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In Catholic Literary Giants, Joseph Pearce takes the reader on a dazzling tour of the creative landscape of Catholic prose and poetry. Covering the vast and impressive terrain from Dante to Tolkien, from Shakespeare to Waugh, this book is an immersion into the spiritual depths of the Catholic literary tradition with one of today's premier literary biographers as our guide. Focusing especially on the literary revival of the twentieth century, Pearce explores well-known authors such as G.K. Chesterton, Graham Greene and J.R.R. Tolkien, while introducing lesser-known writers Roy Campbell, Maurice Baring, Owen Barfield and others. He even includes the new saint, Pope John Paul II, who wrote many literary and poetic pieces, among them the story that was made into a feature film, The Jeweler's Shop.
In Catholic Literary Giants, Joseph Pearce takes the reader on a dazzling tour of the creative landscape of Catholic prose and poetry. Covering the vast and impressive terrain from Dante to Tolkien, from Shakespeare to Waugh, this book is an immersion into the spiritual depths of the Catholic literary tradition with one of today's premier literary biographers as our guide. Focusing especially on the literary revival of the twentieth century, Pearce explores well-known authors such as G.K. Chesterton, Graham Greene and J.R.R. Tolkien, while introducing lesser-known writers Roy Campbell, Maurice Baring, Owen Barfield and others. He even includes the new saint, Pope John Paul II, who wrote many literary and poetic pieces, among them the story that was made into a feature film, The Jeweler's Shop.
Literary Converts is a biographical exploration into the spiritual lives of some of the greatest writers in the English language: Oscar Wilde, Evelyn Waugh, C.S. Lewis, Malcolm Muggeridge, Graham Greene, Edith Sitwell, Siegfried Sassoon, Hilaire Belloc, G.K. Chesterton, Dorothy Sayers, T.S. Eliot and J.R.R. Tolkien. The role of George Bernard Shaw and H.G. Wells in intensifying the religious debate despite not being converts themselves is also considered. Many will be intrigued to know more about what inspired their literary heroes; others will find the association of such names with Christian belief surprising or even controversial. Whatever viewpoint we may have, Literary Converts touches on some of the most important questions of the twentieth century, making it a fascinating read.
Pearce analyzes three of Shakespeare's immortal plays in order to uncover evidence of the Bard's Catholic beliefs.
From the early nineteenth to the mid-twentieth century, an impressive group of English speaking intellectuals converted to Catholicism. Outspoken and gifted, they intended to show the fallacies of religious skeptics and place Catholicism, once again, at the center of western intellectual life. The lives of individual converts—such as John Henry Newman, G. K. Chesterton, Thomas Merton, and Dorothy Day—have been well documented, but Patrick Allitt has written the first account of converts' collective impact on Catholic intellectual life. His book is also the first to characterize the distinctive style of Catholicism they helped to create and the first to investigate the extensive contacts among Catholic convert writers in the United States and Britain. Allitt explains how, despite the Church's dogmatic style and hierarchical structure, converts working in the areas of history, science, literature, and philosophy maintained that Catholicism was intellectually liberating. British and American converts followed each other's progress closely, visiting each other and sending work back and forth across the Atlantic. The outcome of their labors was not what the converts had hoped. Although they influenced the Catholic Church for three or four generations, they were unable to restore it to the central place in Western intellectual life that it had enjoyed before the Reformation.
A Love Letter to the Christic Imagination
This powerful and timely book, written by a former Fundamentalist, is a thorough critique of the popular Fundamentalist notion of the "Rapture", the belief that Christians will be removed from earth prior to a time of Tribulation and the Second Coming. It examines the theological, historical, and Biblical basis for "premillennial dispensationalism", the belief system based around the Rapture, and popularized in the best-selling Left Behind books and taught by "Bible prophecy" writers Tim LaHaye, Hal Lindsey, Jack Van Impe, and many others. Written for both the lay person and the serious student, this book combines an engaging, popular approach with detailed footnotes and exhaustive research. Beginning with the big picture, it focuses first on key concepts such as eschatology, the Parousia, and the relationship between the Kingdom and the Church. It then examines the Book of Revelation, providing insights into the nature and purpose of that difficult, final book of the Bible. Another chapter looks at the concept of the "millennium" and how it has been understood by various Christians over the centuries. Olson then shows how Left Behind creator LaHayeಙs many works on "Bible prophecy" are filled with attacks on Catholicism, and often rely on sensationalism, shaky scholarship, and subjective interpretations of Scripture Olson, a former dispensationalist who now edits Envoy magazine, also presents a history of apocalyptic belief and theology, beginning with the Early Church Fathers and including the Montanists, St. Augustine, Joachim of Fiore, the Protestant Reformers, and the American Puritans. He shows how John Nelson Darby, an ex-Anglican priest, developed the premillennial dispensationalist system, which hinges on the Rapture, in the 1830s and how Darby relied upon faulty assumptions about Jesus Christ, the Church, and the Bible. The second part of the book, "A Catholic Critique of Dispensationalism", focuses on three important topics: the relationship between Israel, the Church, and the Kingdom; the interpretation of Scripture; and the nature of the Rapture event. Filled with a wealth of information drawn from both Protestant and Catholic sources, this section provides a complete rebuttal to the premillennial dispensationalist system and the "left behind" theology. The book concludes with a reflection on the Catholic understanding of the end times, salvation history, and the final judgement. Glossaries of key persons and terms are also included. A strong, but fair, critique of a dangerous and popular belief, Will Catholics Be "Left Behind"? provides Catholics and Protestants, lay people and clergy, and students and scholars with important answers and information about the roots and meaning of the "Rapture". "Millions of Americans believe the Lord will snatch them up any day now, leaving the rest of us to the horrors of a seven-year tribulation. The hitch is that the 'Rapture' has no pedigree. As Carl Olson shows, no Catholic or Protestant believed in it prior to the nineteenth century. It is an authentic Fundamentalist 'invention'." Karl Keating, Author, Catholicism and Fundamentalism "In this extraordinary book, Carl Olson uses a surgeonಙs scalpel to cut through the mass of confusion that dominates contemporary reflection on the Last Things. Achieving far more than a refutation of millennialist errors and other disordered apocalyptic theories, he illumines the Church's majestic vision of time and eternity and demonstrates that Jesus Christ is the Lord of History and its end." Michael O'Brien, Author, Father Elijah
“They say comedy equals tragedy plus time: This very funny account of an often miserable childhood is proof.” --People “What a strong, funny, heartbreaking memoir, with a voice that is completely its own (written by a woman who very much seems to be completely her own, as well.) I loved it.”--Elizabeth Gilbert, New York Times bestselling author of Big Magic and Eat, Pray, Love An uproarious, moving memoir about a grandmother’s ferocious love and redefining what it means to be family “If you fight that motherf**ker and you don’t win, you’re going to come home and fight me.” Not the advice you’d normally expect from your grandmother—but Danielle Henderson would be the first to tell you her childhood was anything but conventional. Abandoned at ten years old by a mother who chose her drug-addicted, abusive boyfriend, Danielle was raised by grandparents who thought their child-rearing days had ended in the 1960s. She grew up Black, weird, and overwhelmingly uncool in a mostly white neighborhood in upstate New York, which created its own identity crises. Under the eye-rolling, foul-mouthed, loving tutelage of her uncompromising grandmother—and the horror movies she obsessively watched—Danielle grew into a tall, awkward, Sassy-loving teenager who wore black eyeliner as lipstick and was struggling with the aftermath of her mother’s choices. But she also learned that she had the strength and smarts to save herself, her grandmother gifting her a faith in her own capabilities that the world would not have most Black girls possess. With humor, wit, and deep insight, Danielle shares how she grew up and grew wise—and the lessons she’s carried from those days to these. In the process, she upends our conventional understanding of family and redefines its boundaries to include the millions of people who share her story.
Here, Henri de Lubac gathers from throughout the breadth and length of Catholic tradition elements which he synthesizes to show the essentially social and historical character of the Catholic Church and how this worldwide and agelong dimension of the Church is the only adequate matrix for the fulfillment of the person within society and the transcendence of the person towards God.