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Excerpt from Cedar Hill Cemetery: Hartford Connecticut, 1863-1903 The purpose of Cedar Hill Cemetery is to provide a place of sepulture in harmony with the promise of rest and peace for the dead, satisfactory to the most cultivated taste of the living and made forever secure as a sacred trust in the care of a perpetual corporation. This ideal the modern cemetery has sought to realize. It can only do so under certain conditions. A tract of land must be purchased, having a considerable extent, located near the city and convenient of access, but protected from all encroachments of the future, amid rural surroundings, with proper soil, and offering in its natural advantages an opportunity for the landscape architect to produce with earth, rock, water, and wood those beauties which have ever made nature the temple of God. These are essential elements. If, in addition to them, the place affords those extensive scenic effects of hill and valley which awaken a sense of vastness and sublimity, the highest results can be attained. Such a tract of land cannot be found in the neighborhood of all cities, and could not be secured except through legislative authority which is justified by the public benefit. The work of developing it requires means. It demands, moreover, a plan carefully considered and intelligently, continuously, and patiently pursued throughout the course of years which are necessary for its perfection. There are trusts also to be fulfilled in providing special care of grave markers and monuments, or the perpetual disposal of cut flowers upon the resting places of friends, or the like, which may be a pleasure to the living and an honor to the departed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Stone and brick tombs were repositories for the physical remains of many of Connecticut’s wealthiest and influential families. The desire was to be interred within burial vaults rather than have their wooden coffins laid into the earth in direct contact with crushing soil burden led many prominent families to construct large above-ground and semi-subterranean tombs, usually burrowed into the sides of hills as places of interment for their dead. "And So The Tomb Remains" tells the stories of the Connecticut State Archaeologist’s investigations into five 18th/19th century family tombs: the sepulchers of Squire Elisha Pitkin, Center Cemetery, East Hartford; Gershom Bulkeley, Ancient Burying Ground, Colchester; Samuel and Martha Huntington, Norwichtown Cemetery, Norwich; Henry Chauncey, Indian Hill Cemetery, Middletown; and Edwin D. Morgan, Cedar Hill Cemetery, Hartford. In all of these cases, the state archaeologist assisted in identifying and restoring human skeletal remains to their original burial placements when vandalized through occult rituals or contributed to the identification of unrecorded burials during restoration projects. Each investigative delves into family histories and genealogies, as well as archaeological and forensic sciences that helped identify the entombed and is told in a personal, story-telling approach. Written in essay form, each investigation highlights differing aspects of research in mortuary architecture and cemetery landscaping, public health, restoration efforts, crime scene investigations, and occult activities. These five case studies began either as “history mysteries” or as crime scene investigations. Since historic tombs were occupied by social and economic elites, forensic studies provide an opportunity to investigate the health and life stress pathologies of the wealthiest citizens in Connecticut’s historic past, while offering comparisons to the wellbeing of lower socio-economic populations.
Growing urban populations prompted major changes in graveyard location, design, and use During the Industrial Revolution people flocked to American cities. Overcrowding in these areas led to packed urban graveyards that were not only unsightly, but were also a source of public health fears. The solution was a revolutionary new type of American burial ground located in the countryside just beyond the city. This rural cemetery movement, which featured beautifully landscaped grounds and sculptural monuments, is documented by James R. Cothran and Erica Danylchak in Grave Landscapes: The Nineteenth-Century Rural Cemetery Movement. The movement began in Boston, where a group of reformers that included members of the Massachusetts Horticultural Society were grappling with the city's mounting burial crisis. Inspired by the naturalistic garden style and melancholy-infused commemorative landscapes that had emerged in Europe, the group established a burial ground outside of Boston on an expansive tract of undulating, wooded land and added meandering roadways, picturesque ponds, ornamental trees and shrubs, and consoling memorials. They named it Mount Auburn and officially dedicated it as a rural cemetery. This groundbreaking endeavor set a powerful precedent that prompted the creation of similarly landscaped rural cemeteries outside of growing cities first in the Northeast, then in the Midwest and South, and later in the West. These burial landscapes became a cultural phenomenon attracting not only mourners seeking solace, but also urbanites seeking relief from the frenetic confines of the city. Rural cemeteries predated America's public parks, and their popularity as picturesque retreats helped propel America's public parks movement. This beautifully illustrated volume features more than 150 historic photographs, stereographs, postcards, engravings, maps, and contemporary images that illuminate the inspiration for rural cemeteries, their physical evolution, and the nature of the landscapes they inspired. Extended profiles of twenty-four rural cemeteries reveal the cursive design features of this distinctive landscape type prior to the American Civil War and its evolution afterward. Grave Landscapes details rural cemetery design characteristics to facilitate their identification and preservation and places rural cemeteries into the broader context of American landscape design to encourage appreciation of their broader influence on the design of public spaces.