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This is a fictional adventure yarn that gives insight into part of New Zealand’s rural culture from the predepression years, the impact of World War II on a family and their struggle to cope, and the magic of companionship in the New Zealand backcountry. The story is loosely based on my parents, with Dad never seeming to adjust to what he experienced in Italy during the Second World War. I explore how this adjustment might have been better achieved through a series of fictional incidents and support from his mate Charlie. Bill’s journey is about his growth towards comprehending the meaning of a couple of metaphors in the context of overwhelming guilt, his path to self-acceptance, and his relationship with his wife Joan and their children. The setting is non-specific but is largely consistent with the Southland region of New Zealand, and Monte Cassino, Italy.
In the twentieth century, celebrations of historical anniversaries abounded. There was the bicentennial of the French Revolution, the 150th anniversary of photography, Bach's 300th anniversary, and the 200th anniversary of the American Constitution, to name just a few. Every year hundreds of anniversaries still attract media attention and government investment in ever greater degrees. Deploying an astonishing array of insights, Celebrations explores the causes and consequences of this major phenomenon of our time. As Johnston shows, anniversaries fulfill a number of needs. They provide the kind of experience of regularity across a lifetime that the weekly cycle supplies in daily life. The use of anniversaries for political ends emerged during the French Revolution and expanded to promote nationalism during the nineteenth century, although there are differences in how they are used. Europeans tend to celebrate cultural heroes, while Americans tend to celebrate events. Entire nations exploit anniversaries of founding events in order to promote national identity. Commercially, there are whole industries built around commemoration, and they provide intellectuals an opportunity to take center stage. Using methods of cultural history, sociology, and religious studies, Johnston shows how the cult of anniversaries reflects postmodern concerns. It fills a void left by the disappearance of ideologies and avant-gardes. In an era when there is little consensus about styles or methods, anniversaries allow intellectuals, businesses, and governments to acknowledge and celebrate every nuance of opinion. By suggesting ways to use anniversaries more creatively, this book offers a broad range of insights.
Vanity of vanities--it is said--but I have to, at times, take a degree of pride in myself. Our son is now a youthful looking 39-year-old, a handsome six-footer with what some call 'classic European features', blended with Afro DNA coursing through his veins; the upshot of the miscegenation of the races, giving him the look of Aphrodite's lover, Adonis, in Greek mythology or Eurydice's lover, Orpheus. His face reverberates with rugged masculinity. His tanned skin contrasts with his dark curly hair. His thick eyebrows show content accentuating his almond shaped brown eyes, but inviting at the same time. His eyelashes are, from childhood, exceptionally long and remain the same for the man he has become. His chiseled nose looks well-centered on his perfectly oval face
All the depravity and evil of man is found upon the stage. January, 1381. Guests of the Regent, John of Gaunt, Brother Athelstan and Sir John Cranston have been attending a mystery play performed by the Straw Men, Gaunt's personal acting troupe. The evening’s entertainment, however, is suddenly and brutally interrupted by the violent deaths of two of Gaunt's guests, their severed heads left on stage. The Regent orders Athelstan to find out who committed such a heinous act, leading him to tackle his most baffling and disturbing case yet... A taut and clever medieval murder mystery that won’t let go, perfect for fans of S G MacLean, S W Perry and Rory Clements.
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Guy de Maupassant (1850-1893) was a popular French writer, considered one of the fathers of the modern short story and one of the form's finest exponents. Content: An Adventure in Paris The Awakening Crash My Landlady The Horla Our Letters Profitable Business A Fashionable Woman The Donkey A Mother of Monsters A Family Affair The Mad Woman The Bandmaster's Sister The Cripple A Cock Crowed Words of Love Miss Harriet Two Friends Pierrot Countess Satan Mother Sauvage Coward A Duel The Corsican Bandit The Accent Always Lock the Door! Legend of Mont St. Michel The Fishing Hole A Vendetta Madame Hermet The Old Maid Am I Insane? Discovery The Child The Piece of String He? Madame Baptiste Madame Parisse Boule De Suif Magnetism The Christening A Stroll The Mustache Father Matthew Dead Woman's Secret A Father's Confession A Rupture A New Year's Gift Is He Mad? The Debt Mad The Trip of Le Horla The Parrot The Hermit The Dowry The White Lady The Dispenser of Holy Water The Rondoli Sisters Mademoiselle Cocotte The Lancer's Wife A Normandy Joke The Marquis De Fumerol Julie Romain The Model A Parricide Found on a Drowned Man Dreams Saint Anthony The Drunkard What Was Really the Matter with Andrew Regret The Cake My Uncle Sosthenes Beside Schopenhauer's Corpse The Inn The Test The Carter's Wench The Man with the Dogs The Diamond Necklace Ghosts Mother and Son Rose Sundays of a Bourgeois The Sequel to a Divorce The Farmer's Wife The Mountebanks The Dead Girl The Maison Tellier Monsieur Parent Julot's Opinion Mademoiselle Coco Mamma Stirling The Diary of a Madman Suicides The Wrong House A Good Match A Useful House Mademoiselle Fifi The Bed Mademoiselle Pearl…
“This short book makes you smarter than 99% of the population. . . . The concepts within it will increase your company’s ‘organizational intelligence.’. . . It’s more than just a must-read, it’s a ‘have-to-read-or-you’re-fired’ book.”—Geoffrey James, INC.com From the author of An Illustrated Book of Loaded Language, here’s the antidote to fuzzy thinking, with furry animals! Have you read (or stumbled into) one too many irrational online debates? Ali Almossawi certainly had, so he wrote An Illustrated Book of Bad Arguments! This handy guide is here to bring the internet age a much-needed dose of old-school logic (really old-school, a la Aristotle). Here are cogent explanations of the straw man fallacy, the slippery slope argument, the ad hominem attack, and other common attempts at reasoning that actually fall short—plus a beautifully drawn menagerie of animals who (adorably) commit every logical faux pas. Rabbit thinks a strange light in the sky must be a UFO because no one can prove otherwise (the appeal to ignorance). And Lion doesn’t believe that gas emissions harm the planet because, if that were true, he wouldn’t like the result (the argument from consequences). Once you learn to recognize these abuses of reason, they start to crop up everywhere from congressional debate to YouTube comments—which makes this geek-chic book a must for anyone in the habit of holding opinions.
“An engrossing mystery with a wonderfully unique sleuth [who] tackles the most mysterious setting of all: the Bermuda Triangle of human memory” (Barbara Seranella, author of the Munch Mancini Novels). Eight years ago, Brenna Kennedy defended Carmen DellaVecchio. He was a loner, a freak, and accused of the brutal rape and near-murder of Pittsburgh cop Teresa Harnett. She lost the case and DellaVecchio was sent to prison. But now, DNA evidence has cast doubt on DellaVecchio’s guilt, and he is freed while waiting for a new trial. Kennedy continues to believe he is an innocent man. But if DellaVecchio is not guilty, then a dangerous sociopath is still out there. Kennedy’s boyfriend—the brilliant and compassionate psychologist Jim Christensen—has dedicated his career to studying the effects of memory loss, including victims of trauma. When Teresa Harnett asks him to help her remember the events of that terrible night, he reluctantly agrees—and soon all of them are caught in the web of a madman who will kill to stay free . . . In this finalist for the Edgar and Barry Awards, Michael J. Smith delivers “the creepiest good time I’ve had in ages—a genuine page-turner” (Laura Lippman, New York Times–bestselling author of And When She Was Good).
9. Between meaning and significance: reflections on ritual and mimesis / Alexander Henn -- 10. Animism on stage: tracing anthropology's heritage in contemporary African dance in Europe / Nadine Sieveking -- 11. Transgression and the erotic / Vincent Crapanzano -- 12. Michael Leiris: master of the ethnographic failure / Peter Phipps -- 13. Boundary confusion in anthropology and art: Pablo Picasso and Michael Leiris / Klaus Peter Buchheit -- 14. The concatenation of minds / Klaus Peter Buchheit -- 15. Transgressions of fieldwork/filed works: method in madness / John Hutnyk.
“Written in prose so clear that we absorb its images as if by mind meld, “The Last Painting” is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it’s fiction that keeps you up at night — first because you’re barreling through the book, then because you’ve slowed your pace to a crawl, savoring the suspense.” —Boston Globe A New York Times Bestseller A New York Times Book Review Editor's Choice A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH. Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city’s Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it. New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer’s marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict. Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.
This collection of essays offers a framework for reflection and study by United Methodist laity, clergy, and seminarians seeking to live into our faith’s commitment to ecumenism and interfaith relationships. The vision and voices of writers from around the world are indispensable in understanding the biblical, historical, and theological basis for ecumenical and interreligious work. The writers are Warner H. Brown, Jr. Sudarshana Devadhar, Gaspar Joao Domingos, Adam Hamilton, Benjamin L. Hartley, Hee Soo Jung, Gladys Mangiduyos, Glen A. Messer II, Bruce R. Ough, Stephen Sidorak, Jr., Mary Ann Swenson, and Rosemarie Wenner. Read what others are saying... “This sparkling book celebrates the wide-armed embrace of God’s love. Drawing from personal stories, historical narratives, texts of the Wesleyan and United Methodist traditions, and biblical witness, the authors challenge people to ponder ecumenical and interreligious relations. They offer perspectives and questions that are deeply biblical and Wesleyan and are urgent in a world torn by conflict. They shine light on polarizations and possibilities in the United Methodist Church, the Christian Church universal, and the whole human family. The book is an invitation to reflect but, more important, to pause and appreciate the largesse of God’s love that binds people across chasms of difference.” —Dean Mary Elizabeth Moore Boston University School of Theology “This book is a wonderful resource for all who take seriously the prayer for unity Jesus prayed in John 17:20-21. The authors represent a rich diversity of voices from across the globe, all calling us to focus on that which binds us together in love. I heartily recommend this book to all who are interested in building bridges of unity.” —Dr. Clayton Oliphint Senior Pastor, First United Methodist Church, Richardson, Texas "I urge all United Methodists to read Celebrating God's Love in preparation for the 2016 General Conference, because it serves as a valuable reminder of our commitment to ecumenical and interreligious relationships and dialogue." —Jim Winkler President and General Secretary National Council of the Churches of Christ in the USA