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One of the most famous voices to have survived from the Roman world, Catullus's poetry is still amongst the most popular and widely read. But what is it that makes this 2,000-year-old voice so relevant, so personal, and so endlessly fascinating? Reinvigorating discussions around the nature of Catullus's lyricism, Catullus in Twentieth-Century Music takes a completely new approach to Catullus and ideas of lyric. It centres around four musical works from the twentieth century, each one capturing the essence of Catullus in musical retellings and showcasing a very personal response to the original text. Considering how and why these musical composers used Catullus's poetry as their stimulus allows us to uncover new ideas about Catullus's poetry. By considering the very process of reception, Stephanie Oade takes a broader view of lyric, identifying traits and characteristics that are common to both music and poetry, thus transcending the boundaries of individual art forms in order to consider the genre in larger, interdisciplinary terms. It offers insights into compositional processes and challenges audiences to think about ways of engaging with music and poetry. More than anything, it shows how ancient voices continue to resound in modernity and offer everlasting expression for our own experiences and emotions.
The poems of Catullus have notoriously been subjected to numerous accidental corruptions. This work represents a radical reappraisal of his text. It recommends some six hundred changes to the Oxford Text of R.A.B. Mynors; many of these proposals are easily accessible elsewhere, but many are either original or else more or less forgotten. It is suggested here that Catullus' text was also subjected to significant deliberate change, much of it probably dating back to classical antiquity. These changes consist in part of around seventy interpolated lines, often designed to explain or paraphrase what Catullus had written, and in part of modernizations designed to adapt a Republican poet, the near contemporary of Cicero and Lucretius, to the poetical norms of the early Empire. Students of Catullus will certainly wish to take account of the arguments here advanced, even where they find themselves in disagreement with the conclusions.
"Peter Green is an outstanding translator. The reader’s excited anticipation of pleasure and instruction on receiving a new translation of a Latin poet by Green is not disappointed. This is a labor of love which makes Catullus accessible to the Latinless reader and more familiar to those who can read Latin."—Susan Treggiari, Stanford University "For almost half a century Peter Green has been one of the finest of all modern translators of classical verse. His Catullus is well up to his usual form—recapturing for a contemporary audience the wit, malice, erudition and erotic charm of the Latin original."—Mary Beard, author of The Parthenon
A Cockney Catullus traces the reception history of the Roman poet Catullus in Romantic-era Britain, identifying the influence of his poetry in the work of numerous Romantic-era literary and political figures, including Byron, Keats, Wordsworth, Coleridge, Hunt, Canning, Brougham, and Gifford.
A study of A. E. Housman by his friend and colleague A. S. F. Gow, first published in 1936 just months after Housman's death.

Bibliotheca Pinelliana. A Catalogue of the Magnificent and Celebrated Library of Maffei Pinelli, Comprehending an Unparalleled Collection of the Greek, Roman, and Italian Authors, from the Origin of Printing: With Many of the Earliest Editions Printed Upon Vellum, and Finely Illuminated ; A Considerable Number of Curious Greek and Latin Manuscripts, of the XI. XII. XIII. XIV. XV. and XVI. Centuries ; And the Completest Specimen Hitherto Known to Exist, of an Instrument Written Upon the Ancient Egyptian Papyrus, A.D. 572

Published: 1789

Total Pages: 574


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Bibliotheca Pinelliana. A Catalogue of the Magnificent and Celebrated Library of Maffei Pinelli, Late of Venice: Comprehending an Unparalleled Collection of the Greek, Roman, and Italian Authors, from the Origin of Printing ... a Considerable Number of Curious Greek and Latin Manuscripts, of the 11. 12. 13. 14. 15. and 16. Centuries; ... on Monday March 2, 1789, and the Twenty-two Following Days, (Sunday Excepted); ... at the Great Room, Opposite the Chapel, in Conduit Street, Hanover Square, London ... Catalogues to be Had of Mess. Robson and Clarke, Booksellers New Bond Street; Mr. Edwards, Booksellers, Pall Mall; and of the Principal Booksellers Throughout Europe

Maffeo Pinelli

Published: 1789

Total Pages: 572


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"Choral Repertoire is the definitive and comprehensive one-volume presentation of the most significant composers and compositions of choral music from the Western Hemisphere throughout recorded history. The book is designed for multiple uses-as a programming guide for practicing conductors, instructional resource for students and teachers of choral music, historic and stylistic reference for choral singers, and source of information about composers and compositions for choral enthusiasts-and as such, the book intends to further and make accessible important information relevant to the vast scope of choral music. Organized by era (Medieval, Renaissance, Baroque, Classical, and Modern), Choral Repertoire covers general characteristics of each historical era, trends and styles unique to various countries, biographical sketches of more than six hundred composers, and performance annotations of more than five thousand individual works. Of the composers, there is substantive coverage of women and composers of color, and of the repertoire, there is inclusion of lesser-known works as well as those works that are considered standard"--