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When Mr. Grizley's students learn about emotions and Cecilia forgets her tamales for the class fundraiser, she displays her sad card on her desk. Includes an activity designed to reinforce social emotional learning skills, glossary, and discussion and writing prompts.
Originally housed in a two-story home and then in an old converted schoolhouse along Taraval Street in 1917, San Francisco's St. Cecilia Church today stands as a cultural pillar and architectural gem of the Parkside District. The parish continually grew to meet the demands of its members, despite the hardships brought on by events like the Great Depression and both world wars. Through years of expansions, new construction and additions, the parish remains an active gathering place for thousands of people. Local author Frank Dunnigan utilizes community remembrances and photos from dozens of different sources to tell the story of a vibrant parish that continues to live up to its motto: "The Finest, the Greatest and the Best."
Prospect Research: A Primer for Growing Nonprofits, Second Edition is a detailed guide to expanding your donor base by implementing an advancement research plan. Written by a prospect researcher, this unique book provides you with the tips you need to find your next major gift donors. Novice and experienced researchers as well as fundraisers will appreciate this updated edition that focuses on prospect researching and the art of identifying and qualifying potential donors to nonprofit organizations. In addition to a detailed introduction to each step of prospect researching, the text includes sample forms and information on policies and procedures.
A wickedly funny look at opera today--the feuds and deals, maestros and managers, divine voices and outsized egos--and a portrait of the opera world's newest superstar at a formative point in her life and career. In Cinderella & Company, Pulitzer Prize-winning journalist Manuela Hoelterhoff takes us on a two-year trip on the circuit with Cecilia Bartoli, the young mezzo-soprano who has captured an adoring public around the world. Rossini's Cenerentola is Bartoli's signature role, and Cinderella & Company tells the fairy-tale story of her life, which started on a modest street in Rome where the Fiat was the coach of choice. The lucky break, the meteoric rise, the starlit nights and nail-chewing days are all part of a narrative that shows Bartoli rehearsing, playing, traveling, eating, and charming us with her vivacity and dazzling virtuosity. Along the way, Hoelterhoff gives us an unusually vivid, behind-the-scenes look at the opera world. The first stop is Houston, where Bartoli brightens a droopy Cenerentola production; later scenes follow her to Disney World and to the Metropolitan Opera, where a fidgety cast awaits the flight-phobic mezzo's arrival for Mozart's Cosi fan tutte. Traveling to Santa Fe, Paris, Rome, Venice, and London, Hoelterhoff drops in on opening nights and boardroom meetings, talks to managers and agents, describes where the money comes from, and survives one of the longest galas in history. Here too are tantalizing glimpses of divinities large and small: Kathleen Battle's famously chilly limousine ride; Plácido Domingo flying through three time zones to step into the boots of an ailing Otello; Luciano Pavarotti aiming for high C in his twilight years. And we meet the present players in Bartoli's world: Roberto Alagna and Angela Gheorghiu, a.k.a. the Love Couple; Jane Eaglen, the Wagnerian web potato monitoring her cyberspace fan mail; the appealing soprano Renée Fleming, finally on the brink of stardom. At once informed and accessible, Cinderella & Company brings the world of grand opera into sharp focus--right up to the last glimpse of Cecilia Bartoli waving triumphantly from Cinderella's wedding cake.
Recent presidents have responded to the evolving rules of the campaign finance system and the competitive electoral landscape by devoting substantial amounts of their most valuable resource—their time—to fundraising. In the follow-up to his 2012 book, The Rise of the President’s Permanent Campaign, Brendan Doherty argues that presidential fundraising is an underexamined tool of modern presidential leadership and should be viewed as an instrument of presidential power akin to signing statements, executive orders, public speeches, and veto threats. Presidents raise campaign cash for themselves and for their fellow party members in the hope of electoral gains that will reshuffle the governing deck in their favor, but acting as fundraiser in chief sparks a host of controversies. Based on an original dataset of 2,190 presidential fundraisers spanning more than four decades of presidents from Carter to Trump, Fundraiser in Chief is the first book-length work to analyze presidential fundraising in a systematic and comprehensive manner. Doherty draws on an unprecedented amount of empirical evidence to shed light on modern presidents’ fundraising priorities and strategies as they seek to move the country closer to their vision of a more perfect union. Fundraiser in Chief is a study of presidential resource allocation strategy: how much of their scarce time presidents devote to fundraising, for whom they do it, what priorities are illuminated by their efforts, how their fundraising strategies relate to the evolving campaign finance landscape, under what circumstances they fundraise behind closed doors, and the resulting controversies and implications for presidential leadership and the American political system. Doherty offers an argument about the incentives that drive presidents to fundraise so frequently while examining the controversial implications of their extensive efforts to raise campaign cash. He contends that rising campaign costs, limits on contributions to candidates and political parties, the inadequacy of the resources provided by the presidential public funding system, the specter of Super PACs raising funds in unlimited amounts, and fiercely competitive contests to control the White House, Congress, and governors’ offices across the country have all incentivized presidents to embrace their role as fundraiser in chief.
The Morettis are a Sarasota family of Cafeteria Catholics, (rejecting some Vatican doctrines—mainly pelvic issue ones). Widower Dante goes to his first Confession in decades. He confesses gossip: telling his two daughters of his brother Nick’s fling with the caterer for his wedding vow renewal with Nick’s then-wife Rosemary. An unusual Penance surprises Dante. Tantrums of Nick’s ex-wife Rosemary impact events. Dante wants another good woman to love, but dating yields only stories that amuse his girls. Dante’s gossip is repeated, changing with each teller. Floridians talk about freedom (yet yearn to mate). An undreamt-of source for finding love and fulfilling Dante’s Penance offers challenge and hope. Her name is Abigail. Soon they’re doing everything in a pandemic. How could anything go right? Are You Free? offers a witty rumination on family, religion, and the search for love in many forms – grief, longing, regret, surprise.
This publication tells the history of the Mater Misericordiae hospitals, from their gestation in the minds of a remarkable group of women, the Sisters of Mercy, to their eminence in health care in Queensland. The story of the hospitals is told against a backdrop of social, political and medical changes.
Many types of nonprofit, charitable, and other small organizations need funding yet cannot afford to employ a full-time fundraiser, relying instead on volunteers or staff members to raise the money. The Accidental Fundraiser is a practical guide covering all aspects of fundraising for the small organization, the volunteer, and the staff person in any setting who plans to take on a fundraising project for which s/he may not have been trained. Author, librarian, and accidental fundraiser Julie Still offers practical and reassuring advice that will help any individual become an effective fundraiser regardless of previous experience.
USA TODAY BESTSELLER • Caroline Fardig’s captivating mystery novel takes readers behind the counter of a seemingly run-of-the-mill coffeehouse . . . where murder is brewing. After her music career crashes and burns spectacularly, Juliet Langley is forced to turn to the only other business she knows: food service. Unfortunately, bad luck strikes yet again when her two-timing fiancé robs her blind and runs off with her best waitress. Flushing what’s left of her beloved café down the toilet with her failed engagement, Juliet packs up and moves back to her college stomping grounds in Nashville to manage an old friend’s coffeehouse. At first glance, it seems as though nothing’s changed at Java Jive. What could possibly go wrong? Only that the place is hemorrhaging money, the staff is in open revolt, and Juliet finds one unlucky employee dead in the dumpster out back before her first day is even over. The corpse just so happens to belong to the cook who’d locked horns with Juliet over the finer points of the health code. Unimpressed with her management style, the other disgruntled employees are only too eager to spill the beans about her fiery temper to the detective on the case. Add to the mix a hunky stranger who’s asking way too many questions, and suddenly Juliet finds herself in some very hot water. If she can’t simmer down and sleuth her way to the real killer, she’s going to get burned. Praise for Death Before Decaf “I was hooked from the first page. I loved it!”—Dorothy Cannell, award-winning author of the Ellie Haskell mysteries “Caroline Fardig brings a fun cast of characters to life in Death Before Decaf! Juliet had me laughing, smiling, and rooting for her from the first page to the last. I can’t wait for more!”—Gina LaManna, author of Teased to Death “Caroline Fardig keeps you turning pages in this fast-paced mystery set in a Nashville coffee shop.”—Nancy J. Parra, author of Engaged in Murder “With a fair share of twists, turns, and a murderer I did not suspect, Fardig delivers a caffeinated romp and a promising start to the Java Jive mystery series.”—Book Club Librarian “A delightfully charming mystery with humor, suspense and a cast of characters to die for.”—Moonlight Rendezvous “I can see this being a series to help bring a younger audience to the cozy mystery genre.”—Musings and Ramblings “[Juliet’s] temper plus a good sense of humor make her a great series protagonist, someone readers would actually like to befriend.”—Mallory Heart Reviews “This book had me hopping from murder to love interest and back to criminal activities.”—Storeybook Reviews