creativity to be found in all forms of design, and its importance. This beautiful reference work showcases 50 iconic outfits from one of fashion's most influential and exciting decades. From the bombshell glamour of Marilyn Monroe in 'How to Marry a Millionaire' to the immergence of teenage style, via the sculptural forms of Christian Dior's New Look and Balenciaga's double A-Line, it celebrates all of the important looks that revolutionised modern fashion. With Paula Reed's lively and informative text and a wealth of fabulous photography, it is vital reading for design students, collectors of vintage, and everyone who truly loves fashion.
"Searching for the young soul rebels" -- Front cover.
The fascinating true stories of thirty incredible muses—and their role in some of art history's most well-known masterpieces. We instantly recognize many of their faces from the world's most iconic artworks—but just who was Picasso's 'Weeping Woman'? Or the burglar in Francis Bacon's oeuvre? Why was Grace Jones covered in graffiti? Far from posing silently, muses have brought emotional support, intellectual energy, career-changing creativity, and practical help to artists. However, the perception of the muse is that of a passive, powerless model (usually young, attractive, and female) at the mercy of an influential and older male artist. Could this impression be incorrect and unfair? Is this trope a romanticized myth? Have people embraced, even sought, the status of muse? Most importantly, where would artists be without them? In Muse, Ruth Millington's goal is to re-assess and re-claim that word in a celebratory narrative that takes ownership and demonstrates how outdated the common perception of that word is. Muse also explores the idea of ‘muse’ in a different way and includes performance artists and celebrities, iconic figures we perhaps haven’t considered before as muses, such as Tilda Swinton and Grace Jones. By delving into the real-life relationships that models have held with the artists who immortalized them, it will expose the influential and active part they have played in contributing to the artwork they inspired, and explore the various ways people have subverted stereotypical ‘muse’ roles. From job supervisors to homeless men in Harlem, Muse will reveal the unexpected, overlooked, and forgotten models of art history. Through the stories of thirty remarkable lives, from performing muses to muses who have been turned into messages, this book will deconstruct reductive stereotypes of the muse, and reframe it as a momentous and empowered agent of art history.
Profiles of more than fifty establishments that have supplied goods and services to royalty–and the merely discriminating–for more than one hundred years "A gentleman," Winston Churchill once observed, "buys his hats at Locks, his shoes at Lobbs, his shirts at Harvie and Hudson, his suits at Huntsman and his cheese at Paxton and Whitfield." Luckily for the gentlemen–and gentlewomen–among us, all of these shops and dozens more are still in business, providing the traditional British goods and food that they've been supplying Londoners for a century or more. More than thirty venerable stores, along with another twenty or so eateries, are profiled inThe Historic Shops and Restaurants of London. "The most beautiful shop in the world . . ." is howEsquiremagazine describes John Lobb, Bootmaker's opulent premises in Mayfair. Less grand, but no less quaint, is Paxton and Whitfield, now on Jermyn Street, which dates to 1742 when cheese monger Stephen Cullum sets up his stall in Clare Market. (Now the shop sells the most prized artisanal cheeses in Great Britain.) Have a drink at the long, narrow little Grapes Pub. Built in 1720, on the site of a previous pub, the Grapes was a working class tavern that Charles Dickens knew well. As a child, he was made to stand on a table and sing to the customers. As an adult, he immortalized it as the Six Jolly Fellowship Porters pub inOur Mutual Friend. These are only a few of the many of the establishments described that are holders of the Royal Warrant, dating back to the 15th century and still granted today to recognize excellence and quality. Bespoke shirt-makers, hatters, haberdashers, perfumers, bookstores, chemists, an umbrella maker, and chocolatiers are only a few of the small specialist shops included, most of which are located in the most quaint and beautiful settings in London. Also included are traditional restaurants and bars, ranging from picturesque pubs and "caffes" to fish'n'chips stands and eel-and-pie shops.
"First published on the occasion of the exhibition 'David Hockney RA: 82 portraits and 1 still-life', Royal Academy of Arts, London, 2 July-2 October 2016"--Title page verso.