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Dr. Mwaniki Karura provides fresh insight into the Gospel of Mark, its audience, and its purpose in this in-depth study of the Markan text and its oral context. Through careful analysis of the rhetorical layers in Mark, Karura establishes the use of Old Testament quotations, miracle stories, and the passion narratives as tools to galvanize its readers’ response to the oral gospel they had already received. Dr. Karura demonstrates how Mark’s gospel exists as both a challenge and an encouragement, utilizing parables such as the sower and that of the wicked tenants, to reflect its readers’ own hearts. In condemning its audience’s lukewarm response to the gospel they had heard preached, it simultaneously seeks to inspire obedience, faith, and whole-hearted passion for that same gospel. This is an excellent resource for scholars and preachers alike, as they seek to further understand the Markan text, its first-century audience, and the context of the early church.
This commentary helps the reader of the book of Revelation to navigate through the challenges that have so far complicated interpretation of the book. It walks the reader into the four vision halls, Patmos, symbolic heaven, symbolic wilderness, and the symbolic high mountain. Like a trained tour guide, it illuminates the nature and purpose of every symbol and simulation of the things that are and the things that are to come. It identifies strategic acts embedded in the visionary simulations as the major communicative devices that the divine author used to evoke the intended reader responses.
“Love not the world, neither the things that are in the world. If any man loves the world, the love of the Father is not in him.” — 1 John 2:15 Those who struggle with habitual sin are keenly aware of the despair and fatigue that comes from trying harder and harder to control the desire to do what is wrong in the eyes of God. For this person, there be times of limited success in overcoming sin, but eventually he/she falls back again into unhealthy patterns. In "The Expulsive Power of a New Affection", Thomas Chalmers argues that no matter how hard we may try, we’ll never overcome habitual sin in our lives unless we switch our affections from the world to Jesus Christ. Thankfully Christ loved us first and is more than willing to set us free if we’d only realize the true Gospel power that we can all have in our lives today.
Robert Fowler's groundbreaking method—reader-response criticism—as a strategy for reading the Gospel of Mark invites contemporary readers to participating in making the meaning of the Gospel. Now available in paperback.
This volume is a systematic critique of the anti-Jewishness of the New Testament. Its primary purpose is to delineate what the New Testament authors intended to convey to their respective audiences concerning the Jewish people. That is, this volume is concerned with the initial meaning intended by the New Testament authors and how this intended meaning directly and with forethought contributed to Christian anti-Judaic1 thought and action. We will investigate how and why the New Testament authors created this anti-Judaic climate. Analysis of the Gospel stories demonstrates that anti-Judaism is woven into the fabric of a significant part of the New Testament narrative. This narrative has provoked bitter condemnation and persecution of Jews. The Jewish people were cast in the role of a dark satanic force as a systematic denigration and demonization of the Jews took place. It is to its harsh and bitter polemic against the entire Jewish people that one must ascribe the accusations of the Jews being Christ-killers and children of Satan and the later embellishments of Jews as host desecrators, ritual murders, and well-poisoners. Post-New Testament developments of Christian anti-Judaism are not central to this study. In pursuing our investigation we will make a distinction between what was originally intended by the New Testament authors and the usage made of their works to meet the anti-Judaic needs of the subsequent church. Conclusions reached by later interpreters that have often been attributed to the authors of the Gospels are not our primary concern. It is not a question of how, or to what extent, the New Testament passages concerning Jews and Judaism were misused or misread in later centuries, but of what they were meant to mean in the first place. Thus, our focus will be on what the authors meant to convey to their respective contemporary audiences about the Jews. What would the New Testaments audience have understood from the information its various authors provided? What meaning would a reader derive from a particular text? Is the New Testament anti-Jewish or is it merely an accurate report of events as they took place? Answers can only come through an examination of the relevant passages in their specific literary contexts, as well as in the context of the struggles, aspirations, and theologies of the early church. Special attention must be paid to the relationship between the church and the Roman authorities, on the one hand, and the synagogue, on the other hand, at the time the various books of the New Testament were written and to polemics within the early church community. The New Testament was not written solely to condemn the Jews. But, in the process of developing the several story lines that evolved into the four respective canonical Gospels, the early church adopted a decidedly anti-Judaic stance. Consequently, in its final form, instances of anti-Judaic sentiment are found in much of the New Testament, the Gospels in particular. This animosity has to do as much with politics as with theological doctrine, relations with the Roman imperial authorities as with displacing Jews and Judaism. If pre-Gospel traditions already included anti-Judaic elements, they were now systematically exploited. There was a growing need to explain why Israel, Gods chosen people, had rejected Jesus and the message of his disciples. How could this be reconciled with Gods will? In presenting Jesus as the Messiah and Christianity as superseding Judaism, Paul and the authors of the Gospels and Acts, in particular, indict the Jewish people for the death of Jesus and spread antipathy of Jews and Judaism as part of a program to achieve Christian ascendancy. The historicized core myths that provide the basis for the New Testament missionary program were shaped and reshaped to show that the church possessed full authenticity and validity contra Jews and Judaism. The New Testament auth
The essays in this book chart how women’s profound and turbulent experiences of migration have been articulated in writing, photography, art and film. As a whole, the volume gives an impression of a wide range of migratory events from women’s perspectives, covering the Caribbean Diaspora, refugees and slavery through the various lenses of politics and war, love and family. The contributors, which include academics and artists, offer both personal and critical points of view on the artistic and historical repositories of these experiences. Selfies, motherhood, violence and Hollywood all feature in this substantial treasure-trove of women’s joy and suffering, disaster and delight, place, memory and identity. This collection appeals to artists and scholars of the humanities, particularly within the social sciences; though there is much to recommend it to creatives seeking inspiration or counsel on the issue of migratory experiences.
In Virgin Whore, Emma Maggie Solberg uncovers a surprisingly prevalent theme in late English medieval literature and culture: the celebration of the Virgin Mary’s sexuality. Although history is narrated as a progressive loss of innocence, the Madonna has grown purer with each passing century. Looking to a period before the idea of her purity and virginity had ossified, Solberg uncovers depictions and interpretations of Mary, discernible in jokes and insults, icons and rituals, prayers and revelations, allegories and typologies—and in late medieval vernacular biblical drama. More unmistakable than any cultural artifact from late medieval England, these biblical plays do not exclusively interpret Mary and her virginity as fragile. In a collection of plays known as the N-Town manuscript, Mary is represented not only as virgin and mother but as virgin and promiscuous adulteress, dallying with the Trinity, the archangel Gabriel, and mortals in kaleidoscopic erotic combinations. Mary’s "virginity" signifies invulnerability rather than fragility, redemption rather than renunciation, and merciful license rather than ascetic discipline. Taking the ancient slander that Mary conceived Jesus in sin as cause for joyful laughter, the N-Town plays make a virtue of those accusations: through bawdy yet divine comedy, she redeems and exalts the crime. By revealing the presence of this promiscuous Virgin in early English drama and late medieval literature and culture—in dirty jokes told by Boccaccio and Chaucer, Malory’s Arthurian romances, and the double entendres of the allegorical Mystic Hunt of the Unicorn—Solberg provides a new understanding of Marian traditions.
Marcus and his best friend Taj have never been great at basketball. But during the final game of the season, their coach finally gives them the chance to play. As the minutes count down, Marcus chokes and misses his shot while Taj saves the day with a buzzer-beater. That night Marcus receives a text from an unknown number asking if he would like a do-over. He accepts and gets to relive the game and make the winning shot. But will correcting his mistake be worth taking away his best friend's moment to shine?