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Since the publication of Eliza May Butler's Tyranny of Greece over Germany in 1935, the obsession of the German educated elite with the ancient Greeks has become an accepted, if severely underanalyzed, cliché. In Down from Olympus, Suzanne Marchand attempts to come to grips with German Graecophilia, not as a private passion but as an institutionally generated and preserved cultural trope. The book argues that nineteenth-century philhellenes inherited both an elitist, normative aesthetics and an ascetic, scholarly ethos from their Romantic predecessors; German "neohumanists" promised to reconcile these intellectual commitments, and by so doing, to revitalize education and the arts. Focusing on the history of classical archaeology, Marchand shows how the injunction to imitate Greek art was made the basis for new, state-funded cultural institutions. Tracing interactions between scholars and policymakers that made possible grand-scale cultural feats like the acquisition of the Pergamum Altar, she underscores both the gains in specialized knowledge and the failures in social responsibility that were the distinctive products of German neohumanism. This book discusses intellectual and institutional aspects of archaeology and philhellenism, giving extensive treatment to the history of prehistorical archaeology and German "orientalism." Marchand traces the history of the study, excavation, and exhibition of Greek art as a means to confront the social, cultural, and political consequences of the specialization of scholarship in the last two centuries.
He also did a classic study of the structure of the Green Mountains that contributed to a better understanding of the problems surrounding the well-known "Taconic controversy.".
Margarita Diaz-Andreu offers an innovative history of archaeology during the nineteenth century, encompassing all its fields from the origins of humanity to the medieval period, and all areas of the world. The development of archaeology is placed within the framework of contemporary political events, with a particular focus upon the ideologies of nationalism and imperialism. Diaz-Andreu examines a wide range of issues, including the creation of institutions, the conversion of thestudy of antiquities into a profession, public memory, changes in archaeological thought and practice, and the effect on archaeology of racism, religion, the belief in progress, hegemony, and resistance.
A unique volume that brings together contributors from all over the world to provide the first truly global perspective on archaeological theory, and tackle the crucial questions facing archaeology in the 1990s. Can one practice without theory?
Since its publication in 1982, the Archaeological Gazetteer of Afghanistan has become the main reference work for the archaeology of Afghanistan, and the standard sites and monuments record for the region; archaeological sites are now referred to under their Gazetteer catalogue number as routine in academic literature, and the volume has become a key text for developing research in the area. This revised and updated edition has been significantly expanded to incorporate new field-work and discoveries, as well as older field-work more recently published, and presents new cases of synthesis and unpublished material from private archives. New discoveries include the Rabatak inscription detailing the genealogy of the Kushan kings, a huge archive of Bactrian documents, Aramaic documents from Balkh on the last days of the Persian empire, a new Greek inscription from Kandahar, two tons of coins from Mir Zakah, a Sasanian relief of Shapur at Rag-i Bibi, a Buddhist monastic 'city' at Kharwar, new discoveries of Buddhist art at Mes Aynak and Tepe Narenj, and a newly revealed city at the Minaret of Jam. With over 1500 catalogue entries, supplemented with concordance material, site plans, drawings, and detailed maps prepared from satellite imagery, the Archaeological Gazetteer of Afghanistan: Revised Edition is the most comprehensive reference work on the archaeology and monuments of the region ever undertaken. Cataloguing all recorded sites and monuments from the earliest times to the Timurid period, this volume will be an invaluable contribution to the renewed interest in Afghanistan's cultural heritage and an essential resource for students and researchers.
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