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In the ancient world, terracotta sculpture was ubiquitous. Readily available and economical—unlike stone suitable for carving—clay allowed artisans to craft figures of remarkable variety and expressiveness. Terracottas from South Italy and Sicily attest to the prolific coroplastic workshops that supplied sacred and decorative images for sanctuaries, settlements, and cemeteries. Sixty terracottas are investigated here by noted scholar Maria Lucia Ferruzza, comprising a selection of significant types from the Getty’s larger collection—life-size sculptures, statuettes, heads and busts, altars, and decorative appliqués. In addition to the comprehensive catalogue entries, the publication includes a guide to the full collection of over one thousand other figurines and molds from the region by Getty curator of antiquities Claire L. Lyons. Reflecting the Getty's commitment to open content, Ancient Terracottas from South Italy and Sicily in the J. Paul Getty Museum is available online at www.getty.edu/publications/terracottas and may be downloaded for free.
A revealing survey of Aphrodite
In Terracotta and domestic worship. Bestiary of the Graeco-Roman Egypt, Celine Boutantin proposes a new approach of terracotta produced in Egypt in the Greco-Roman period. A study taking into account the archaeological contexts allows to propose a synthesis of production workshops and to show, in some cases, an adaptation of the production of local cults. An inventory of figurines found in homes, temples and tombs allow to study the functions of these objects. Through the study of a particular theme, animal terracottas, the author raises questions about beliefs and personal or private practices. Dans Terres cuites et culte domestique. Bestiaire de l’Égypte gréco-romaine, Céline Boutantin propose une nouvelle approche des figurines en terre cuite produites en Égypte à l’époque gréco-romaine. Une étude prenant en compte les contextes archéologiques permet de dresser un bilan des ateliers de production et de montrer, dans certains cas, une adaptation de la production à des cultes locaux. Elle permet aussi de dresser un inventaire des figurines trouvées dans les maisons, les sanctuaires et les tombes et de proposer une synthèse sur les fonctions de ces objets. A travers l’étude d’un thème particulier, les représentations animales, l’auteur aborde sous un angle nouveau la question des croyances et des pratiques personnelles ou privées.
English summary: The catalogue of all the Egyptian terracotta objects of the Hellenistic and Roman periods in the Museum of Fine Arts, Budapest. The presentation of the individual pieces includes a full discussion of their relative chronology and their iconography. Since the material is mostly of unknown provenance, it has been possible to propose a dating almost exclusively on the basis of careful stylistic analysis. Italian description: La catalogazione di tutti gli oggetti in terracotta egiziani di epoca ellenistica e romana conservati nel Museum of Fine Arts di Budapest. La presentazione dei singoli pezzi comprende unampia discussione sulla loro cronologia relativa e sulla loro iconografia. Trattandosi infatti per la maggior parte di materiale di cui non si conosce la provenienza, e stato possibile proporre una datazione quasi esclusivamente sulla base di unaccurata analisi stilistica.
Edited by G. Papantoniou, D. Michaelides and M. Dikomitou-Eliadou, Hellenistic and Roman Terracottas is a collection of 29 chapters with an introduction presenting diverse and innovative approaches (archaeological, stylistic, iconographic, functional, contextual, digital, and physicochemical) in the study of ancient terracottas across the Mediterranean and the Near East, from the Hellenistic period to Late Antiquity. The 34 authors advocate collectively the significance of a holistic approach to the study of coroplastic art, which considers terracottas not simply as works of art but, most importantly, as integral components of ancient material culture. The volume will prove to be an invaluable companion to all those interested in ancient terracottas and their associated iconography and technology, as well as in ancient artefacts and classical archaeology in general.
An exhaustive study of the terracotta figurines unearthed at the site of Dura-Europos
For a century following the end of the Lamian War in 322 B.C., Athens' harbour at Pireus was almost constantly occupied by a Macedonian garrison. The Macedonian presence dealt a crucial blow to Athenian independence and Athenian democracy, initiating the first in a long and intermittent series of foreign occupations. The twenty-eight papers in this volume are based on an international conference hosted by the University of Athens in May 2001, and focus on various aspects of Athenian art, archaeology and history in the century of Macedonian domination. They consider Athens' new role as a political stepping stone for potential Successors to the throne of Macedon - Cassander, Demetrios Poliorketes and Antigonos Gonatas were each able to secure Macedonia by using Athens as a power base - and the ways in which Athenian culture was affected by the Macedonian presence. They contribute to the ongoing debate about the reasons for the Macedonian ascendancy, the degree of independence accorded Athens by their Macedonian overlords, the third-century archon list, and changes in Athenian art and architecture.
This volume is a major contribution to the field of disability history in the ancient world. Contributions from leading international scholars examine deformity and disability from a variety of historical, sociological and theoretical perspectives, as represented in various media. The volume is not confined to a narrow view of ‘antiquity’ but includes a large number of pieces on ancient western Asia that provide a broad and comparative view of the topic and enable scholars to see this important topic in the round. Disability in Antiquity is the first multidisciplinary volume to truly map out and explore the topic of disability in the ancient world and create new avenues of thought and research.