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Loving cows, then killing them. The relation with cattle in Mursi country is shaped by the dichotomy between the value given to it during life and the death imposed upon it. The killing of cattle may be brief and inflicted with few words, but it is preceded by a series of intense aesthetic practices, such as body painting and adornments, colour poetics, poems and oratory art. This book investigates the link between the nurturing and killing of cattle with Mursi daily life and finds that these rituals cut across pastoralism, social organisation and politics in forming the very fabric of Mursi society.
The most important poetry reference for more than four decades—now fully updated for the twenty-first century Through three editions over more than four decades, The Princeton Encyclopedia of Poetry and Poetics has built an unrivaled reputation as the most comprehensive and authoritative reference for students, scholars, and poets on all aspects of its subject: history, movements, genres, prosody, rhetorical devices, critical terms, and more. Now this landmark work has been thoroughly revised and updated for the twenty-first century. Compiled by an entirely new team of editors, the fourth edition—the first new edition in almost twenty years—reflects recent changes in literary and cultural studies, providing up-to-date coverage and giving greater attention to the international aspects of poetry, all while preserving the best of the previous volumes. At well over a million words and more than 1,000 entries, the Encyclopedia has unparalleled breadth and depth. Entries range in length from brief paragraphs to major essays of 15,000 words, offering a more thorough treatment—including expert synthesis and indispensable bibliographies—than conventional handbooks or dictionaries. This is a book that no reader or writer of poetry will want to be without. Thoroughly revised and updated by a new editorial team for twenty-first-century students, scholars, and poets More than 250 new entries cover recent terms, movements, and related topics Broader international coverage includes articles on the poetries of more than 110 nations, regions, and languages Expanded coverage of poetries of the non-Western and developing worlds Updated bibliographies and cross-references New, easier-to-use page design Fully indexed for the first time
Gregory Nagy here provides a far-reaching assessment of the relationship between myth and ritual in ancient Greek society. Nagy illuminates in particular the forces of interaction and change that transformed the Indo-European linguistic and cultural heritage into distinctly Greek social institutions between the eighth and the fifth centuries B.C. Included in the volume are thirteen of Nagy's major essays--all extensively revised for book publication--on various aspects of the Hellenization of Indo-European poetics, myth and ritual, and social ideology. The primary aim of this book is to examine the Greek language as a reflection of society, with special attention to its function as a vehicle for transmitting mythology and poetics. Nagy's emphasis on the language of the Greeks, and on its comparison with the testimony of related Indo-European languages such as Latin, Indic, and Hittite, reflects his long-standing interest in Indo-European linguistics. The individual chapters examine the development of Hellenic poetics in the traditions of Homer and Hesiod; the Hellenization of Indo-European myths and rituals, including myths of the afterlife, rituals of fire, and symbols in the Greek lyric; and the Hellenization of Indo-European social ideology, with reference to such cultural institutions as the concept of the city-state. A path-breaking application of the principles of social anthropology, comparative mythology, historical linguistics, and oral poetry theory to the study of classics, Greek Mythology and Poetics will be an invaluable resource for classicists and other scholars of linguistics and literary theory.
Presented in both English and Portuguese, this lyric poetry collection explores the “troublesome blessing and burden of being human” (Publishers Weekly). Love. Sex. Death. Meat. Traffic. Pets. In Cattle of the Lord, Rosa Alice Branco offers a stunning poetic vision at once sacred and profane, a rich evocation of daily life troubled by uneasy sacramentality. In a collection translated by Alexis Levitin and presented in both Portuguese and English, readers find themselves in a world turned upside down: darkly comic, sensual, and rife with contradiction. Here, liturgical words become lovers’ invitations. Cows moo at the heavens. And chickens are lessons on the resurrection. Over the course of the collection, Branco’s unorthodox—even blasphemous—religious sensibility yields something ultimately hopeful: a belief that the physical, the quotidian, and the animalistic are holy, too. Flesh, in all its meanings—the body of the other, caressed; the animals we abuse, and eat; the sacrificial offering of Christ—demands reverence. Writing at the boundaries of sense and mystification, combining sensuous lyrics and wit with theological interrogation, Branco breaks down what we think we know about religion, faith, and what it means to be human. “Lord, how much compassion will it take for you,” her speaker cries, “To be godfather at the Sunday barbecue?” Praise for Cattle of the Lord “In Rosa Alice Branco, via the compelling translations of Alexis Levitin, we find a poet of immense spiritual, as well as intellectual, curiosity.” —Nicky Beer “A wild and sneaky book, filled with intelligence, wit, and theological anxiety. . . . Marvelous, moving, and obsessive.” —Kevin Prufer “Throughout Cattle of the Lord, speakers wield their futile agency to beseech an impassive Lord in the face of their mortality. The result is a raw, daring interrogation that demands both contemplation and confrontation. Limbed with lush language, provocative imagery, and sharp sentiment, Branco’s world is beautiful. But, make no mistake, it is foremost a bier.” —The Los Angeles Review
Since the beginning of Indo-European Studies, linguists have attempted to reconstruct aspects of the Indo-European traditions that go beyond the ‘atomic’ dimensions of related languages, such as inherited aspects of Indo-European texts and traits shared by cognate pantheons and narratives. The chapters in this volume address these very aspects of cultural reconstruction. Interdisciplinary case-studies on poetic features, religion and mythology of several ancient Indo-European languages (Ancient Greek, Latin and Italic, Hittite, Phrygian, Sanskrit, Avestan, Old Norse, Old Irish and Old Russian) work at the intersection of linguistic reconstruction and philology. The results of these investigations shed new light on a variety of aspects, ranging from obscure etymologies to the reconstruction of the genetic link among entire Indo-European myths.
Nicholas Grene explores Yeats's poetic codes of practice, the key words and habits of speech that shape the reading experience of his poetry. Where previous studies have sought to decode his work, expounding its symbolic meanings by references to Yeats's occult beliefs, philosophical ideas or political ideology, the focus here is on his poetic technique, its typical forms and their implications for the understanding of the poems. Grene is concerned with the distinctive stylistic signatures of the Collected Poems: the use of dates and place names within individual poems; the handling of demonstratives and of grammatical tense and mood; certain nodal Yeatsian words ('dream', 'bitter', 'sweet') and images (birds and beasts); dialogue and monologue as the voices of his dramatic lyrics. The aim throughout is to illustrate the shifting and unstable movement between lived reality and transcendental thought in Yeats, the embodied quality of his poetry between a phenomenal world of sight and an imagined world of vision.
This book offers the first in-depth examination of a distinctive and community-based tradition rich with larger-than-life heroes, vivid occupational language, humor, and unblinking encounters with birth, death, nature, and animals in the poetry.
An invaluable resource for staff and students in literary studies and Australian studies, this volume is the first major critical survey on Australian poetry. It investigates poetry's central role in engaging with issues of colonialism, nationalism, war and crisis, diaspora, gender and sexuality, and the environment. Individual chapters examine Aboriginal writing and the archive, poetry and activism, print culture, and practices of internationally renowned poets such as Lionel Fogarty, Gwen Harwood, John Kinsella, Les Murray, and Judith Wright. The Companion considers Australian leadership in the diversification of poetry in terms of performance, the verse novel, and digital poetries. It also considers Antipodean engagements with Romanticism and Modernism.
This volume of essays and translations analyzes the prodigious and wide-ranging output of Keijiro Suga. Based in Japan, Keijiro Suga's works are wide-ranging and multilingual. His volumes of poetry have been shortlisted for a range of poetry prizes, and he was awarded the 2011 Yomiuri Shinbun Prize for Travel writing. He has translated dozens of books and has authored or co-authored more than fifteen other books across various genres. He is, by his own introduction, a poet first, but is also a prolific book reviewer, an astute theorist, and an insightful critic. His presence and contributions have been profound in many countries around the globe.