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A darkly comic and ambitious sequel to the American classic Catch-22. In Closing Time, Joseph Heller returns to the characters of Catch-22, now coming to the end of their lives and the century, as is the entire generation that fought in World War II: Yossarian and Milo Minderbinder, the chaplain, and such newcomers as little Sammy Singer and giant Lew, all linked, in an uneasy peace and old age, fighting not the Germans this time, but The End. Closing Time deftly satirizes the realities and the myths of America in the half century since WWII: the absurdity of our politics, the decline of our society and our great cities, the greed and hypocrisy of our business and culture -- with the same ferocious humor as Catch-22. Closing Time is outrageously funny and totally serious, and as brilliant and successful as Catch-22 itself, a fun-house mirror that captures, at once grotesquely and accurately, the truth about ourselves.
Bob Slocum was living the American dream. He had a beautiful wife, three lovely children, a nice house...and all the mistresses he desired. He had it all -- all, that is, but happiness. Slocum was discontent. Inevitably, inexorably, his discontent deteriorated into desolation until...something happened. Something Happened is Joseph Heller's wonderfully inventive and controversial second novel satirizing business life and American culture. The story is told as if the reader was overhearing the patter of Bob Slocum's brain -- recording what is going on at the office, as well as his fantasies and memories that complete the story of his life. The result is a novel as original and memorable as his Catch-22.
The real-life companion to the literary classic—written and illustrated by the daughter of the 340th Bomb Group’s commander, Catch-22’s Col. Cathcart. After the publication of his bestselling novel Catch-22, Joseph Heller usually chose to deny that any of his richly drawn characters were based on his actual war mates. However, to those who served with Heller in the 340th Bomb Group, the novel’s characters were indeed recognizable—the hard-drinking, vengeful, and disillusioned Chief White Halfoat; young, sliced-in-half Kid Sampson; shrieking, frenzied Hungry Joe; Col. Cathcart; Gen. Dreedle; Yossarian; and that capitalist supreme, Milo Minderbinder. In this book, written and colorfully illustrated by the daughter of the 340th Bomb Group’s commander, Col. Willis Chapman, we finally encounter the real men and combat missions on which the novel was based. While Heller’s fully developed characters stand solely, solidly, and uniquely on their own merits, The True Story of Catch-22 proves that any resemblance to persons living or dead is, in fact, actual. This three-part book blends fact, fancy, and history with full-blown original illustrations and rare, previously unpublished photos of these daring USAAF flyers and their Corsica-based B-25 Mitchell. Along with descriptions of the 340th’s real wartime experiences, the work includes twelve men of the Bomb Group relating richly told tales of their own. “In these pages it is a great pleasure to finally see the real story behind the fictionalized account, and to be even more impressed.” —Scott Carpenter, NASA astronaut “Heller’s satiric caricatures are here shown to have stemmed from patriotic, courageous, highly decorated airmen who daily performed heroic wartime feats against overwhelming obstacles.” —Library Journal
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The play is heavily metatheatrical, being not only staged at but also set at the Ambassador Theatre, the actors playing actors appearing in a play at the Ambassador. This play-within-a-play concerns a strategic bombing squadron; the squadron commander frequently steps out of character to reassure the audience that they are only watching a play. This conceit is carried to the point where the actors themselves exhibit confusion over whether they really are actors playing airmen, or actual airmen. For instance, in the second act, Henderson (played by Ron Leibman) is scheduled to be killed -- he knows this, being familiar with the script, and is not worried; but then later, a corporal is killed on a mission and Henderson is unable to find him offstage. Henderson worries that the corporal really has been killed, and that perhaps the "play" is reality.
A study of Heller's 1961 novel, "Catch-22", with critical commentary and an analysis of the text.
Dr. Bruce Gold, a forty-eight-year-old Jewish professor of English, faces the possibilities of being appointed to a high State Department position and being disowned by his family.
A masterful short story from the acclaimed author of Catch-22, about one long night of anticipation. In a small town in the American South, it is night in the middle of the twentieth century. Carter, a high-school teacher and football coach in the newly desegregated schools, is awaiting news of two of his students who have been in a serious altercation. Outside the building where Carter has kept his vigil, a crowd of townspeople have also gathered to keep watch. Carter must choose how much he wants to participate in the spectacle, and how much he can afford to keep his distance. "Almost Like Christmas" by Joseph Heller is one of 20 short stories within Mulholland Books's Strand Originals series, featuring thrilling stories by the biggest names in mystery from the Strand Magazine archives. View the full series list at mulhollandbooks.com and listen to them all!
THROUGHOUT ERICA HELLER’S LIFE, when people learned that Joseph Heller was her father, they often remarked, “How terrific!” But was there a catch? Like his most famous work, her father was a study in contradictions: eccentric, brilliant, and voracious, but also mercurial, competitive, and stubborn, with a love of mischief that sometimes cut too close to the bone. Being raised by such a larger than- life personality could be claustrophobic, even at the sprawling Upper West Side apartments of the Apthorp, which the Hellers called home—in one way or another—for forty-five years. Yossarian Slept Here is Erica Heller’s wickedly funny but also poignant and incisive memoir about growing up in a family—her iconic father; her wry, beautiful mother, Shirley; her younger brother, Ted; her relentlessly inventive grandmother Dottie—that could be by turns caring, infuriating, and exasperating, though anything but dull. From the forbidden pleasures of ordering shrimp cocktail when it was beyond the family’s budget to spending a summer, as her father’s fame grew, at the Beverly Hills Hotel, Erica details the Hellers’ charmed—and charmingly turbulent— trajectory. She offers a rare glimpse of meetings with the Gourmet Club, where her father would dine weekly with Mel Brooks, Zero Mostel, and Mario Puzo, among others (and from which all wives and children were strictly verboten). She introduces us to many extraordinary residents of the Apthorp, some famous—George Balanchine, Sidney Poitier, and Lena Horne, to name a few—and some not famous, but all quite memorable. Yet she also manages to limn the complex bonds of loyalty and guilt, hurt and healing, that define every family. Erica was among those present at her father’s bedside as he struggled to recover from Guillain-Barré syndrome and then cared for her mother when Shirley was diagnosed with terminal cancer after the thirty-eight-year marriage and intensely passionate partnership with Joe had ended. Witty and perceptive, and displaying the descriptive gifts of a born storyteller, this authentic and colorful portrait of life in the Heller household unfolds alongside the saga of the family’s moves into four distinctive apartments within the Apthorp, each representing a different phase of their lives together—and apart. It is a story about achieving a dream; about fame and its aftermath; about lasting love, squandered opportunities, and how to have the best meal in Chinatown.
Winner of the Hemingway Foundation / PEN Award, this debut novel is "as funny as The Office, as sad as an abandoned stapler . . . that rare comedy that feels blisteringly urgent." (TIME) No one knows us in quite the same way as the men and women who sit beside us in department meetings and crowd the office refrigerator with their labeled yogurts. Every office is a family of sorts, and the Chicago ad agency depicted in Joshua Ferris's exuberantly acclaimed first novel is family at its best and worst, coping with a business downturn in the time-honored way: through gossip, elaborate pranks, and increasingly frequent coffee breaks. With a demon's eye for the details that make life worth noticing, Joshua Ferris tells an emotionally true and funny story about survival in life's strangest environment—the one we pretend is normal five days a week. One of the Best Books of the Year Boston Globe * Christian Science Monitor * New York Magazine * New York Times Book Review * St. Louis Post-Dispatch * Time magazine * Salon