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The collection of objects from Predynastic Egypt in the Ashmolean Museum, Oxford, is widely regarded as the most representative of its kind anywhere in the world. This is the first catalogue of the collection, the fruit of Joan Crowfoot Payne's unique knowledge gained from over thirty years' work with this material. In addition to the basic documentation and illustration of over two thousand objects, she has provided a commentary and up-to-date review of their chronological and cultural importance. The book thus offers both a major study, and an invaluable reference work for anyone interested in the development of civilization in ancient Egypt. The Ashmolean collection is distinguished by the large amount of material from controlled excavations directed by Flinders Petrie and his associates - notably from the great cemetery site of Naqada, which has given its name to the cultural phase which initiates the Predynastic period as defined in this catalogue. It was from the evidence provided by these objects that Petrie was able to begin tracing the evolution of Egyptian society and the emergence of the Pharaonic state. As his primary conclusions have stood the test of time, the collection remains central to any study of prehistoric Egypt, so this catalogue will be an indispensable aid to current research. This reprint includes a small section of addenda to the original (1993) edition.
The aim of this study is to examine Anthropomorphic objects from the Egyptian Predynastic in terms of their original context to determine what role they played in Predynastic burials. A database comprising all provenanced anthropomorphic Predynastic objects has been composed in order to conduct a detailed analysis.
"This catalogue is published in conjunction with the exhibition 'The Dawn of Egyptian Art' on view at the Metropolitan Museum of Art, New York from April 10 to August 5, 2012"--T.p. verso.
The Egyptian Collection at Norwich Castle Museum represents the first full publication of this important collection which contains several outstanding objects. Part 1 begins with an outline of the acquisition history of the Egyptian collection and its display within Norwich Castle in 1894, when it was converted from a prison to a museum. The collection was largely acquired between the nineteenth and first part of the twentieth centuries. Its most prominent donor was Flaxman Spurrell, whose varied collection of flints, faience beads and necklaces as well as Late Antique cloths was obtained from Sir Flinders Petrie. Also prominent was the Norwich-based Colman family, most notable for its manufacture of mustard, whose collection was purchased in Egypt during the late-C19. Also included in this part are essays on several of the museum’s outstanding items – Ipu’s shroud, a rare early 18th Dynasty example with fragments also held in Cairo; the 22nd Dynasty finely decorated and well-preserved cartonnage and wooden lid of the priest, Ankh-hor; and the exceptional model granary of Nile clay painted with lively scenes, one showing the owner, Intef, playing senet. Part 2 is a detailed catalogue of the complete collection. It is organised into sections with objects grouped together mainly according to type – stelae, shabtis, scarabs, jewellery, amulets, vessels, flints, lamps, inscribed Book of the Dead fragments, metal figurines, and Late Antique cloths; and also according to function – such as cosmetics& grooming, and architectural & furniture elements. The inscribed materials have all been translated and individual entries give examples or parallels. Seventy colour plates illustrate each object.
Historical Dictionary of Ancient Egypt, Third Edition covers the whole range of the history of ancient Egypt from the Prehistoric Period until the end of Roman rule in Egypt based on the latest information provided by academic scholars and archaeologists. This is done through a revised introduction on the history of ancient Egypt, the dictionary section has over 1,000 dictionary entries on historical figures, geographical locations, important institutions and other facets of ancient Egyptian civilization. This is followed by two appendices one of which is a chronological table of Egyptian rulers and governors and the other a list of all known museums which contain ancient Egyptian objects. The volume ends with a detailed bibliography of Egyptian historical periods, archaeological sites, general topics such as pyramids, languages and arts and crafts and the publications of Egyptian material in museums throughout the world.
The book describes current research into all aspects of craftwork in ancient Egypt.
Figurines dating from prehistory have been found across the world but have never before been considered globally. The Oxford Handbook of Prehistoric Figurines is the first book to offer a comparative survey of this kind, bringing together approaches from across the landscape of contemporary research into a definitive resource in the field. The volume is comprehensive, authoritative, and accessible, with dedicated and fully illustrated chapters covering figurines from the Americas, Europe, Africa, Asia, and Australasia and the Pacific laid out by geographical location and written by the foremost scholars in figurine studies; wherever prehistoric figurines are found they have been expertly described and examined in relation to their subject matter, form, function, context, chronology, meaning, and interpretation. Specific themes that are discussed by contributors include, for example, theories of figurine interpretation, meaning in processes and contexts of figurine production, use, destruction and disposal, and the cognitive and social implications of representation. Chronologically, the coverage ranges from the Middle Palaeolithic through to areas and periods where an absence of historical sources renders figurines 'prehistoric' even though they might have been produced in the mid-2nd millennium AD, as in parts of sub-Saharan Africa. The result is a synthesis of invaluable insights into past thinking on the human body, gender, identity, and how the figurines might have been used, either practically, ritually, or even playfully.
This is the first volume in a four-book set covering all Egyptian pottery, ranging from the earliest (Fayum A) ceramics to pottery made in Egypt today, organised by historical periods. The manuals are quick identification guides as well as starting points for more extensive research. For each period, ceramic types are illustrated with a line drawing, accompanied by a description that includes information on the pot's material, manufacturing techniques, surface treatment and shape. Colour plates of representative ceramic types are included to give the clearest sense of the colour, composition and surface treatment. All four volumes provide an extensive list of suggested readings as well as a bibliography for each period. Introductory chapters in each book discuss the basics of pottery manufacture and analysis. This second edition boasts a new, expanded introduction. The first comprehensive guide to Egyptian pottery, this set will prove valuable to students as well as experienced field archaeologists. The volumes come in paperback and spiral-bound versions. The spiral bound versions, with hard laminated covers and tabs, are designed especially for the field and lab.
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
The haunting funerary paintings on wood coffins found in Roman Egypt still represent some of the most vivid images that come to us from the ancient world. These paintings were first discovered by Flinders Petrie, father of modern archaeology, in his excavations in the Egyptian Fayum during the 1880s and have rested at University College London for over 100 years. Now, the Petrie Museum is bringing this corpus of paintings to the public in a stunning catalog. Living Images is a beautiful and authoritative presentation of the restored collection that will be an essential reference for scholars and a fascinating read for general audiences. Central to the volume is a complete catalog of the mummy portraits uncovered by Petrie, including full color illustrations and descriptions of technical and stylistic features and iconographic characteristics. To add to the value of the volume, articles describe the process of finding the mummies, explain the place of funerary assemblages in the history of Egyptian burial customs, offer an introduction to Egyptian portrait painting, and explain the conservation issues presented by the coffins. Petrie’s own reflections on his finds are also included. The volume is dedicated to the memory of Egyptologist Barbara Adams and co-sponsored by the Petrie Museum.