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Catharine, when disciplined by her affectionate aunt Mrs Percival, retires to the bower, where she finds relief. Her good friends the Wynnes have been separated from each other by the death of their parents. On a visit from Mr and Mrs Stanley of London, Catharine and Camilla become dubious friends, and Edward appears as a dashing possible suitor. On a visit to London, Catharine is reconnected to the Wynne brothers and eventually their sisters. Mr Stanley admires and finds suitable places for the Wynne brothers, and his son returns from a journey abroad. London is now the location of Catharine and her cousins, the two Wynne brothers and the two Wynne sisters, as well as colorful friends of Camilla Stanley--resulting in various attachments between the young people, and eventual pairings, some of them quite unexpected.
Unfinished Austen examines four texts that Jane Austen left incomplete: Catharine, or the Bower (1792–-3), Lady Susan (1795?), The Watsons (1803–-4?) and Sanditon (1817), none of them published till well after her death. Since very little in manuscript form survives from the six famous novels, these four manuscript texts offer insight into the novelist in the process of creation. They also problematize the romance plot prominent in the published novels by presenting this in a nebulous or incipient state that underlines its artificiality. These texts sometimes show how the romance plot is inflected by the financial condition in which young marriageable women can find themselves. Moreover, the stories (other than Catharine) have aroused the interest of many later writers—including writers for theatre and screen—who are eager to complete or to amplify them. They may do this through developing the stories to some kind of dénouement. Perhaps more intriguingly, however, these texts induce some writers to question the very enterprise of concluding an unfinished text.
Jane Austen began writing in her early teens, and filled three notebooks with her fiction. Her earliest work reflects her interest in the novel as a genre; in brilliant short pieces she plays with plots, stock characters, diction, and style, developing a sense of form at a remarkably early age. The characters of these stories have a jaunty and never-failing devotion to themselves. They perpetually lie, cheat, steal - and occasionally commit murder. Throughout these short or unfinished pieces, Austen exhibits her sense of the preposterous in life and fiction with tough-mindedness and robust humour. Alice, the mock-heroine of Jack and Alice has `many rare and charming qualities, but Sobriety is not one of them'. In her later published fiction, Austen had learned to take demands for propriety seriously, reining in whatever might be thought boisterous or coarse. Here we see Jane Austen without her inhibitions. In addition to prose fiction and prayers, this collection also contains many of Jane Austen's poems, written to amuse or console friends, and rarely reprinted. The texts have been compared with the manuscripts and edited to give a number of new readings. The notes recreate the texture of daily life in Jane Austen's age, and demonstrate her knowledge of the fiction of her time. The introduction by Margaret Anne Doody sets the writings within the context of Jane Austen's life and literary career. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
A full-length scholarly monograph examining Jane Austen's writings within the traditions of Romanticism.
The original guide on modern housing from the premier expert and activist in the public housing movement Originally published in 1934, Modern Housing is widely acknowledged as one of the most important books on housing of the twentieth century, introducing the latest developments in European modernist housing to an American audience. It is also a manifesto: America needs to draw on Europe’s example to solve its housing crisis. Only when housing is transformed into a planned, public amenity will it truly be modern. Modern Housing’s sharp message catalyzed an intense period of housing activism in the United States, resulting in the Housing Act of 1937, which Catherine Bauer coauthored. But these reforms never went far enough: so long as housing remained the subject of capitalist speculation, Bauer knew the housing problem would remain. In light of today’s affordable housing emergency, her prescriptions for how to achieve humane and dignified modern housing remain as instructive and urgent as ever.
From the editor of the popular Annotated Pride and Prejudice comes an annotated edition of Jane Austen’s Northanger Abbey that makes her lighthearted satire of the gothic novel an even more satisfying read. Here is the complete text of the novel with more than 1,200 annotations on facing pages, including: -Explanations of historical context -Citations from Austen’s life, letters, and other writings -Definitions and clarifications -Literary comments and analysis -Maps of places in the novel -An introduction, bibliography, and detailed chronology of events -225 informative illustrations Filled with fascinating details about the characters’ clothing, furniture, and carriages, and illuminating background information on everything from the vogue for all things medieval to the opportunities for socializing in the popular resort town of Bath, David M. Shapard’s Annotated Northanger Abbey brings Austen’s world into richer focus.
A wonderful addition to Alma Classics' Jane Austen collection, here presented to include all the popular British writer's juvenilia
How do Austen's heroines find a way to prevail in their environments? How do they make the landscape work for them? In what ways does Austen herself use landscape to convey meaning? These are among the questions Barbara Britton Wenner asks as she explores how Austen uses landscape to extend the range of reflection and activity for her female protagonists. Women, Wenner argues, create private spaces within the landscape that offer them the power of knowledge gained through silent and invisible observation. She traces the construction of these hidden refuges in Austen's six major novels, as well as in her juvenilia and her final, unfinished novel, Sanditon. Her book will be an important resource for Austen specialists and for those interested generally in the importance of landscape in late eighteenth- and early nineteenth-century women's fiction writing.
When Jane Austen represented the ideal subject for a novel as "three or four families in a country village", rather than encouraging a narrow range of reference she may have meant that a tight focus was the best way of understanding the wider world. The essays in this collection research the historical significance of her many geographical references and suggest how contemporaries may have read them, whether as indications of the rapid development of national travel, or of Britain’s imperial status, or as signifiers of wealth and social class, or as symptomatic of political fears and aspirations. Specifically, the essays consider the representation of colonial mail-order wives and naval activities in the Mediterranean, the worrisome nomadism of contemporary capitalism, the complexity of her understanding of the actual places in which her fictions are set, her awareness of and eschewal of contemporary literary conventions, and the burden of the Austen family’s Kentish origins, the political implications of addresses in London and Northamptonshire. Skilful, detailed, and historically informed, these essays open domains of meaning in Austen’s texts that have often gone unseen by later readers but which were probably available to her coterie readers and clearly merit much closer critical attention.
In this book a distinguished historian explores the novels of Jane Austen, showing how they illuminate English history in the quarter century before 1792 and 1817 and how, in turn, an appreciation of this period in history enriches our reading of the novels. Oliver MacDonagh paints a picture of Jane Austen's life and personality and of the social and political worlds she inhabited during and immediately after the Napoleonic Wars. Analyzing her letters as well as her novels, he shows how Austen's experiences and her reactions to events were woven into her fiction. Each chapter combines an examination of Jane Austen's ideas and conduct in a particular field with a consideration of her treatment of the same subject in one or more of her works. MacDonagh compares the place of the Anglican Church in her life to the role of the Church of England in Mansfield Park, juxtaposes her own family relations to those of the Elliots, Musgroves, and Crofts in Persuasion, and shows how her economic vicissitudes are reflected in the use of money as the moving force in Sense and Sensibility. In the same way, other chapters tackle the themes of girlhood and education, marriage and the contemporary female economy, and local society. In every case Austen's real and imagined worlds richly illuminate on another, providing new insights for all readers of her work.