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John Pollard's book surveys the relationship between Catholicism and the process of change in Italy from Unification to the present day. Central to the book is the complex set of relationships between traditional religion and the forces of change. In a broad sweep, Catholicism in Modern Italy looks at the cultural, social, political and economic aspects of the Catholic church and its relationship to the different experiences across Italy over this dramatic period of change and 'modernisation'.
John Pollard's book surveys the relationship between Catholicism and the process of change in Italy from Unification to the present day. Central to the book is the complex set of relationships between traditional religion and the forces of change. In a broad sweep, Catholicism in Modern Italy looks at the cultural, social, political and economic aspects of the Catholic church and its relationship to the different experiences across Italy over this dramatic period of change and 'modernisation'.
In the sixteenth and seventeenth centuries, conversion took on a new importance within the Catholic world, as its leaders faced the challenge of expanding the church's reach to new peoples and continents while at the same time reinforcing its authority in the Old World. Based on new archival research, this book details the extraordinary stories of converts who embraced a new religious identity in a territory where papal authority and Catholic orthodoxy were arguably at their strongest: the Italian peninsula. Through an analysis of both the unique strategies employed by clerics to attract and educate converts, and the biographies of the men and women—soldiers, aristocrats, and charlatans—who negotiated new positions for themselves in Rome and the other cities of the peninsula, a new image of Italy during the Counter-reformation emerges: a place where repression and toleration alternated in unexpected ways, leaving room for negotiation and exchange with members of rival faiths.
Catholic antimodern, 1920-1929 -- Anti-communism and paternal Catholicism, 1929-1944 -- Anti-fascism and fraternal Catholicism, 1929-1944 -- Rebuilding Christian Europe, 1944-1950 -- Christian democracy and Catholic innovation in the long 1950s -- The return of heresy in the global 1960s
In 1563, the Council of Trent published its Decrees, calling for significant reforms of the Catholic Church in response to criticism from both Protestants and Catholics alike. Bishops, according to the Decrees, would take the lead in implementing these reforms. They were tasked with creating a Church in which priests and laity were well educated, morally upright, and focused on worshipping God. Unfortunately for these bishops, the Decrees provided few practical suggestions for achieving the wide-ranging changes demanded. Reform was therefore an arduous and complex process, which many bishops struggled to accomplish or even refused to undertake fully. The Bishop’s Burden argues that reforming bishops were forced to be creative and resourceful to accomplish meaningful change, including creating strong diocesan governments, reforming clerical and lay behavior, educating priests and parishioners, and converting non-believers. The book explores this issue through a detailed case study of the episcopacy of Cardinal-Bishop Gregorio Barbarigo of Padua (bp. 1664-1697), asking how a dedicated bishop formulated a reform program that sought to achieve the Church’s goals. Barbarigo, like other reforming bishops, borrowed strategies from a variety of sources in the absence of clear guidance from Rome. He looked to both pre- and post-Tridentine bishops, the Society of Jesus, the Venetian government, and the Propaganda Fide, which he selectively emulated to address the problems he discovered in Padua. The book is based primarily on the detailed records of Barbarigo’s visitations of rural parishes and captures the rarely-heard voices of seventeenth-century Italian peasants. The Bishop's Burden helps us understand not only the changes experienced by early modern Catholics, but also how even the most sophisticated plans of central authorities could be frustrated by practical realities, which in turn complicates our understanding of state-building and social control.
This the first scholarly study of the finances and financiers of the Vatican between 1850 and 1950. Dr Pollard, a leading historian of the papacy, explores the transformation of the Vatican into a major financial power and the part this played in the developement of the modern papacy. Using hitherto unexplored sources, he sheds new light on tensions between the Vatican's engagement with capitalism and the Church's social teaching and conflicts between the Vatican and the Allies during the Second World War and the early Cold War.
Catholics and Communists in Twentieth-Century Italy explores the critical moments in the relationship between the Catholic world and the Italian left, providing unmatched insight into one of the most significant dynamics in political and religious history in Italy in the last hundred years. The book covers the Catholic Communist movement in Rome (1937-45), the experience of the Resistenza, the governmental collaboration between the Catholic Party (DC) and the Italian Communist Party (PCI) until 1947, and the dialogue between some of the key figures in both spheres in the tensest years of the Cold War. Daniela Saresella even goes on to consider the legacy that these interactions have left in Italy in the 21st century. This pioneering study is the first on the subject in the English language and is of vital significance to historians of modern Italy and the Church alike.
This study of Italian women and Catholicism from the fourth through the twentieth century reflects this conflict and the tension between the masculine character of divinity in the Catholic church and the potential for equality in the gospels and early writings ("neither male nor female, but one in Jesus")."--BOOK JACKET.
For years, historians have argued that Catholicism in the United States stood decisively apart from papal politics in European society. Drawing on previously unexamined documents from Italian state collections and newly opened Vatican archives, Peter D'Agostino paints a starkly different portrait.
This book treats Rome, the arts and religious culture in Italy in the century or so after the Council of Trent. In that era, clerical bureaucrats may have sought to impose control and uniformity, but nine original essays in this volume demonstrate continuing vitality of a wide range of creative artistic production. The book is illustrated with more than 50 reproductions. Part I and II explore themes of Italian Artists as Saints and Sinners, and Arts of Sanctity, Suffering, and Sensuality in Italy. Part III, Italy and Beyond: Rome and Global Catholic Culture, acknowledges world-wide dimensions of early modern Catholicism. From Rome to Eternity elucidates the rich and multifaceted character of Catholicism in Italy, ca. 1550-1650. Papal Rome spoke, but even as Italian Catholics listened, they themselves also spoke, and wrote, sang, acted, painted. Contributors include: Michael A. Zampelli, Gauvin Alexander Bailey, Fiora A. Bassanese, Peter Burke, James Clifton, Sheldon Grossman, Pamela Jones, Robert L. Kendrick, David M. Stone, and Thomas Worcester.