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Hans Willem Bentinck, 1st Earl of Portland (1649–1709) was the closest confidant of William III and arguably the most important politician in Williamite Britain. Beginning his career in 1664 as page to William of Orange, his fortunes gained momentum with the Prince's rise to power in The Netherlands and Britain, emerging as William's favourite at court from the 1670s onwards. Taking a broadly chronological approach, the central concern of this book is not simply to provide a biographical account of Portland's life, but to explore wider political themes within a European context. By analysing Portland's role within William's government it shows how royal favourites could still wield considerable influence on European events and help shape royal policy, particularly with regard to foreign policy. By engaging with the question of why such a figure emerged, this study helps illuminate the workings of William's government and the central role of his foreign entourage. Drawing from archival material in England, Scotland, France and The Netherlands, it ties the history of post-Revolution Britain with political events in the Netherlands. It also analyses Anglo-Dutch political relations during the crucial period of the Nine Years War, Britain's first major commitment to a continental war since the sixteenth century. In so doing it connects Dutch and British historiography and significantly contributes to our understanding of British politics during the 1690s, both domestically and within an international context.
From the Chief Curator of the Historic Royal Palaces in England, a vivid and captivating portrait of a seventeenth-century nobleman, his household, and the dramatic decades surrounding the English Civil War. William Cavendish embodied the popular image of a cavalier. He was both courageous and cultured. His passions were architecture, horses, and women. And, along with the whole courtly world of King Charles I and his cavaliers, he was doomed to failure. This is the story of one remarkable man, but it is also a rich evocation of what sustained him-his elaborate household. In this accessible narrative history, Lucy Worsley brings to life the complex and fascinating hierarchies among the inhabitants of the great houses of the seventeenth century, painting a picture of conspiracy, sexual intrigue, clandestine marriage, and gossip. From Ben Jonson and Anthony Van Dyck to long-forgotten servants, Cavalier recreates the cacaphony, stink, ceremony, and splendor of the stately home and its inhabitants.
This radical reinterpretation of Ottoman and Arab influences on horsemanship and breeding sheds new light on English national identity, as illustrated in such classic works as Jonathan Swift's Gulliver's Travels and George Stubbs's portrait of Whistlejacket.