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Tell me some more about your nice friends in the army. You always seem to have adventures. Graphic artist by profession and avid motorcycle enthusiast, young Hans Schaefer is conscripted into Hitler's war as a soldier in the Signal Corps. Thus the reluctant yet courageous soldier bears witness to the horrors of war on the infamous Eastern Front. An articulate opponent of Hitler and his Nazi regime, Hans is relentlessly torn between loyalty to his fellow soldiers as they fight for the Führer's megalomaniac ideas and his own conscience. As a soldier he suffers extreme hardships under the German command and later, as a prisoner of war, he is both victim of and eyewitness to the Red Army's particular brand of cruelty and punishment. Yet Hans is a survivor, living by his wits and by his art. Wily and talented, he draws portraits for both the Nazis and the Russians, gaining admiration and respect from high-ranking German officers and from his Russian enemies alike. Throughout, this tenacious man never loses his moral compass. He survives the Soviet labour camps to return safely home to his family in Kiel when war finally ends in 1945. Moving to Canada to make a fresh start in a new world, Hans lives to chronicle his harrowing adventures during some of the darkest and bloodiest years in Europe's history. The collaboration of Mr. Spezzano's writing and Hans Schaefer's war experiences has produced an epic account of a German soldier's flight from the pathological Nazi regime. This novel echoes the reservations of the many Germans who harboured conflicting loyalties during the ascendancy of the Third Reich. It's also a very human story about love and loss. A courageous masterpiece and a testament to one man's struggle to retain his dignity and individuality in a world torn apart by tyrants. Jack Baret Screenwriter
To be a child in mid-twentieth-century Europe was to be not a person but an object, available for use in the service of the totalitarian state. Very soon after Adolf Hitler came to power, policies of eugenic selection and euthanasia began to weed ill or disabled children out of the New Order by poison, gas, and starvation. Defect-free “good blood” children were subjected to an “education” based on racism, propaganda, and the glorification of the Führer, and were deliberately deprived of free time that would allow independent thought or action. Once the war began, “Nordic”-looking children were kidnapped from families in the conquered lands and subjected to “Germanization.” Meanwhile, hundreds of thousands of “bad blood” children—Jews, Gypsies, Poles, Ukrainians, Russians(were separated from their families and condemned to forced migration, slave labor, sadistic experiments, starvation, and mass execution. At the end of the war, uprooted children of every origin wandered the bombed-out cities and countryside, some having been taken from home at such a young age that they did not know where they had come from or even their own names. Millions surged into and out of DP camps, exploited by political and religious groups, while the Allies and the fledgling United Nations tried mightily to put families back together and to find new homes for the orphans. All the riveting narrative skill and impeccable scholarship that distinguished Lynn Nicholas’s first book, The Rape of Europa (winner of the National Book Critics Circle Award for nonfiction), are present in her study of these terrible crimes against humanity. To research this story she has delved into the governmental and military archives of many nations, and has interviewed countless individuals. She shows the relationship of the deadly Nazi policies to the brutal tactics used in the USSR in the 1930s and to their rehearsal in the Spanish Civil War, and vividly describes the abject failure of Hitler’s campaign to plant Germanizing colonies in the conquered nations. She gives us the stories of survivors of ghastly war-spawned famines(in Greece and Russia in the 1940s, Holland in the “Hunger Winter” of 1945, and Berlin in the Airlift year of 1949(and of British, French, and Dutch children who were evacuated to the countryside; boys and girls sent alone from Europe to England on the Kindertransports; the teenaged soldiers of the Reich; the small veterans of the quarries, the factories, and the camps as well as those who survived in lonely hiding. In Cruel World Lynn Nicholas shows us clearly, and with passionate empathy for the innocent victims, the crimes against children that inevitably result when ideology overwhelms humanity. This powerful book, as it recounts the waking nightmare that enmeshed the lives of Europe’s boys and girls, bears witness to our own responsibility to the children of the twenty-first century.
Despite the enormous amount of material about Nazism, there has been no substantial work on its emblem, the swastika. This original contribution examines the popular appeal of the archaic image of the swastika: the tradition of the symbol.
Available again, the classic, unprecedented look at how the strategies and ideals of the Third Reich were informed by Adolf Hitler's artistic aspirations. "Grimly fascinating . . . A book that will rightly find its place among the central studies of Nazism. . . . Invaluable." --The New York Times
The Mitford sisters were the great wits and beauties of their time. Immoderate in their passions for ideas and people, they counted among their diverse friends Adolf Hitler and Queen Elizabeth II, Cecil Beaton and President Kennedy, Evelyn Waugh and Givenchy. The Mitfords offers an unparalleled look at these privileged siblings through their own unabashed correspondence. Spanning the twentieth century, the magically vivid letters of the legendary Mitfords constitute a superb social and historical chronicle and an intimate portrait of the stormy but enduring relationships between six beautiful, gifted, and radically different women.
"You drive down a road for the hundredth time and notice a house you've never noticed before. You look at a picture and never saw that green spot before. You pick veggies or fruit and think you've cleared the area, then go back and see all the ones you missed. It's all in your point of view. There's a new perspective, a different angle — and you see things differently. And that's where The Announcement comes in. It provides that different point of view, that new perspective, that different angle, and does so with a purpose, It's for anyone who would like to see the world be a better place, but will challenge your ideas of what "better" is. And when you're done, and have had a chance to absorb The Announcement, think of others who would hate this book. Then give it to them and cajole, bribe, beg or whatever you have to do to get them to read it, because they are the ones who desperately need it." Bill Sturk, artist and musician
This is the story of two children caught in the midst of war.It is 1939 and thirteen-year-old Ilse, half-Jewish, has been sent out of Germany by her Aryan mother to a place of supposed safety. Her journey takes her from the labyrinthine bazaars of Morocco to Paris, a city made hectic at the threat of Nazi invasion. At the same time in Germany, Nicolai, a boy miserably destined for the Nazi Youth movement, finds comfort in the friendship of Ilse’s mother, the nursemaid hired to take care of his young sister. Gripping and poignant, The Children’s War is a stunning novel of wartime lives, of parents and children, of adventure and self-discovery.
DigiCat Publishing presents to you this special edition of "Out of the Night" by Richard Julius Herman Krebs. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Between the two world wars, on a hike in the English countryside, Professor John Hill takes refuge from a violent storm in a cave. There he nearly loses his life, but he also makes an astonishing discovery -- an ancient manuscript housed in a cunningly crafted metal box. Though a philologist by profession, Hill cannot identify the language used in the manuscript and the time period in which it is was made, but he knows enough to make an educated guess -- that the book and its case are the fruits of a long-lost, but advanced civilization. The translation of the manuscript and the search for its origins become a life-long quest for Hill. As he uncovers an epic that both enchants and inspires him, he tracks down scholars from Oxford to Paris who can give him clues. Along the way, he meets several intriguing characters, including a man keenly interested in obtaining artifacts from a long-lost civilization that he believes was the creation of a superior race, and will help him fulfill his ambition to rule other men. Concluding that Hill must have found something that may help him in this quest, but knowing not what it is and where it is hidden, he has Hill, his friends at Oxford, and his family shadowed and threatened until finally he and Hill face off in a final, climatic confrontation. A story that features a giant pirate and slaver, a human chameleon on a perilous metaphysical journey, a mysterious hermit, and creatures both deadly and beautiful, this is a novel that explores the consequences of the predominant ideas of the 20th Century.