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A gripping and masterful account of the moment one of America's founding cities turned on itself, giving the nation a preview of the Civil War to come. America is in a state of deep unrest, grappling with xenophobia, racial, and ethnic tension a national scale that feels singular to our time. But it also echoes the earliest anti-immigrant sentiments of the country. In 1844, Philadelphia was set aflame by a group of Protestant ideologues—avowed nativists—who were seeking social and political power rallied by charisma and fear of the immigrant menace. For these men, it was Irish Catholics they claimed would upend morality and murder their neighbors, steal their jobs, and overturn democracy. The nativists burned Catholic churches, chased and beat people through the streets, and exchanged shots with a militia seeking to reinstate order. In the aftermath, the public debated both the militia’s use of force and the actions of the mob. Some of the most prominent nativists continued their rise to political power for a time, even reaching Congress, but they did not attempt to stoke mob violence again. Today, in an America beset by polarization and riven over questions of identity and law enforcement, the 1844 Philadelphia Riots and the circumstances that caused them demand new investigation. At a time many envision America in flames, The Fires of Philadelphia shows us a city—one that embodies the founding of our country—that descended into open warfare and found its way out again.
A personal and historical examination of white Catholic anti-Blackness in the US told through 5 generations of one family, and a call for meaningful racial healing and justice within Catholicism Excavating her Catholic family’s entanglements with race and racism from the time they immigrated to America to the present, Maureen O’Connell traces, by implication, how the larger Catholic population became white and why, despite the tenets of their faith, so many white Catholics have lukewarm commitments to racial justice. O’Connell was raised by devoutly Catholic parents with a clear moral and civic guiding principle: those to whom much is given, much is expected. She became a theologian steeped in social ethics, engaged in critical race theory, and trained in the fundamentals of anti-racism. And still she found herself failing to see how her well-meaning actions affected the Black members of her congregations. It seemed that whenever she tried to undo the knots of racism, she only ended up getting more tangled in them. Undoing the Knots weaves together narrative history, theology, and critical race theory to begin undoing these knots: to move away from doing good and giving back and toward dismantling the white Catholic identity and the economic and social structures it has erected and maintained.
Reveals a number of significant and interesting insights into Irish immigrant history in America
A comprehensive guide to the history, theory and practice of Pow Wow, this book draws upon historical documentation, traditional methods, and a life of personal experience. Pow Wow, or Braucherei, as it is known by its practitioners, is a system of folk magic that has its roots in Christian and Pre-Christian Germany, but its character is wholy American - the quintissential American magical system. Drawing on quotes from the Bible, qabalistic principles and old gromoires, it is empowered by the Holy Trinity, and most practitioners consider themselves to be Christian, much like the Cunning Folk of England. The final chapter, about Doctor Santee, references material and uses a photograph that is copyright GLHoke, and used with permission. "The Red Church: The Art of Pennsylvania German Braucherei is the finest book on German magic to be seen in decades. Comprehensive in its historical, philosophical and cultural roots, The Red Church is a book that will be appreciated by academics and modern practitioners of not just folk and ceremonial magic alike, but also energetic and faith healing, symbolism, and cultural psychology. Extensively researched and documented, no one interested in the survival of Medieval and Renaissance magic into the modern era should be without a copy of it within easy reach." - Mark Stavish, Director of Studies, Institute for Hermetic Studies, author of, The Path of Alchemy, Freemasonry - Rituals, Symbols and History of the Secret Society, and Between the Gates: Lucid Dreaming, Astral Projection and the Body of Light.