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A look at the wide-ranging work of the Golden Age genius who made The Ten Commandments and other blockbusters—and helped found the American film industry. Cecil B. DeMille’s Hollywood is a detailed and definitive chronicle of the director’s screen work that changed the course of film history—and a fascinating look at how movies were actually made in Hollywood’s Golden Age. Drawing extensively on DeMille’s personal archives and other primary sources, Robert S. Birchard offers a revealing portrait of DeMille the filmmaker that goes behind studio gates and beyond DeMille’s legendary persona. In his forty-five-year career DeMille’s box-office record was unsurpassed, and his swaggering style established the public image for movie directors. He had a profound impact on the way movies tell stories, and brought greater attention to the elements of decor, lighting, and cinematography. Best remembered today for screen spectacles such as The Ten Commandments and Samson and Delilah, DeMille also created Westerns, realistic “chamber dramas,” and a series of daring and highly influential social comedies—while setting the standard for Hollywood filmmakers and demanding absolute devotion to his creative vision from his writers, artists, actors, and technicians. “Far and away the best film book published so far this year.” —National Board of Review
Colossal. Stupendous. Epic. These adjectives, used by movie companies to hawk their wares, became clichélong ago. When used to describe the films of one director, they are accurate. More than any filmmaker in the history of the medium, Cecil B. DeMille mastered the art of the spectacle. In the process, he became a filmland founder. One hundred years ago, he made the first feature film ever shot in Hollywood and went on to become the most commercially successful producer-director in history. DeMille told his cinematic tales with painterly, extravagant images. The parting of the Red Sea in The Ten Commandments was only one of these. There were train wrecks (The Greatest Show on Earth); orgies (Manslaughter); battles (The Buccaneer); Ancient Rome (The Sign of the Cross); Ancient Egypt (Cleopatra); and the Holy Land (The Crusades). The best of these images are showcased here, in Cecil B. DeMille: The Art of the Hollywood Epic. This lavish volume opens the King Tut's tomb of cinematic treasures that is the Cecil B. DeMille Archives, presenting storyboard art, concept paintings, and an array of photographic imagery. Historian Mark A. Vieira writes an illuminating text to accompany these scenes. Cecilia de Mille Presley relates her grandfather's thoughts on his various films, and recalls her visits to his sets, including the Egyptian expedition to film The Ten Commandments. Like the director's works, Cecil B. DeMille: The Art of the Hollywood Epic is a panorama of magnificence-celebrating a legendary filmmaker and the remarkable history of Hollywood.
The authoritative biography of the legendary director Cecil B. DeMille: “if this were a movie, it would get four stars, two thumbs up, and an A” ( The Dallas Morning News ). • Hollywood history: Cecil B. DeMille was among the earliest filmmakers who discovered some of the biggest stars in film, including Gloria Swanson, Claudette Colbert, and later, Charlton Heston. DeMille’s greatest successes came with biblical spectacles, notably The Ten Commandments and King of Kings . When he finally won an Academy Award for best picture with The Greatest Show on Earth, he had been making films for forty years. • A fully realized portrait : DeMille has often been reduced to a caricature: a hack who made empty epic spectacles, a right-winger and McCarthy supporter during the blacklist, and a tyrannical director who abused his actors. Eyman instead presents a balanced account of a remarkably rich life. • An authoritative biography : Scott Eyman is the first biographer to have access to DeMille’s letters and other personal papers for publication. Eyman settles for nothing less than the real man, as he did in his biographies of John Ford and Louis B. Mayer. The result is a unique history of Hollywood’s earliest years and the rediscovery of a major filmmaker.
Examines the life and work of the motion picture director best known for his biblical sagas, including "Samson and Delilah" and "The Ten Commandments," discussing his complex personal life and the paradoxes existing within his films.
From concept stage through production in Egypt to release of the film: Katherine Orrison carefully recreates the behind-the-scenes story of Cecil B. DeMille's beloved epic.
Cecil B. DeMille and American Culture demonstrates that the director, best remembered for his overblown biblical epics, was one of the most remarkable film pioneers of the Progressive Era. In this innovative work, which integrates cultural history and cultural studies, Sumiko Higashi shows how DeMille artfully inserted cinema into genteel middle-class culture by replicating in his films such spectacles as elaborate parlor games, stage melodramas, department store displays, Orientalist world's fairs, and civic pageantry. The director not only established his signature as a film author by articulating middle-class ideology across class and ethnic lines, but by the 1920's had become a trendsetter, with set and costume designs that influenced the advertising industry to create a consumer culture based on female desire. Drawing on a wealth of previously untapped material from the DeMille Archives and other collections, Higashi provides imaginative readings of DeMille's early feature films, viewing them in relation to the dynamics of social change, and she documents the extent to which the emergence of popular culture was linked to the genteel tradition.
Leonard Maltin is America's best-known film historian, film reviewer, and author of books that have sold more than 7 million copies. He remains a thought leader on past and present Hollywood through his website www.leonardmaltin.com, and a social media presence that includes an active Facebook page and a Twitter feed with more than 66,000 followers. In Hooked on Hollywood, Maltin opens up his personal archive to take readers on a fascinating journey through film history. He first interviewed greats of Hollywood as a precocious teenager in 1960s New York City. He used what he learned from these luminaries to embark on a 50-year (and counting) career that has included New York Times bestselling books, 30 years of regular appearances coast-to-coast on Entertainment Tonight, movie introductions on Turner Classic Movies, and countless other television and radio performances. Early Maltin interviews had literally been stored in his garage for more than 40 years until GoodKnight Books brought them to light for the first time in this volume to entertain readers and inform future film scholars. Teenaged Leonard Maltin landed one-on-ones with Warner Bros. sexy pre-Code siren Joan Blondell; Emmy-winning and Oscar-nominated actor Burgess Meredith; Cecil B. DeMille's right-hand-man Henry Wilcoxon; Oscar-winning actor Ralph Bellamy; playwright, novelist, and MGM screenwriter Anita Loos; early screen heartthrob George O'Brien; classic Paramount director Mitchell Leisen; and others. Later in his career, Maltin sat down with men and women who worked inside the top studios during the heyday of movies and early television. This second set of in-depth interviews reveals what life was like under Louis B. Mayer, Jack Warner, Harry Cohn, and the other titans of Hollywood. What emerges is a fascinating and at times uproarious homage to Golden Era Hollywood. In addition, key feature articles from Maltin's newsletter Movie Crazy are published here for the first time, providing new perspectives on the Warner Bros. classics Casablanca and Gold Diggers of 1933 as well as many other masterpieces—and bombs—from Hollywood history. Finally, Maltin looks back at what he considers Hollywood's "overlooked" studio, RKO Radio Pictures, which gave us such classics as King Kong and the many dance musicals of Astaire and Rogers. In Leonard's unique and witty style, he looks at dozens of obscure RKO features from the 1930s, including saucy pre-Codes, musicals, comedies, and mysteries. Leonard Maltin's love of movies and vast knowledge about their history shines through from the first page to the last in this unique volume, which includes 150 rare photos and a comprehensive index.
"Drawing extensively on DeMille's personal archives and other primary sources, Robert S. Birchard offers a revealing portrait of the film-maker that goes behind studio gates and beyond DeMille's legendary persona. Cecil B. DeMille's Hollywood is a detailed and definitive chronicle of cinematic work that changed the course of film history and a look at how movies were made during Hollywood's golden age."--BOOK JACKET.
On October 22, 1950, the Screen Directors Guild (SDG) gathered for a meeting at the opulent Beverly Hills Hotel. Among the group's leaders were some of the most powerful men in Hollywood—John Ford, Cecil B. DeMille, Joseph L. Mankiewicz, John Huston, Frank Capra, William Wyler, and Rouben Mamoulian—and the issue on the table was nothing less than a vote to dismiss Mankiewicz as the guild's president after he opposed an anticommunist loyalty oath that could have expanded the blacklist. The dramatic events of that evening have become mythic, and the legend has overshadowed the more complex realities of this crucial moment in Hollywood history. In Hollywood Divided, Kevin Brianton explores the myths associated with the famous meeting and the real events that they often obscure. He analyzes the lead-up to that fateful summit, examining the pressure exerted by the House Un-American Activities Committee. Brianton reveals the internal politics of the SDG, its initial hostile response to the HUAC investigations, the conservative reprisal, and the influence of the oath on the guild and the film industry as a whole. Hollywood Divided also assesses the impact of the historical coverage of the meeting on the reputation of the three key players in the drama. Brianton's study is a provocative and revealing revisionist history of the SDG's 1950 meeting and its lasting repercussions on the film industry as well as the careers of those who participated. Hollywood Divided illuminates how both the press's and the public's penchant for the "exciting story" have perpetuated fabrications and inaccurate representations of a turning point for the film industry.