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Step into the world of 18th-century society with Frances Burney's ""Cecilia, Or Memoirs Of An Heiress Volume 1 (Of 3)."". This charming and satirical novel offers a detailed exploration of social manners, romance, and the complexities of inheritance through the eyes of a young heiress. As Burney’s tale unfolds, follow Cecilia’s journey through the trials and tribulations of high society, as she navigates love, ambition, and societal expectations. The novel provides a rich and insightful look at the intricacies of class and character in Georgian England. But here's a thought-provoking question: How do the constraints of social status and personal ambition shape the lives of those bound by the expectations of their time? Burney’s narrative encourages readers to reflect on the interplay between personal desires and societal pressures. Delve into the engaging world of ""Cecilia,"" where each volume reveals new dimensions of character and society. Burney’s wit and keen observations make this classic a delightful and thought-provoking read. Are you ready to explore the social intricacies and romantic entanglements of ""Cecilia, Or Memoirs Of An Heiress Volume 1 (Of 3)""? Engage with the humorous and insightful passages that capture the essence of Georgian society and personal drama. The novel’s blend of romance and social commentary offers a captivating reading experience. Don’t miss the chance to dive into this classic satire. Purchase ""Cecilia, Or Memoirs Of An Heiress Volume 1 (Of 3)"" today, and discover the charm and wit of Frances Burney’s masterpiece. Get your copy now and experience the elegance and intrigue of Burney’s celebrated novel.
Novelist and playwright Frances (Fanny) Burney, 1752-1840, was also a prolific writer of journals and letters, beginning with the diary she started at fifteen and continuing until the end of her eventful life. From her youth in London high society to a period in the court of Queen Charlotte and her years interned in France with her husband Alexandre d'Arblay during the Napoleonic Wars, she captured the changing times around her, creating brilliantly comic and candid portraits of those she encountered - including the 'mad' King George, Samuel Johnson, Sir Joshua Reynolds, David Garrick and a charismatic Napoleon Bonaparte. She also describes, in her most moving piece, undergoing a mastectomy at fifty-nine without anaesthetic. Whether a carefree young girl or a mature woman, Fanny Burney's forthright, intimate and wickedly perceptive voice brings her world powerfully to life.
First published in 1796, Camilla, Fanny Burney's third novel, proved to be an enormous popular success. It deals with the matrimonial concerns of a group of young people-Camilla Tyrold and her sisters, the daughters of a country parson, and their cousin Indiana Lynmere-and, in particular, with the love affair between Camilla herself and her eligible suitor, Edgar Mandlebert.
Reproduction of the original: Cecilia by Frances Burney
Evelina: Or the History of a Young Lady's Entrance into the World was published in 1778. Evelina has been raised raised in rural seclusion until her eighteenth year. She then travels to London learns how to navigate the complex layers of 18th century society and earn the love of a distinguished nobleman. This sentimental novel of manners often satirizes the society in which it is set and is a significant precursor to later works by Jane Austen and Maria Edgeworth. The illustrated edition includes 74 black and white illustrations by Hugh Thomson.
Today Fanny Burney's venture into authorship would not be questionable. She was, after all, a daughter of a celebrated musician, and the Burney family was know to the circle of Samuel Johnson and Hester Thrale. Yet as Kristina Straub ably shows, the public recognition which followed the publication of her first novel placed Fanny Burney in a situation of disturbing ambiguity. Did she become famous or notorious? Was she a prodigy or a freak? In this study of Burney, Straub not only describes and analyzes the disturbing transition of a writer's self-awareness as a woman and a literary artist from private to public terms, but also reveals in Burney's works a hitherto unacknowledged complexity."