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“No man in this war has so well told the story of the American fighting man as American fighting men wanted it told,” wrote Harry Truman. “He deserves the gratitude of all his countrymen.” THIS is the final book of Ernie Pyle’s war reporting. After Africa, Italy, and D-Day on the European continent, Pyle took it the hard way again. There was still the Pacific war to win, and where the fighting was Ernie had to go, soul-sick though he was with the thousands of scenes of death and destruction he had already witnessed. He was attached to the Navy early in 1945. In the Marianas first and then living with the boys who flew the B-29s over the Japanese homeland, Pyle was experiencing a side of the war that was new to him. Next he joined an aircraft carrier on the invasion of Okinawa. He made the landing with the Marines and saw Okinawa secured. Then his luck ran out. A Japanese bullet killed Ernie Pyle on April 17th, 1945 on Ie Shima, and Americans lost their greatest and best-loved correspondent. Millions mourned the going of this modest man who wrote of the war with all honesty and no pretensions, and whose writings will stand as one of the most vital records of the struggle. LAST CHAPTER is a brief, brave little book to complete that record permanently. There is a sixteen-page picture section and an index of names and places.
The Middle Kingdom (ca. 2030–1650 B.C.) was a transformational period in ancient Egypt, during which older artistic conventions, cultural principles, religious beliefs, and political systems were revived and reimagined. Ancient Egypt Transformed presents a comprehensive picture of the art of the Middle Kingdom, arguably the least known of Egypt’s three kingdoms and yet one that saw the creation of powerful, compelling works rendered with great subtlety and sensitivity. The book brings together nearly 300 diverse works— including sculpture, relief decoration, stelae, jewelry, coffins, funerary objects, and personal possessions from the world’s leading collections of Egyptian art. Essays on architecture, statuary, tomb and temple relief decoration, and stele explore how Middle Kingdom artists adapted forms and iconography of the Old Kingdom, using existing conventions to create strikingly original works. Twelve lavishly illustrated chapters, each with a scholarly essay and entries on related objects, begin with discussions of the distinctive art that arose in the south during the early Middle Kingdom, the artistic developments that followed the return to Egypt’s traditional capital in the north, and the renewed construction of pyramid complexes. Thematic chapters devoted to the pharaoh, royal women, the court, and the vital role of family explore art created for different strata of Egyptian society, while others provide insight into Egypt’s expanding relations with foreign lands and the themes of Middle Kingdom literature. The era’s religious beliefs and practices, such as the pilgrimage to Abydos, are revealed through magnificent objects created for tombs, chapels, and temples. Finally, the book discusses Middle Kingdom archaeological sites, including excavations undertaken by the Metropolitan Museum over a number of decades. Written by an international team of respected Egyptologists and Middle Kingdom specialists, the text provides recent scholarship and fresh insights, making the book an authoritative resource.
Originally part of the Woolfs' personal library, the Leonard and Virginia Woolf Collection at Washington State University reveals valuable biographical information about the Woolfs themselves, as well as writers and artists associated with the Bloomsbury Group. The catalog consists of brief citations that describe all of the circa 6,000 volumes in the repository.
A guidebook to significant forts and battlefields that are part of American history, fully illustrated with color photographs.