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A trek to learn the fate of a horse becomes a supernatural journey that ends in self-acceptance and healing, and memories beautifully saved forever. Blake’s father is fading away, slipping further into the grasp of Alzheimer’s with each passing day. Wanting to create lasting memories for himself before his father is consumed by the disease, Blake embarks on a road trip to uncover the fate of his father’s beloved childhood horse, the golden palomino named Chief. As they journey from the east coast of America to the west, Blake realizes that the butterflies he sees are the keepers of memories of those near to death, and they can transfer those memories to others. Blake and his father encounter people along the way, including a drag queen named Seth who shares Blake’s ability to see the butterflies. Seth joins them on their quest, and as they delve deeper into the mystery of Chief’s fate, with Seth’s help, Blake begins to understand the true power of his abilities.
The spirited story of Marcenia Lyle, the African American girl who grew up to become "Toni Stone," the first woman to play for an all-male professional baseball team.
'Catching Bullets' is a love-letter to James Bond, Duran Duran title sequences and bolting down your tea quick enough to watch Roger Moore falling out of a plane without a parachute.
"Colten Moore explains how--in the wake of the devastating freestyle snowmobile accident that killed his older brother, Caleb, at Aspen's Winter X Games--he managed to return to win gold"--
Peter Ryan wakes up on a typical morning only to find his house empty, his wife and daughter nowhere to be found. His world is shattered after a phone call to a friend confirms the impossible: his wife and daughter died in a car accident he does not remember. Haunted by faint memories and flashes of details, Peter becomes convinced that something isn't right and begins to question reality. When he discovers a note in his daughter's handwriting, strange memories begin to surface that cause him to second-guess nearly everything he once believed. Suddenly armed men show up at Peter's home, turning the mysterious puzzle of his past into a dangerous game of cat and mouse. On the run and unsure whom to trust, Peter has to discover what's real and what isn't . . . before he loses everything.
This coming-of-age story by multiple-award-winner Meg McKinlay is about loss and grief, dealing with change and fighting to hold on to what you can, while letting go of what you can’t. It’s 1979 and the sky is falling. Skylab, that is. Somewhere high above Frankie Avery, one of the world’s first space stations is tumbling to Earth. And rushing back with it are old memories. Things twelve-year-old Frankie thought she’d forgotten. Things her mum won’t talk about, and which her little brother Newt never knew. Only ... did he? Does he? Because as Skylab circles closer, Newt starts acting strangely. And while the world watches the sky, Frankie keeps her own eyes on Newt. Because if anyone’s going to keep him safe, it’s her. It always has been. But maybe this is something bigger than splinters and spiders and sleepwalking. Maybe a space station isn’t the only thing heading straight for calamity.
In a rare memoir about the Negro Leagues and its celebrated players, Frazier "Slow" Robinson offers an inspiring and often entertaining view of the black baseball diamond through a catcher's mask. In 1939, at the age of 29—after playing professional baseball for twelve years—Frazier Robinson caught the legendary Satchel Paige in barnstorming games from New Orleans to Walla Walla. Robinson played several more seasons in the Negro Leagues before finishing his career in Canada. While his career was a solid one, it was less spectacular than that of his friend and Hall-of-Famer, Satchel Paige, and so more typical of the experience of most Negro Leaguers. Richly embroidered with the threads of black society and of life as a black athlete in a racially divided nation, Robinson recounts his long career with the skill and ease of a natural storyteller. He covers, in remarkable detail, the personal perspective of the men, the teams, and the times that shaped this uniquely American subculture. From playing catcher for obscure industrial teams to barnstorming with Satchel Paige, he chronologically traces his nationwide path through the 1920s, '30s, '40s, and early '50s. The Foreword by John "Buck" O'Neil and Introduction by Gerald Early place Robinson squarely in the world of sports, African American culture, and American history.
In neighborhoods, schools, community centers, and workplaces, people are using oral history to capture and collect the kinds of stories that the history books and the media tend to overlook: stories of personal struggle and hope, of war and peace, of family and friends, of beliefs, traditions, and values—the stories of our lives. Catching Stories: A Practical Guide to Oral History is a clear and comprehensive introduction for those with little or no experience in planning or undertaking oral history projects. Opening with the key question, “Why do oral history?” the guide outlines the stages of a project from idea to final product—planning and research, the interviewing process, basic technical principles, and audio and video recording techniques. The guide covers interview transcribing, ethical and legal issues, archiving, funding sources, and sharing oral history with audiences. Intended for teachers, students, librarians, local historians, and volunteers as well as individuals, Catching Stories is the place to start for anyone who wants to document the memories and collect the stories of community or family.
Moving Sites explores site-specific dance practice through a combination of analytical essays and practitioner accounts of their working processes. In offering this joint effort of theory and practice, it aims to provide dance academics, students and practitioners with a series of discussions that shed light both on approaches to making this type of dance practice, and evaluating and reflecting on it. The edited volume combines critical thinking from a range of perspectives including commentary and observation from the fields of dance studies, human geography and spatial theory in order to present interdisciplinary discourse and a range of critical and practice-led lenses through which this type of work can be considered and explored. In so doing, this book addresses the following questions: · How do choreographers make site-specific dance performance? · What occurs when a moving body engages with site, place and environment? · How might we interpret, analyse and evaluate this type of dance practice through a range of theoretical lenses? · How can this type of practice inform wider discussions of embodiment, site, space, place and environment? This innovative and exciting book seeks to move beyond description and discussion of site-specific dance as a spectacle or novelty and considers site-dance as a valid and vital form of contemporary dance practice that explores, reflects, disrupts, contests and develops understandings and practices of inhabiting and engaging with a range of sites and environments. Dr Victoria Hunter is Senior Lecturer in Dance at the University of Chichester.
A courageous woman fights to survive the darkest days of the Salem Witch Trials in this "heart-wrenching story of family love and sacrifice" (USA Today). Salem, 1752. Sarah Carrier Chapman, weak with infirmity, writes a letter to her granddaughter that reveals the secret she has closely guarded for six decades: how she survived the Salem Witch Trials when her mother did not. Sarah's story begins more than a year before the trials, when she and her family arrive in a New England community already gripped by superstition and fear. As they witness neighbor pitted against neighbor, friend against friend, the hysteria escalates -- until more than two hundred men, women, and children have been swept into prison. Among them is Sarah's mother, Martha Carrier. In an attempt to protect her children, Martha asks Sarah to commit an act of heresy -- a lie that will most surely condemn Martha even as it will save her daughter. This is the story of Martha's courageous defiance and ultimate death, as told by the daughter who survived.