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'A heavenly book, elegant and thoughtful. Get one for yourself and one for the church-crawler in your life!' Lucy Worsley Christianity has been central to the lives of the people of Britain and Ireland for almost 2,000 years. It has given us laws, customs, traditions and our national character. From a persecuted minority in Roman Britannia through the 'golden age' of Anglo-Saxon monasticism, the devastating impact of the Vikings, the alliance of church and state after the Norman Conquest to the turmoil of the Reformation that saw the English monarch replace the Pope and the Puritan Commonwealth that replaced the king, it is a tangled, tumultuous story of faith and achievement, division and bloodshed. In If These Stones Could Talk Peter Stanford journeys through England, Scotland, Wales and Ireland to churches, abbeys, chapels and cathedrals, grand and humble, ruined and thriving, ancient and modern, to chronicle how a religion that began in the Middle East came to define our past and shape our present. In exploring the stories of these buildings that are still so much a part of the landscape, the details of their design, the treasured objects that are housed within them, the people who once stood in their pulpits and those who sat in their pews, he builds century by century the narrative of what Christianity has meant to the nations of the British Isles, how it is reflected in the relationship between rulers and ruled, and the sense it gives about who we are and how we live with each other. 'There is no better navigator through the space in which art, culture and spirituality meet than Peter Stanford' Cole Moreton, Independent on Sunday
England's great cathedrals are widely considered to be the country's finest and most beautiful possessions. Few people realise, however, that in addition to these famous buildings there are many others that share, or once shared, some of that greatness. These 'other cathedrals' have very varied origins. There were cathedrals established in Anglo-Saxon times that subsequently lost that status. Further cathedrals founded after the Norman Conquest also later ceased. Henry VIII had plans to elevate many great monastic churches to cathedral status, but most were unfulfilled. From the nineteenth century onwards, many new cathedrals have been created, both by the Church of England and by other Churches. Altogether eight groups are discussed, containing in total well over a hundred buildings. Most are fine, and many are or were in their size and magnificence fully comparable with the great cathedrals themselves. Some today stand complete and glorious. Others are now mutilated or in ruin. Some have been completely destroyed, but even these may stir us by their lost glories. Paul Jeffery explores the often fascinating episodes of history that lie behind these groups of magnificent and frequently forgotten buildings. The spotlight is then turned on each one, revealing many architectural and historical treasures.
Cathedrals are awe-inspiring buildings. Most are grand medieval structures, while others appear simple and unpretentious – yet all were designed to reflect the glory of God and have a profound impact on us. As trailblazers of architectural development, each cathedral has distinct individual features – such as the powerful Norman Romanesque west towers of Durham, the unique octagonal tower at Ely, and the daring late Gothic finery and spaciousness at Gloucester. In this lavishly illustrated guide to cathedrals from Bangor to York, with profiles of Roman Catholic and Scottish cathedrals, David Pepin outlines the evolution of architectural style, each building's key features, and the ongoing story of daily worship, wide-ranging ministry, conservation, the new work of craftspeople, and the increasing numbers of pilgrims and visitors.