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For this bilingual (English-French) anthology of early modern fictitious catalogues, selections were made from a multitude of texts, from the genre’s beginnings (Rabelais’s satirical catalogue of the Library of St.-Victor (1532)) to its French and Dutch specimens from around 1700. In thirteen chapters, written by specialists in the field, diverse texts containing fictitious booklists are presented and contextualized. Several of these texts are well known (by authors such as Fischart, Doni, and Le Noble), others – undeservedly – are less known, or even unrecorded. The anthology is preceded by a literary historical and theoretical introduction addressing the parodic and satirical aspects of the genre, and its relationship to other genres: theatre, novel, and pamphlet. Contributors: Helwi Blom, Tobias Bulang, Raphaël Cappellen, Ronnie Ferguson, Dirk Geirnaert, Jelle Koopmans, Marijke Meijer Drees, Claudine Nédelec, Patrizia Pellizzari, Anne-Pascale Pouey-Mounou, Paul J. Smith, and Dirk Werle.
This book is intended to facilitate access to the amazing wealth of documents written in the five major South Indian scripts. It focusses on the South Indian Sanskrit tradition, but also takes into account the modern alphabets of the respective Dravidian languages. The sometimes bewildering variety of the five scripts is mapped out in altogether c. 5200 basic characters, ligatures (i.e., vocalizations), conjuncts/consonant clusters, numerals, abbreviations etc. Special care has been taken to break down the complexity of Grantha Tamil in a system of graphic classification.The material surveyed comprises Sanskrit manuscripts as well as the Southern tradition of Sanskrit printing, and books in Dravidian languages (including Tranquebar prints).
Script and writing were among the most important inventions in human history, and until the invention of printing, the handwritten book was the primary medium of literary and cultural transmission. Although the study of manuscripts is already quite advanced for many regions of the world, no unified discipline of ‘manuscript studies’ has yet evolved which is capable of treating handwritten books from East Asia, India and the Islamic world equally alongside the European manuscript tradition. This book, which aims to begin the interdisciplinary dialogue needed to arrive at a truly systematic and comparative approach to manuscript cultures worldwide, brings together papers by leading researchers concerned with material, philological and cultural aspects of different manuscript traditions.
The first English translation of this major work of classical Indian astronomy and mathematics. A treasure for anyone interested in early modern India and the history of mathematics, this first English translation of the Siddhāntasundara reveals the fascinating work of the scholar-astronomer Jñānarāja (circa 1500 C.E.). Toke Lindegaard Knudsen begins with an introduction to the traditions of ancient Hindu astronomy and describes what is known of Jñānarāja’s life and family. He translates the Sanskrit verses into English and offers expert commentary on the style and substance of Jñānarāja's treatise. The Siddhāntasundara contains a comprehensive exposition of the system of Indian astronomy, including how to compute planetary positions and eclipses. It also explores deep, probing questions about the workings of the universe and sacred Hindu traditions. In a philosophical discussion, the treatise seeks a synthesis between the cosmological model used by the Indian astronomical tradition and the cosmology of a class of texts sacred in Hinduism. In his discourse, which includes a discussion of the direction of down and adhesive antipodeans, Jñānarāja rejects certain principles from the astronomical tradition and reinterprets principles from the sacred texts. He also constructs a complex poem on the seasons, many verses of which have two layers of meaning, one describing a season, the other a god's activities in that season. The Siddhāntasundara is the last major treatise of Indian astronomy and cosmology to receive serious scholarly attention, Knudsen’s careful effort unveils the 500-year-old Sanskrit verses and shows the clever quirkiness of Jñānarāja's writing style, his keen use of mathematics, and his subtle philosophical arguments.