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"A fascinating and disturbing look at a very dark chapter in the annals of the American West."—C.J. BOX, New York Times bestselling author Cattle Kate is the only woman ever lynched as a cattle rustler. History called it "range land justice" when she was strung up in Wyoming Territory on July 20, 1889, tarring her as a dirty thief and a filthy whore. But history was wrong. It was all a lie. Her real name was Ella Watson. She wasn't a rustler. She wasn't a whore. And she'd never been called Cattle Kate until she was dead and they needed an excuse. She was really a 29-year-old immigrant homesteader, lynched with her husband by her rich and powerful cattle-baron neighbors who wanted her land and its precious water rights. Some people knew the truth from the start. Their voices were drowned out by the all-powerful Wyoming Stock Growers Association. And those who dared speak out—including the eyewitnesses to the hangings—either disappeared or mysteriously died. There was no one left to testify against the vigilantes when the case eventually came to trial. Her six killers walked away scot-free. But the legend was stronger than the truth. For over a century, newspapers, magazines, books—movies, too—spread her ugly legacy. Now, on the 125th anniversary of her murder, the real Ella comes alive in Cattle Kate to tell her heartbreaking story. Jana Bommersbach's debut novel bares a legend central to the western experience.
Between 1850 and 1950, at least 115 women were lynched by mobs in the United States. The majority of these women were black. This book examines the phenomenon of the lynching of women, a much more rare occurence than the lynching of men. Over the same hundred year period covered in this text, more than 1,000 white men were lynched, while thousands of black men were murdered by mobs. Of particular importance in this examination is the role of race in lynching, particularly the increase in the number of lynchings of black women as the century progressed. Details are provided--when available--in an attempt to shine a light on this form of deadly mob violence.
Updated and revised (first edition, 1977) history of the women of the West, telling of their contributions and describing how they broke convention by ranching, trail-driving, and rodeoing. Extensive bibliography. Annotation copyrighted by Book News, Inc., Portland, OR
This work provides factual accounts of women of the Old West in contrast to their depictions on film and in fiction. The lives of Martha Calamity Jane Canary and Belle The Bandit Queen Starr are first detailed; one discovers that Starr was indeed friends with notorious bank robbers of the time, including Jesse James and Cole Younger, but was herself primarily a cattle and horse thief. Wives and lovers of some of the West's most famous outlaws are covered in the second section along with real-life female entertainers, prostitutes and gamblers. Native Americans, entrepreneurs, doctors, reformers, artists, writers, schoolteachers, and other such respectable women are covered in the third section.
Everyone knows the name Calamity Jane. Scores of dime novels and movie and TV Westerns have portrayed this original Wild West woman as an adventuresome, gun-toting hellion. Although Calamity Jane has probably been written about more than any other woman of the nineteenth-century American West, fiction and legend have largely obscured the facts of her life. This lively, concise, and exhaustively researched biography traces the real person from the Missouri farm where she was born in 1856 through the development of her notorious persona as a Wild West heroine. Before Calamity Jane became a legend, she was Martha Canary, orphaned when she was only eleven years old. From a young age she traveled fearlessly, worked with men, smoked, chewed tobacco, and drank. By the time she arrived in the boomtown of Deadwood, South Dakota, in 1876, she had become Calamity Jane, and the real Martha Canary had disappeared under a landslide of purple prose. Calamity became a hostess and dancer in Deadwood’s saloons and theaters. She imbibed heavily, and she might have been a prostitute, but she had other qualities, as well, including those of an angel of mercy who ministered to the sick and the down-and-out. Journalists and dime novelists couldn’t get enough of either version, nor, in the following century, could filmmakers. Sorting through the stories, veteran western historian Richard W. Etulain’s account begins with a biography that offers new information on Calamity’s several “husbands” (including one she legally married), her two children, and a woman who claimed to be the daughter of Wild Bill Hickok and Calamity, a story Etulain discredits. In the second half of the book, Etulain traces the stories that have shaped Calamity Jane’s reputation. Some Calamity portraits, he says, suggest that she aspired to a quiet life with a husband and family. As the 2004–2006 HBO series Deadwood makes clear, well more than a century after her first appearance as a heroine in the Deadwood Dick dime novels, Calamity Jane lives on—raunchy, unabashed, contradictory, and ambiguous as ever.
"This thundering book by the author of Old Jules is the story of the vast cattle industry of the American West; stupendous in length, concept, and achievement, it is the result of a lifetime of knowledge and research. . . . The whole story is here, long but never dull, written with humor and understatement."—Kirkus Service "Here, tough as whang leather, nourishing as pemmican, turbulent as Dodge City on a Saturday night in the late 1870s, is what time may well decide is the definitive history of the founding and flourishing of the cattle industry on this continent. . . . This splendid book says more (and says it better) about the most romantic figures of the old West than dozens of other books that have ranged over this familiar ground. Mari Sandoz has given herself room to move with tremendous drive and scholarship."—Victor P. Hass, Chicago Sunday Tribune "Drawing the fullest flavor from her expert descriptive technique, Mari Sandoz has written a regional history to stand among the best of its kind."—Library Journal
A fascinating new account of the life and legend of the Wild West’s most notorious woman: Calamity Jane Martha Jane Canary, popularly known as Calamity Jane, was the pistol-packing, rootin’ tootin’ “lady wildcat” of the American West. Brave and resourceful, she held her own with the men of America’s most colorful era and became a celebrity both in her own right and through her association with the likes of Wild Bill Hickok and Buffalo Bill Cody. In this engaging account, Karen Jones takes a fresh look at the story of this iconic frontierswoman. She pieces together what is known of Canary’s life and shows how a rough and itinerant lifestyle paved the way for the scattergun, alcohol-fueled heroics that dominated Canary’s career. Spanning Canary’s rise from humble origins to her role as “heroine of the plains” and the embellishment of her image over subsequent decades, Jones shows her to be feisty, eccentric, transgressive—and very much complicit in the making of the myth that was Calamity Jane.