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How colonialism profoundly influenced the emergence of Chinese science fiction Challenging assumptions about science fiction's Western origins, Nathaniel Isaacson traces the development of the genre in China, from the late Qing Dynasty through the New Culture Movement. Through careful examination of a wide range of visual and print media—including historical accounts of the institutionalization of science, pictorial representations of technological innovations, and a number of novels and short stories—Isaacson makes a case for understanding Chinese science fiction as a product of colonial modernity. By situating the genre's emergence in the transnational traffic of ideas and material culture engendered by the presence of colonial powers in China's economic and political centers, Celestial Empires explores the relationship between science fiction and Orientalist discourse. In doing so it offers an innovative approach to the study of both vernacular writing in twentieth-century China and science fiction in a global context.
This history of China’s imperial capital cities reveals “a picaresque chronicle of dynastic succession and court intrigue” across millennia (Publishers Weekly). Throughout the long history of Imperial China, emperors designed their capital cities in ways that reveal the heart of their dynasty. The ley lines of these cities reveal religious preoccupations, while the design of important buildings tells us much about the cultural influences of the period. The Shang Emperor of the third century B.C. made obsessive—and ultimately fatal—attempts to engage the Immortals with cosmologically pleasing urban planning. Meanwhile, the Tang capital at Chang'an betrays the striking creativity and cultural receptiveness that earmark the era as a literary and artistic golden age. And the Forbidden City of fifteenth century Beijing still stands as testament to Ming dynasty architectural virtuosity. Arthur Cotterell provides an inside view of the rich array of characters, political and ideological tensions, and technological genius that defined the imperial cities of China, as each in turn is uncovered, explored, and celebrated. The oldest continuous civilization in existence today stands to become the most influential.
Celestial Empire shows the wealth and cultural richness of the Qing dynasty, which ruled China for nearly three centuries, as seen through rare materials from the National Library of China and the National Library of Australia. The book is illustrated with stunning images, from woodblock printed books to colourful maps, making accessible a wealth of culture from China’s last imperial dynasty. Many works that appear in the book have never been seen outside China before, or presented in English. Examples include painted scrolls of scenic and sacred sites, maps detailing a variety of landscapes, woodblock illustrations demonstrating extraordinary skill and artistic vision and delightful folk art used on festive occasions. The book also includes architectural drawings produced for the Imperial court of iconic locations such as the Forbidden City and the Summer Palace. A visually beautiful book that gives insight into the dynasty that laid the foundations of modern China.
This book tells the fascinating story of the war between England and China that delivered Hong Kong to the English, forced the imperial Chinese government to add four ports to Canton as places in which foreigners could live and trade, and rendered irreversible the process that for almost a century thereafter distinguished western relations with this quarter of the globe-- the process that is loosely termed the "opening of China." Originally published by UNC Press in 1975, Peter Ward Fay's study was the first to treat extensively the opium trade from the point of production in India to the point of consumption in China and the first to give both Protestant and Catholic missionaries their due; it remains the most comprehensive account of the first Opium War through western eyes. In a new preface, Fay reflects on the relationship between the events described in the book and Hong Kong's more recent history.
China: Understanding Its Past aims to fill a conspicuous gap in conventional world history texts, which are often Eurocentric and give scant attention to Asia. Using role-playing, simulations, debates, primary documents, first person accounts, excerpts from literary works, and cooperative learning activities, this text will help students explore many key aspects of China's history and culture. The teacher's manual includes a synopsis of each chapter and section, learner outcomes, definitions of key concepts, directions for student activities, and possible responses to questions posed in the student text. The CD contains selections of Chinese music from different time periods and locales. Liner notes include English translations of lyrics as well as historical information about each selection.
Joining the Global Public examines early Chinese-language newspapers and analyzes their impact on China's modernization. Exploring a range of media such as regular dailies, illustrated weeklies, and entertainment papers, contributors look at factors that influenced the nature of these publications, including foreign models, foreign managers, and a first generation of Chinese journalists, editorialists, and "newspainters." With analyses demonstrating how the growth of popular media would enable China to join the global public, contributors also examine the impact of inserting an alien medium—a newspaper—into a Chinese universe and note the spread of new attitudes and values as entertainment papers filled the space of a newly created urban leisure. A superb and pioneering documentation of late nineteenth- and early twentieth-century Chinese-language media, Joining the Global Public serves as an introduction to this important yet little-studied part of China's modernization.
In 1793, Lord George Macartney and an enormous delegation—including diplomats, doctors, scholars, painters, musicians, soldiers, and aristocrats—entered Beijing on a mission to open China to British trade. But Macartney’s famous refusal to perform the traditional kowtow before the Chinese Emperor was just one sign that the two empires would not see eye to eye, and the trade talks failed. The inability to develop a trade relation would have enormous consequences for future relations between China and the West. Peyrefitte’s vivid narrative of this fascinating encounter is based on extraordinary source materials from each side—including the charming and candid diary of Thomas Staunton, the son of one of Macartney’s aides. An example of history at its finest, The Immobile Empire recaptures the extraordinary experience of two great empires in collision, sizing each other up for the first time.
Drawing on a vast array of scholarship, this pioneering text illustrates how profoundly astronomical phenomena shaped ancient Chinese civilization.
On a June morning in 1870, seventy-five Chinese immigrants stepped off a train in the New England factory town of North Adams, Massachusetts, imported as strikebreakers by the local shoe manufacturer. They threaded their way through a hostile mob and then--remarkably--their new employer lined them up along the south wall of his factory and had them photographed as the mob fell silent. So begins A Shoemaker's Story. Anthony Lee seeks to understand the social forces that brought this now-famous photograph into being, and the events and images it subsequently spawned. He traces the rise of photography as a profession and the hopes and experiences of immigrants trying to find their place in the years following the Civil War. He describes the industrialization of the once-traditional craft of shoemaking, and the often violent debates about race, labor, class, and citizenship that industrialization caused. Generously illustrated with many extraordinary photographs, A Shoemaker's Story brings 1870s America to vivid life. Lee's spellbinding narrative interweaves the perspectives of people from very different walks of life--the wealthy factory owner who dared to bring the strikebreakers to New England, the Chinese workers, the local shoemakers' union that did not want them there, the photographers themselves, and the ordinary men and women who viewed and interpreted their images. Combining painstaking research with world-class storytelling, Lee illuminates an important episode in the social history of the United States, and reveals the extent to which photographs can be sites of intense historical struggle.