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The Hamilton Triplets—Madison, Park, and Lexington—are accustomed to living in the public eye. Heiresses to a billion-dollar media empire, they have been raised in New York's most elite social circles and, at 16, know firsthand the demands of being celebutantes. There are people to impress, appearances to make, and paparazzi to outrun. Not to mention high school to finish. But when fashion editor Zahara Bell is found dead in a one-of-a-kind frock from Lex's unreleased clothing line, and then the priceless Avenue Diamond goes missing, getting to class is as far from the triplets' minds as their first pair of Manolos. One of the girls is a suspect, and the sisters find themselves in the middle of a scandal that could sink their reputations and their father's companies for good. And the press is ready, willing, and able to lend a hand. The Hamilton sisters need to stick closer than ever before. The killer is still out there, and if they don't solve the case their threesome could become a twosome quicker than you can say Cartier.
The school year’s almost over, and Madison, Park, and Lexington Hamilton are ready to trade in their Birkin bags for bikinis. But before vacation comes work, and the triplets have plenty of it. Cleopatra, the newest, hottest, and most expensive club in Manhattan, is opening–and it just happens to also be Hamilton Holdings’ latest business venture. The girls must throw the party to end all parties. But this is one opening the sisters won’t soon forget. Before the night ends, the body of a classmate is found with a bloody wound on the side of his head. At first glance, the case appears to be open-and-shut. But the girls smell trouble. They know the murderer is still out there, and they’re willing to bet their sizable inheritance that the police won’t be able to unravel the mystery. Murder is so out, but until this crime is solved, it’s arrivederci Italia. And the Hamilton sisters simply won’t accept that as an option.
IT’S SUMMER IN the city for Madison, Park, and Lexington Hamilton. Only, these triplet heiresses have more on their plate than hot-tubbing and the Hamptons. The Royal Crown Society of America is one of the most exclusive private clubs in the country and the triplets have secured membership. Even more exciting is that pop-art It girl Tallulah Kayson will unveil her newest masterpiece at their very own inaugural luncheon. But when they run into Tallulah’s mysterious boyfriend, Elijah Traymore, hitting on their friend Coco McCaid, something doesn’t feel right. And when Elijah plunges to his death from the hotel penthouse, that feeling is confirmed. Elijah was pushed, and judging from the limited edition pink cell phone found at the scene of the crime, Coco McCaid needs a very good lawyer.
Two "Hollywood Kids" have written a name-dropping, scandal-wielding romp through Hollywood during Oscar week
The New York Times bestselling authors of Celebutantes return with a dazzling new novel set among the star-studded crowds of the Cannes Film Festival, where everyone's hoping to discover, sign, screw or become the Next Big Thing. And a three-picture deal would be nice. Lola Santisi—CEO of a struggling fashion line, reformed Actorholic and daughter of Hollywood Royalty—is now not only bicoastal, she's Bi-Lolar: That is the condition which causes her to swing like a pendulum between the opposing poles of the fashion world in New York and the real world with her Doctor Boyfriend in Los Angeles. She hardly knows which shoe fits her anymore: the Louboutin stiletto or the Croc. As Lola tries to launch Julian Tennant's new dress line, it looks like they're about to get their next big break: his wedding dresses have been chosen to feature in the top film at the Cannes Film Festival. And suddenly Lola is staging a full-blown couture show on a yacht – in the middle of the Med. Think those super models had trouble walking down the catwalks at Fashion Week? With an unexpected finale twist, this time it's Lola who's tumbling off the runway. Having recently endured a disastrous break-up with Lola's brother Christopher, Kate Woods, Lola's BFF and CAA's rising star agent, is newly single, and focused 24-7 on her clients. The only thing worse than thinking it was a good idea for Kate to date Lola's brother, is thinking it was a good idea for Kate to put one of her most loose-cannon clients, Nic Knight, in Lola's father's movie. Among Kate's other mega star clients is Saffron Sykes whose appearance on the cover of Vain magazine in Julian Tennant could be the difference between Julian Tennant, Inc. weathering the economy or going bust. As Lola fights to survive the Cannes Film Festival, will she get swept into the French Riviera's riptide of glamour and superficiality? Are real love and couture mutually exclusive? Or can Lola have it all – the good doctor and her Louboutins. With her father and brother vying for the same prize, her mother starring in her new reality show, and one heartbroken girlfriend about to declare motherhood, it's all on Lola to come up with the answers. And it's going to take more than one of her mother's prosperity chants to save the day.
Jordan Christy shares advice on how to be the most confident version of yourself, in this fully revised and updated edition derived from How to Be a Hepburn in a Hilton World. Though fashions may change, certain things never go out of style -- like your favorite little black dress that can take you from a business meeting to a dinner party to a night on the town. But what makes it work is not the dress, it's how you present yourself while wearing it. A woman who is polite, well spoken, gracious, charming, and thoughtful is always welcome-though such women appear to be in short supply these days! Despite the headline-grabbing antics of certain flashy celebutantes, most of us would rather have respect -- for ourselves and from our family, friends, and colleagues. In this fully revised and updated edition, you will learn how to: Appear polished without sacrificing your personal style, Develop skills and discover interests to boost your self-confidence, Find your true friendships and make them stronger, Date Mr. Right instead of hooking up with Mr. Right Now, Land the perfect internship and your first job, Have a fun night without the risk of a social media faux pas. With this insightful guide you'll be loving life with style, class, and grace in no time!
It is the year 2129 . . . and fame is all that matters Susan and her friends are celebutantes. Their lives are powered by media awareness, fed by engineered meals, and underscored by cynicism. Everyone has a rating; the more viewers who ID you, the better. So Susan and her almost-boyfriend Derlock cook up a surefire plan: the nine of them will visit a Mars-bound spaceship and stow away. Their survival will be a media sensation, boosting their ratings across the globe. There's only one problem: Derlock is a sociopath. Breakneck narrative, pointed cultural commentary, warm heart, accurate science, a kickass heroine, and a ticking clock . . . who could ask for more?
With the fierce emotional and intellectual power of such classics as Jean Rhys's Good Morning, Midnight, Sylvia Plath's The Bell Jar, and Clarice Lispector's The Hour of the Star, Kate Zambreno's novel Green Girl is a provocative, sharply etched portrait of a young woman navigating the spectrum between anomie and epiphany. First published in 2011 in a small press edition, Green Girl was named one of the best books of the year by critics including Dennis Cooper and Roxane Gay. In Bookforum, James Greer called it "ambitious in a way few works of fiction are." This summer it is being republished in an all-new Harper Perennial trade paperback, significantly revised by the author, and including an extensive P.S. section including never before published outtakes, an interview with the author, and a new essay by Zambreno. Zambreno's heroine, Ruth, is a young American in London, kin to Jean Seberg gamines and contemporary celebutantes, by day spritzing perfume at the department store she calls Horrids, by night trying desperately to navigate a world colored by the unwanted gaze of others and the uncertainty of her own self-regard. Ruth, the green girl, joins the canon of young people existing in that important, frightening, and exhilarating period of drift and anxiety between youth and adulthood, and her story is told through the eyes of one of the most surprising and unforgettable narrators in recent fiction—a voice at once distanced and maternal, indulgent yet blackly funny. And the result is a piercing yet humane meditation on alienation, consumerism, the city, self-awareness, and desire, by a novelist who has been compared with Jean Rhys, Virginia Woolf, and Elfriede Jelinek.
Winner of the 2002 Mary McCarthy Prize in Short Fiction, selected by Chris Offutt.
A wonderfully entertaining riches-to-rags story with the glitz of a celebrity mag exposé, mixed with an old-fashioned tale of comeuppance and self discovery.