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This catalogue describes MSS 1-247 and 298 in the Chapter Library of Lincoln Cathedral, plus ten former Lincoln MSS now elsewhere. About half of the MSS were part of the cathedral's medieval Library; nearly all the rest came therebefore the late seventeenth century. Among the MSS, which date from the eighth to the early sixteenth century, are biblical commentaries and sermons, works of pastoral theology and an important corpus of Middle English texts, including the famous Thornton Romances. A group of MSS written at the Cathedral c.1100 is notable for its distinctive decoration. The Catalogue is preceded by a history of the Cathedral Library, based on the rich documentaryevidence, which includes two medieval catalogues. The plates illustrate bindings, ownership marks, important decoration and noteworthy script, including samples from all signed and dated books.
There was certainly a collection of books at Lincoln Cathedral in the twelfth century, and its origins were perhaps earlier still; but little interest seems to have been taken in building up the library until the second half of the seventeenth century, with the appointment in 1660 of the bibliophile Michael Honywood, a Fellow of Christ's College, Cambridge, as Dean. The present Wren Library's collection of some 8,000 printed books is based largely on his private library, bequeathed to the Dean and Chapter of Lincoln on his death in 1681. Much of Honywood's library was put together during seventeen years of voluntary exile in the Low Countries from 1643. It is consequently rich in sixteenth- and seventeenth-century continental literature, including rare Italian plays, European pamphlets and broadsides interpreting the English political situation, a collection of Dutch ballads, and many religious books and tracts. The splendid English collection includes 1600 STC items, and 2,650 printed between 1641 and 1700, over 100 of which are not recorded in Wing. In addition there are some 100 incunables. This complete catalogue of books printed before 1801 is the first since 1859, and offers the detail and precision required by modern scholars, bibliographers and libraries. Titles are given at some length to indicate subject coverage, and format, pagination, and details of illustrations are recorded. The catalogue notes which books belonged to Honywood, whose importance as a collector is thus established. A set of concordances keyed to the main entries covers STC, Wing, Adams, and Goff.
This volume examines private libraries and book ownership in seventeenth-century England, with particular focus on how libraries developed over this period and the social impact that they had.
Who were the first owners of the music published in England in the sixteenth and early seventeenth centuries? Who went to ‘the dwelling house of ... T. East, by Paules wharfe’ and bought a copy of Byrd’s Psalmes, sonets, & songs when it appeared in 1588? Who purchased a copy of Dowland’s First booke of songes in 1597? What other books formed part of their music library? In this survey of surviving books of music published before 1640, David Greer has gleaned information about the books’ early and subsequent owners by studying the traces they left in the books themselves: handwritten inscriptions, including names and other marks of ownership - even the scribbles and drawings a child of the family might put into a book left lying about. The result is a treasure trove of information about musical culture in early modern England. From inscriptions and marks of ownership Greer has been able to re-assemble early sets of partbooks, as well as collections of books once bound together. The search has also turned up new music. At a time when paper was expensive, new pieces were copied into blank spaces in printed books. In these jottings we find a ‘hidden repertory’ of music, some of it otherwise undiscovered music by known composers. In other cases, we see owners altering the words of songs, to suit new and personal purposes: a love-song in praise of Daphne becomes a heartfelt song to ‘my Jesus’; and ‘Faire Leonilla’ becomes Ophelia (perhaps the first mention of this character in Hamlet outside the play itself). On a more practical level, the users of the music sometimes made corrections to printing errors, and there are indications that some of these were last-minute corrections made in the printing-house (a useful guide for the modern editor). The temptation to ‘scribble in books’ was as irresistible to some Elizabethans as it is to some of us today. In doing so they left us clues to their identity, how they kept their music, how they used it, and the multifarious ways in which it played a part in their lives.
This directory is a handy on-volume discovery tool that will allow readers to locate rare book and special collections in the British Isles. Fully updated since the second edition was published in 1997. this comprehensive and up-to-date guide encompasses collections held in libraries, archives, museums and private hands. The Directory: Provides a national overview of rare book and special collections for those interested in seeing quickly and easily what a library holds Directs researchers to the libraries most relevant for their research Assists libraries considering acquiring new special collections to assess the value of such collections beyond the institution,showing how they fit into a ‘unique and distinctive’ model. Each entry in the Directory provides background information on the library and its purpose, full contact details, the quantity of early printed books, information about particular subject and language strengths, information about unique works and important acquisitions, descriptions of named special collections and deposited collections. Readership: Researchers, academic liaison librarians and library managers.
An exploration of the history of a mathematical board game played in medieval and Renaissance Europe
Volume 4 of The Cambridge History of the Book in Britain covers the years between the incorporation of the Stationers' Company in 1557 and the lapsing of the Licensing Act in 1695. In a period marked by deep religious divisions, civil war and the uneasy settlement of the Restoration, printed texts - important as they were for disseminating religious and political ideas, both heterodox and state approved - interacted with oral and manuscript cultures. These years saw a growth in reading publics, from the developing mass market in almanacs, ABCs, chapbooks, ballads and news, to works of instruction and leisure. Atlases, maps and travel literature overlapped with the popular market but were also part of the project of empire. Alongside the creation of a literary canon and the establishment of literary publishing there was a tradition of dissenting publishing, while women's writing and reading became increasingly visible.
The Imitatio Christi is considered one of the classic texts of Western spirituality. There were 800 manuscript copies and more than 740 different printed editions of the Imitatio between its composition in the fifteenth century and 1650. During the Reformation period, the book retained its popularity with both Protestants and Catholics; with the exception of the Bible it was the most frequently printed book of the sixteenth century. In this pioneering study, the remarkable longevity of the Imitatio across geographical, chronological, linguistic and confessional boundaries is explored. Rather than attributing this enduring popularity to any particular quality of universality, this study suggests that its key virtue was its appropriation by different interest groups. That such an apparently Catholic and monastic work could be adopted and adapted by both Protestant reformers and Catholic activists (including the Jesuits) poses intriguing questions about our understanding of Reformation and Counter Reformation theology and confessional politics. This study focuses on the editions of the Imitatio printed in English, French, German and Latin between the 1470s and 1650. It offers an ambitious and comprehensive survey of the process of translation and its impact and contribution to religious culture. In so doing it offers a fresh analysis of spirituality and devotion within their proper late medieval and early modern contexts. It also demonstrates that spirituality was not a peripheral dimension of religion, but remains at the very heart of both Catholic and Protestant self-perception and identity.
This book examines commercial and personal connections in the early modern book trade in Paris and northwestern France, ca. 1450–1550. The book market, commercial trade, and geo-political ties connected the towns of Paris, Caen, Angers, Rennes, and Nantes, making this a fertile area for the transference of different fields of knowledge via book culture. Diane Booton investigates various aspects of book production (typography and illustration), market (publishers and booksellers), and ownership (buyers and annotators) and describes commercial and intellectual dissemination via established pathways, drawing on primary and archival sources.