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Excerpt from Catalogue of the Public Library of the City of Charlestown, 1862 The subscribers hereby agree to contribute in money or books towards the establishment of a Public Library the sums set against their names; the money to be expended in the purchase of Books to be kept in some suitable place within the present limits of the city Of Charlestown, and at the expense of said city, and to be for the use Of all the citizens, under such restrictions as may be necessary for the care and preservation of said books, and subject to such regulations as may be deemed needful by a Board of Trustees, to be annually chosen by the City Council of said city, for the management of said Library. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"In The Charleston Orphan House, distinguished economic historian John E. Murray uncovers a world about which previous generations of scholars knew next to nothing: the world of orphaned children in early national and antebellum America. Employing a unique cache of records, Murray offers a sensitive and sympathetic account of the history of the institution - the first public orphan house in the US - while at the same time making it clear that Charleston's beneficence toward white orphans was inextricably linked to the racial ideology of the city's leaders. In Murray's hands, the voices of poor white families in early America are heard as never before." -- Peter A Coclanis, University of North Carolina at Chapel Hill. -- Book jacket.
A "must" introduction to significant African-American events & people in Massachusetts where so much American history began. The first slaves arrived in Boston in 1638; the first Black gave his life in the Boston Massacre. Entries are dramatic bullet-style cameos set off by more than 100 photographs. Arranged chronologically within a dozen categories--Science, Religion, Government, Creative Arts, among them--the elegantly designed paperback offers instant identification of names & invites follow up research--a catalyst "to find out more." Among the entries: a high school student wins ten dollars in gold for her essay on the "Evils of Intemperance"; a physician fights for the right to deliver babies at the city hospital; Blacks unite in protest against the film BIRTH OF A NATION; a Boston mechanic invents a diving suit & a dentist invents a golf tee. The BOSTON GLOBE calls it a book that explores the "rich heritage & legacy of leaders who lived here but had an impact upon all America--including Frederick Douglass, William DuBois, Phillis Wheatley, Malcolm X, Dr. Martin Luther King, Jr." An executive of Bank of Boston, which funded the publication, calls it "a book about dreams." And the dreams came true. Available through Publisher's Sales Office--666 Boylston Street, Boston, MA 02116, Tele-(617)-536-5400. xt 346.
First Published in 1994. This book focuses on the historical development of the library as an institution. Its contents assume no single theoretical foundation or philosophical perspective but instead reflect the richly diverse opinions of its many contributors. This text is intended to serve as a reference tool for undergraduate and graduate students interested in library history, for library school educators whose teaching requires knowledge of the historical development of library institutions, services, and user groups, and for practicing library professionals.
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.