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Every society thrives on stories, legends and myths. This volume explores the linguistic devices employed in the astoundingly rich narrative traditions in the tropical hot-spots of linguistic and cultural diversity, and the ways in which cultural changes and new means of communication affect narrative genres and structures. It focusses on linguistic and cultural facets of the narratives in the areas of linguistic diversity across the tropics and surrounding areas — New Guinea, Northern Australia, Siberia, and also the Tibeto-Burman region. The introduction brings together the recurrent themes in the grammar and the substance of the narratives. The twelve contributions to the volume address grammatical forms and categories deployed in organizing the narrative and interweaving the protagonists and the narrator. These include quotations, person of the narrator and the protagonist, mirativity, demonstratives, and clause chaining. The contributors also address the kinds of narratives told, their organization and evolution in time and space, under the impact of post-colonial experience and new means of communication via social media. The volume highlights the importance of documenting narrative tradition across indigenous languages.
Every society thrives on stories, legends and myths. This volume explores the linguistic devices employed in the astoundingly rich narrative traditions in the tropical hot-spots of linguistic and cultural diversity, and the ways in which cultural changes and new means of communication affect narrative genres and structures. It focusses on linguistic and cultural facets of the narratives in the areas of linguistic diversity across the tropics and surrounding areas — New Guinea, Northern Australia, Siberia, and also the Tibeto-Burman region. The introduction brings together the recurrent themes in the grammar and the substance of the narratives. The twelve contributions to the volume address grammatical forms and categories deployed in organizing the narrative and interweaving the protagonists and the narrator. These include quotations, person of the narrator and the protagonist, mirativity, demonstratives, and clause chaining. The contributors also address the kinds of narratives told, their organization and evolution in time and space, under the impact of post-colonial experience and new means of communication via social media. The volume highlights the importance of documenting narrative tradition across indigenous languages.
This authentic, loving celebration of gratitude & community—written by a citizen of the Cherokee nation—follows celebrations and experiences through the seasons of a year, underscoring the traditions and ways of Cherokee life.
Indigenous peoples represent the unfinished business of decolonization. In this fascinating volume, Franke Wilmer examines how indigenous activists are cultivating international support for a program of self-determination and legal protection, as well as how "the indigenous voice in world politics" is transforming civic discourse within the international community. With the United Nations designation for 1993 as the "Year of Indigenous Peoples," this book could not be more timely in its subject matter or in its scale of coverage. The Indigenous Voice in World Politics will serve as a benchmark text for students in ethnic studies, political science, development studies, sociology, and international relations. "The topic area that Dr. Wilmer has defined is a vital one that will appeal to a broad and growing audience. It is not only of great importance and interest morally and politically, but (in Wilmer′s hands) of great significance intellectually. Indeed, Wilmer′s ability to combine the moral/political with the intellectual/theoretical is exceptional, and a great source of this project′s originality and power. This book will find readers among human rights activists, ethnologists, sociologists, cultural anthropologists, students of international relations, and laypersons interested in indigenous peoples, especially American Indians. This is an impressive project." --Richard H. Brown, University of Maryland at College Park "This is one of the few times anyone from the political science discipline has taken a very good cross view of what has transpired in indigenous cultures." --Ron LaFrance, American Indian Program, Cornell University "The Indigenous Voice in World Politics stands as a benchmark text for use in both undergraduate and graduate courses emphasizing or including consideration of the international status of indigenous peoples." --Ward Churchill, American Indian Studies, University of Colorado at Boulder "While Wilmer′s analysis of the legal and philosophical debate on the status of indigenous peoples draws heavily on the U. S. experience, specific examples of the fate of these communities are drawn from all around the globe. This book would make an excellent text for courses in American Indian studies, political science, international relations, and international law, as well as a useful supplementary text for courses on ethnic and racial minorities." --Sociological Imagination
Young Adult Native American NovelApple Starkington turned her back on her Native American heritage the moment she was called a racial slur for someone of white and Indian descent, not that she really even knew how to be an Indian. Too bad the white world doesn't accept her either. And so begins her quirky habits to gain acceptance. Apple's name, chosen by her Indian mother on her deathbed, has a double meaning: treasured apple of my eye, but also the negative connotation-a person who is red, or Indian, on the outside, but white on the inside.After her wealthy father gives her the boot one summer, Apple reluctantly agrees to visit her Native American relatives on the Turtle Mountain Indian Reservation in North Dakota for the first time. Apple learns to deal with the culture shock of Indian customs and the Native Michif language, while she tries to deal with a vengeful Indian man who loved her mother in high school but now hates Apple because her mom married a white man.As Apple meets her Indian relatives, she shatters Indian stereotypes and learns what it means to find her place in a world divided by color.
An Ojibwe girl practices her dance steps, gets help from her family, and is inspired by the soaring flight of Migizi, the eagle, as she prepares for her first powwow.
Collects Marvel's Voices: Indigenous Voices, Marvel's Voices: Heritage, Champions Annual #1, Werewolf By Night (2020) #1, Phoenix Song: Echo #1, Native American Heritage Month Variants and material from United States Of Captain America #3 And Marvel Comics #1000. Today's hottest Native American and Indigenous talent make their mark with stories that explore the rich heritage of Marvel's incredible cast of Indigenous characters! Alien invaders discover that Echo hits back! Dani Moonstar undertakes a personal mutant rescue mission - but expect the unexpected when she fights alongside Forge, Warpath and more of Krakoa's finest Native heroes! Discover the greatest hopes and fears of the Champions' Snowguard! And find out why it ain't easy being a super hero along with American Eagle! Plus: Tales featuring the new Werewolf by Night, the Captain America of the Kickapoo Tribe, the mysterious River and more!
Traces the progress of the Indians of North America from the time of the Creation to the present.