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Catweazle is a magician from the eleventh century who had trouble making his spells work. One day, all that changed, thanks to a bad dream and the hooting of an owl, and some ferocious Norman soldiers. The magic Catweazle used that day was unlike any other: it worked. The only trouble was it sped him through the centuries into 1970s Britain. There, by good fortune, he befriended a farmer's son, Carrot, and began the process of adjusting - or not - to modern life. How Catweazle manages to deal with cars and telephones and electricity (or 'electrickery', as he calls it) made for hilarious viewing on the LWT TV series and wickedly funny reading in the Puffin novelisation. And here it is again, for older readers to rediscover and as a timeless treat for children today.
Created by Richard Carpenter, Catweazle burst onto TV screens in 1970, capturing the hearts of children and adults alike. It starred Geoffrey Bayldon as the eponymous Saxon wizard, who was twice catapulted through time to a 1970s England full of technology that left him bewildered. His companions and mentors in "the new magic" were children, Carrot (Robin Davies) and Cedric (Gary Warren), both of whom he befriended. Tis Magic! Our Memories of Catweazle celebrates the 50th Anniversary of the series with forty brilliant essays in which writers explore how Catweazle has touched their lives. Extensively illustrated, it boasts a foreword by Harriet Whitehouse, daughter of Catweazle's creator, and an afterword by Venetia Davies, wife of Robin Davies. Today, Catweazle is regarded as one of the very best British children's television series. It remains well-loved and boasts a close-knit fan community brought together by the Official Catweazle Fan Club, which benefits from sales of this book.
Created by Richard Carpenter, Catweazle burst onto TV screens in 1970, capturing the hearts of children and adults alike. It starred Geoffrey Bayldon as the eponymous Saxon wizard, who was twice catapulted through time to a 1970s England full of technology that left him bewildered. His companions and mentors in "the new magic" were children, Carrot (Robin Davies) and Cedric (Gary Warren), both of whom he befriended. Tis Magic! Our Memories of Catweazle celebrates the 50th Anniversary of the series with forty brilliant essays in which writers explore how Catweazle has touched their lives. Extensively illustrated, it boasts a foreword by Harriet Whitehouse, daughter of Catweazle's creator, and an afterword by Venetia Davies, wife of Robin Davies. Today, Catweazle is regarded as one of the very best British children's television series. It remains well-loved and boasts a close-knit fan community brought together by the Official Catweazle Fan Club, which benefits from sales of this book.
Dear Mr. S. Harris, Ignore the blob of red in the top left corner. It's jam, not blood, though I don't think I need to tell you the difference. It wasn't your wife's jam the police found on your shoe. . . . I know what it's like. Mine wasn't a woman. Mine was a boy. And I killed him exactly three months ago. Zoe has an unconventional pen pal--Mr. Stuart Harris, a Texas Death Row inmate and convicted murderer. But then again, Zoe has an unconventional story to tell. A story about how she fell for two boys, betrayed one of them, and killed the other. Hidden away in her backyard shed in the middle of the night with a jam sandwich in one hand and a pen in the other, Zoe gives a voice to her heart and her fears after months of silence. Mr. Harris may never respond to Zoe's letters, but at least somebody will know her story--somebody who knows what it's like to kill a person you love. Only through her unusual confession can Zoe hope to atone for her mistakes that have torn lives apart, and work to put her own life back together again. Rising literary star Annabel Pitcher pens a captivating second novel, rich with her distinctive balance between humor and heart. Annabel explores the themes of first love, guilt, and grief, introducing a character with a witty voice and true emotional resonance.
The variety that is children's television drama is recalled in this book; shows such as: "Grange Hill"; "Stig of The Dump"; "The Railway Children"; "The Magician's House"; "The Chronicles of Narnia"; and "The Box of Delights". It lists entries on every British-made children's drama to have been shown on UK screens since 1950. Critical appraisals assess the kind of stories told for children, along with all the technical data and trivia. Programmes from the BBC and ITV are assessed, whether they were adaptations of literary classics or new, contemporary dramas, adventure, fantasy or science fiction.
In a world where battle-hardened warriors determine the fate of empires, war-ravaged nations seek out a new champion in the first book of a thrilling science fantasy trilogy: "that rare book that fully satisfies me as an action fan" (Fonda Lee, author of Jade City).​ "A book about warriors written by a master of the martial arts, and the mastery shows." – Evan Winter, author of The Rage of Dragons In a world long ago ravaged by war, the nations have sworn an armistice never to use weapons of mass destruction again. Instead, highly-skilled warriors known as Grievar Knights represent their nations’ interests in brutal hand-to-hand combat. Murray Pearson was once a famed Knight until he suffered a loss that crippled his homeland — but now he’s on the hunt to discover the next champion. In underground and ruthless combat rings, an orphaned boy called Cego is making a name for himself. Murray believes Cego has what it takes to thrive in the world's most prestigious combat academy – but first, Cego must prove himself in the vicious arenas of the underworld. And survival isn’t guaranteed. "Darwin writes violence with the rhythm and surprise of a well-executed sonnet, wedding the smooth grace of choreography with the unflinching brutality of fists breaking bone. The fights are mesmerizing, layered like fascia, twitching and flexing and propelling the story toward a conclusion that both satisfies and opens the door to the next volume." – The New York Times "Bare-knuckle brilliance." – Jackson Ford, author of The Girl Who Could Move Sh*t with Her Mind
Merdyn the Wild is from the Dark Ages. He's the world's greatest Warlock (don't call him a wizard), banished to the 21st century for bad behaviour, and he's about to create a whole load of trouble for Rose, aged 12. Rose is a totally ordinary girl, on a mission to mend her broken family. Bubbles is Rose's guinea pig. He just poos a lot. When Rose bumps into Merdyn and discovers what he is, she quickly realises that he could be just what she needs. Rose agrees to help Merdyn navigate the confusing ways of the modern world (things like: the lidded bowl in the bathroom is NOT a sink, it's a TOILET, so definitely DON'T wash your face in it) if Merdyn gives her a spell to fix her family in return. Now they just need to hide him in the shed without Rose's mum noticing, track down Merdyn's magic staff and find a way to send Merdyn back through time to the Dark Ages. What could possibly go wrong...?
This book is a powerful tool for understanding fiction and for transforming creative writing and taking it to new levels of clarity, energy and effectiveness. Learn what a story really is and what it is actually doing to and for readers, how all successful fiction follows universal patterns to attract and grip readers, the magnetic power that draws readers into a work of fiction even before the introduction of any character, what the thing called a 'character' actually is, and the secrets of how to rapidly build a convincing one that attracts readers, the things called 'plots', what they are and how they are actually made (rather than how you might suppose they are made). Find out about the writing model which, if followed, will create a machine generating unimaginable numbers of readers and heightened reader satisfaction for you, based on some of the most successful pieces of literature in the English-speaking world.
An account of the English rock band Hawkwind shows them to be one of the most innovative and culturally significant bands of the 1970s. Fifty years on from when it first formed, the English rock band Hawkwind continues to inspire devotion from fans around the world. Its influence reaches across the spectrum of alternative music, from psychedelia, prog, and punk, through industrial, electronica, and stoner rock. Hawkwind has been variously, if erroneously, positioned as the heir to both Pink Floyd and the Velvet Underground, and as Britain's answer to the Grateful Dead and Krautrock. It has defined a genre—space rock—while operating on a frequency that's uniquely its own. Hawkwind offered a form of radical escapism and an alternative account of a strange new world for a generation of young people growing up on a planet that seemed to be teetering on the brink of destruction, under threat from economic meltdown, industrial unrest, and political polarization. While other commentators confidently asserted that the countercultural experiment of the 1960s was over, Hawkwind took the underground to the provinces and beyond. In Days of the Underground, Joe Banks repositions Hawkwind as one of the most innovative and culturally significant bands of the 1970s. It's not an easy task. As with many bands of this era, a lazy narrative has built up around Hawkwind that doesn't do justice to the breadth of its ambition and achievements. Banks gives the lie to the popular perception of Hawkwind as one long lysergic soap opera; with Days of the Underground, he shows us just how revolutionary Hawkwind was.
Behavioural investing seeks to bridge the gap between psychology and investing. All too many investors are unaware of the mental pitfalls that await them. Even once we are aware of our biases, we must recognise that knowledge does not equal behaviour. The solution lies is designing and adopting an investment process that is at least partially robust to behavioural decision-making errors. Behavioural Investing: A Practitioner’s Guide to Applying Behavioural Finance explores the biases we face, the way in which they show up in the investment process, and urges readers to adopt an empirically based sceptical approach to investing. This book is unique in combining insights from the field of applied psychology with a through understanding of the investment problem. The content is practitioner focused throughout and will be essential reading for any investment professional looking to improve their investing behaviour to maximise returns. Key features include: The only book to cover the applications of behavioural finance An executive summary for every chapter with key points highlighted at the chapter start Information on the key behavioural biases of professional investors, including The seven sins of fund management, Investment myth busting, and The Tao of investing Practical examples showing how using a psychologically inspired model can improve on standard, common practice valuation tools Written by an internationally renowned expert in the field of behavioural finance