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The first analytical history of Sarnath, the place where the Buddha preached his first sermon and established the Buddhist monastic order. Sarnath has long been regarded as the place where the Buddha preached his first sermon and established the Buddhist monastic order. Excavations at Sarnath have yielded the foundations of temples and monastic dwellings, two Buddhist reliquary mounds (stupas), and some of the most important sculptures in the history of Indian art. This volume offers the first critical examination of the historic site. Frederick M. Asher provides a longue durée (long-term) analysis of Sarnath—including the plunder, excavation, and display of antiquities and the Archaeological Survey of India’s presentation—and considers what lies beyond the fenced-in excavated area. His analytical history of Sarnath’s architectural and sculptural remains contains a significant study of the site’s sculptures, their uneven production, and their global distribution. Asher also examines modern Sarnath, which is a living establishment replete with new temples and monasteries that constitute a Buddhist presence on the outskirts of Varanasi, the most sacred Hindu city.
This Is The Magnum Opus Of The Renowned Author. It Affords The Reader An Insight Into The Past And The Present Diversity Of The Dresses And Provides, Adequate Data Relating To Evolution Of The Indian National Costume
The present volume provides an essential foundation for a social history of Indian Buddhist monasticism. Challenging the popular stereotype that represented the accumulation of merit as the domain of the layperson while monks concerned themselves with more sophisticated realms of doctrine and meditation, Professor Schopen problematizes many assumptions about the lay-monastic distinction by demonstrating that monks and nuns, both the scholastic elites and the less learned, participated actively in a wide range of ritual practices and institutions that have heretofore been judged 'popular,' from the accumulation and transfer of merit; to the care of deceased relatives; to serving as sponsors and donors, rather than always the recipients, of gifts; to (possibly) the coining of counterfeit currency. Taken together, the studies contained in this volume represent the basis for a new historiography of Buddhism, not only for their critique of many the idées reçues of Buddhist Studies but for the compelling connections they draw between apparently disparate details.
With a curation of objects from the prehistoric ages through twenty-first century India, Sudeshna Guha provides a panoramic view of the rich histories of the subcontinent. The incisive essays in this collection detail not just the objects but the histories of their reception: examining how changing times and attitudes cast their shadow on the ways in which the past is interpreted and narrated. In doing so, A History of India through 75 Objects inspires us to interrogate our own notions of a knowable past and fixed national history. Teeming with thought-provoking insights and surprising anecdotes, the essays instill a sense of wonder about the continuous processes by which histories are constructed.